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1940-1950's Art Analysis

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The end of World War 2 resulted in a world that was falling apart completely. Artists of the 1940-1950’s felt the impact of this moral crisis particularly hard. With the world in such a horrible state, many artists felt that they could no longer paint the lively themes that had been painting before the war (Culley). They began to paint untraditional and unrealistic works of art. Their painting never really took on any specific shape or form and each work of art was extremely individual. Despite the fact that the paintings often turned out looking like chaos (Arts), “there was always an underlying serious subject” that many people did not seem to grasp (Ashton). This style of art became extremely popular. However, “the great majority of Americans disliked or even despised modern art”. This great majority of Americans even included President Truman, who “summed up the popular view when he said: ‘If that is art, then I’m a Hottentot.’”(Saunders). Although the public did not necessarily like the style of abstract expressionism, it proved to be a valuable asset for America and the CIA in the midst of the Cold War.
The CIA stands for the Central Intelligence Agency. The CIA was founded in 1947 and upon its creation, they decided to “include culture and art in the U.S. Cold War …show more content…
They seemed to have had “very little respect for the government, in particular, and certainly none for the CIA”, according to Donald Jameson (Saunders). So why did the CIA use artists who seemed to feel “closer to Moscow than to Washington” (Saunders)? The reason for this is because the CIA wanted to maintain as much secrecy as possible. They used people whom some people thought to be working for the Soviets in order to keep “[their] patronage from being discovered” (Saunders). This strategy was known as the ‘long leash’ and it worked well for the

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