...“silent era” in film history. This era was between 1894 to the early 1920s and dealt with films with no synchronized sound. These films that were produced in this era were known as silent films and include motion pictures with subtitles instead of sound. Some of the motion pictures known as silent films include: The Gold Rush, Girl Shy, For Heaven’s sake, The Dark Angel, and Dangerous Money. The film reviews of these motion picture films will be looked into for a better understanding of how the audience felt about these films. These American films were born in the age of reform and addressed themes that focused on major social and moral issues that the audience could relate to. A common theme that was prevalent in the aforementioned movies is the openness of romance in the American society. Romance films mainly involve a connection or bond shared between the two protagonists. There were many ways the theme love was displayed in these silent films. Some examples of the themes displayed in these romance films include: young love, love at first sight, unrequited love, spiritual love, sexual and passionate love, sacrificial love, tragic love, and forbidden love. The film, The Dark Angel, could be looked at as a tragic love story at first and then at the end a “happily ever after” type ending. It takes place during the “echoes of the world war” and uses the world war as a stage of conflict in the love story of Hillary Trent and Kitty Vane. This film also reflects what...
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...socio-cultural from Dutch and Japanese colonial era until the time of the old order, the new order and reform. In the era of 1990, the Indonesian film industry through adversity, many Indonesian people who prefer to watch the broadcast of private TV, this is due to lack of supply of available movies in cinemas Indonesia, almost all movies in Indonesia struggled themes for adults, while the community at that time requires choices more hardcore variety. At that time, Indonesia has no films to host again in their own country. 1.2. Business/ Industry Situation The development of film in the country is still far from expectations, appears an investor named Sudwikatmono, a businessman who is also the national younger cousin of former president Suharto. But lately Sudwikatmono withdrew from the group. Group 21 is now dominated by Benny Suherman and Harris Lesmana. In order to drive its business, the Group 21 established PT Nusantara Prosperous Kingdom which now dominates the national cinema chains. PT Nusantara Prosperous Kingdom is a master theater titled Cinema 21, Cinema XXI, and The Premiere. In addition, to control the film distribution chain, 21 groups builds three companies that led by Harris Lesmana which is Camila Internusa, PT Satrya Perkasa Esthetika Film, and PT Amero Mitra Film. The first two name that dominate the distribution channels films Motion Picture Association of America/ MPAA whereas special Amero importing non MPAA...
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...": U.S. Show/Hide Brasil BR Canada CA Deutschland DE España ES France FR Ελλάδα (Greece) GR India IN Italia IT 日本 (Japan) JP 한국 (Korea) KR Maghreb MG United Kingdom UK United States US Newsletters Top of Form Get EntertainmentNewsletters Email address Enter Email Address Bottom of Form Huffington Post Search Top of Form Search The Huffington Post Enter Search Terms Submit Search Bottom of Form iOS app Android app More Desktop Alerts Log in Create Account $USERNAME Desktop Notifications Profile Settings Logout FRONT PAGE Politics The Levy Breaks: Democrats Rage Against Obama Over Wall Street Giveaway 0 The Speech That Could Make Elizabeth Warren the Next President of the United States 0 Lawsuit Settled Involving Ferguson Officer Who Allegedly Choked, Hog-Tied A 12-Year-Old 424 GOP Senator Mansplains Democracy To Elizabeth Warren 0 Obama's New Triangulation Strategy Has Democrats On Edge 654 Go to Politics More in Politics Pollster Politics Blog Off The Bus Election Maps Pollster You Might Also Like WorldPost Green Black Voices Latino Voices Gay Voices Business Black-White Wealth Gap Has Reached A 24-Year High 58 RadioShack Planning More Store Closures, Layoffs To Avoid Collapse 28 'Eat More Kale' Guy Beats Chick-fil-A 28 Hurry Up! Big Obamacare Deadline Coming Monday 134 For 'The Interview,' Even Negative Publicity (Like A Massive Sony Hack) Is Good Publicity 11 Go to Business More...
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...Alyssa M. Gonzalez “13, 1977, 21” In Jonathan Lethem’s personal narrative essay, “13, 1977, 21”, Lethem reflects on when he was 13 years old, in the year 1977, where he watched the film Star Wars 21 times. But the essay is not actually about the Star Wars film. It is about the way Lethem used going to the movies to remove himself, or “hide” from the realities of his life, such as his mother’s illness and awkward pre-teenage years. The first few sentences of Lethem’s essay is where he blatantly tells the readers that he’s watched Star Wars twenty-one times in four months. He then uses the next three paragraphs to reflect on the circumstances surrounding his trips to the movie theater in the summer of 1977 and trying to understand what triggered him to go all twenty-one times. He describes the theater he watched the film in, down to the street in Manhattan it was on, and the interior of the theatre, that he explains was “a superior place to watch anything”. He also mentions that getting into the theater itself was “an accomplishment, both elevating and slightly dangerous”. He describes the popularity of the film at the time, where he says “any kid with a television had brought a single ticket for the same film in a single summer”, but emphasizes that he was a part of the small percent that turned watching the film into a full blown obsession. In the second paragraph, Lethem questions why he even went all twenty-one times. He writes: “But what actually occurred...
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...Lethem's personal narrative essay "13,1977,21, " Lethem reflects on when he was 13 years old, in the year 1977 where he watched the film Star Wars 21 times. However, the essay is not actually talking about the Star Wars film. It is about how Lethem used going to the movies to remove himself or hide from the real life such as his mother's illness and the recent divorce of his parents. The essay is very informal. Lethem uses sarcasm, curses, witty comments and references to pop culture in his text. The witty tone and cleverness are good, but it probably wouldn't appeal to a more formal and professional reader. The tone could be described as witty but also nostalgic. With reflecting on his trips to the movie theater along, Lethem reflects on his awkward preteen years, which it was speculated by his parents whom he was a boy. As I think, Lethem numbered each paragraph to go alone with the significant of numbers in his essay. For example, the title of essay "13,1977,21" begins to make sense once he introduces the events of 1977, where he watched a film 21 times at the age of 13. These numbers are very meaningful. Lethem's 21 trips to the movie theater to see Star Wars was not entirely his fascination with or like the movie. He used plaza as a hiding place from the gradual loss of his mother to the brain tumor and already absent father. Watching the film many times in the summer of 1977 can help him to copy with his teenage struggles....
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...1 Speed Racer (2008) Distributed by Warner Bros. By: Kjirsten Speer Senior Project April 2011 Special Acknowledgments: Bill Sonnega and Sian Muir, Professors at St. Olaf College, for instruction and guidance 2 Table of Contents 1. Executive Summary 2. Introduction 2.1 Mission Statement 2.2 Main Objectives 3. Marketing Strategies (2008) 3.1 Overview 3.2 Budget 3.3 Marketing Strategies 3.4 Assessment 4. Current Situational Assessment 4.1 Industry Analysis 4.2 Macroenvironmental Analysis 4.2.1 Culture 4.2.1.1 Cultural Trends: United States of America 4.2.1.2 Cultural Trends: Canada 4.2.1.3 Cultural Trends: Domestic Market 4.2.2 Demographics 4.2.2.1 Customer Trends: United States of America 4.2.2.2 Customer Trends: Canada 4.2.2.3 Actual Density of Customer: United States of America 4.2.2.4 Actual Density of Customer: Canada 4.2.3 Social 4.2.3.1 Social Trends: United States of America 4.2.3.2 Social Trends: Canada 4.2.3.3 Actual Social Customer: United States of America 4.2.3.4 Actual Social Customer: Canada 4.2.4 Technology 4.2.4.1 Technology Trends: Domestic Market 4.2.5 Economics 4.2.5.1 Economic Trends: United States of America 4.2.5.2 Economic Trends: Canada 4.2.6 Political/Legal 4.2.6.1 Political/Legal Trends: United State of America 4.2.6.2 Political/Legal Trends: Canada 4.3 Microenvironment Analysis 4.3.1 Company 4.3.2 Competition 4.3.2.1 Direct Competition 4.3.2.2 Indirect Competition 4.4 Primary Research (Mock...
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...David Preizler April 21, 2014 For my clip from http://movieclips.com/sKPe5-real-steel-movie-twin-cities-vs-atom/ is from the movie “Reel Steel”. It stars Hugh Jackman in a story where he is a former boxer that fights robots in a sort of Robot MMA in the future with his son. He plays the character of Charlie, and his son Max played by Dakota Goyo. The scene that we will be analyzing will be the one in where their robot Atom fights another robot named “Twin Cities”. The director for this movie is Shawn Levy (movieclips.com). In making a movie, that person is usually the director. “His or her role is often similar to that of the foreman, translating the screenwriter’s story so that the actors and crew can carry it out. And like the foreman, it’s up to the director to turn the elements he or she builds with—words, images, and sound—into something not just coherent but entertaining, even moving. It’s no accident that when films are described, they’re often talked about as the possession of the director—Martin Scorsese’s Taxi Driver, Spike Lee’s Do the Right Thing, and the like”.(Goodykoontz/Jacobs). It’s the director’s job to make sure that everything in the movie goes exactly the way it should. He controls the way actors do things, whether they can improvise or not, down to overseeing the editing. He or she is the overall boss on the set. They interpret or take the screenwriters story and make it into a running film. The production designer for this film is Tom Meyer. “Production...
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...Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School 8-2014 Nollywood: A Case Study of the Rising Nigerian Film Industry- Content & Production Elizabeth T. Giwa Southern Illinois University Carbondale, toyin.e.giwa@gmail.com Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Giwa, Elizabeth T., "Nollywood: A Case Study of the Rising Nigerian Film Industry- Content & Production" (2014). Research Papers. Paper 518. http://opensiuc.lib.siu.edu/gs_rp/518 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact opensiuc@lib.siu.edu. NOLLYWOOD: A CASE STUDY OF THE RISING NIGERIAN FILM INDUSTRYCONTENT & PRODUCTION by Toyin Elizabeth Giwa B.S., Southern Illinois University, 2010 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Science Department of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale August 2014 Copyright by ELIZABETH TOYIN GIWA, 2014 All Rights Reserved REASEARCH PAPER APPROVAL NOLLYWOOD: A CASE STUDY OF THE RISING NIGERIAN FILM INDUSTRY CONTENT & PRODUCTION By Elizabeth Toyin Giwa A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in the field of Professional Media and Media Management...
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...yet still bare the same story. Both stories tell the story of a young Cockney flower girl, Eliza Doolittle, who wishes to improve her English language with hopes of working as a clerk in a flower shop one day. In the beginning, the girl meets Higgins, an unkind, condescending gentleman while trying to hide from an unexpected rainfall. Higgins takes the girl into his home and teaches her how to become a lady. By the end, the girl learns everything about how to be a well brought-up young lady, and peruse her dream to work in the flower shop. While My Fair Lady follows Pygmalion’s storyline, the film is a musical production that really livens up the story with its upbeat singing and dancing. George Cukor (1899-1983) was born in New York City and moved to Hollywood in 1929 to begin his career as a dialogue director. Cukor's first big hit was "Little Women" in 1933. He continued to direct films for over fifty years. In this time period, he directed another big success, My Fair Lady, which he won an Oscar award for in 1964. George Barnard Shaw (1856-1950) lived in Dublin, Ireland, before moving to London in 1876. Shaw wrote music and literature regularly, but struggled financially. In 1895 he began writing plays, creating over 60 scripts, including Pygmalion, directed in 1912, which later became his most popular play. Both stories focus on a young, cockney speaking, less fortunate flower girl (Eliza Doolittle) who wishes to one day work in a flower shop like a real lady. At the beginning...
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...choose was I’m Flying. Titanic is a 1997 American classic romantic tragedy film directed, written, co-produced, co-edited and partly financed by James Cameron. Of course you have the production designer who is Peter Lamont, and the art directors who are Martin Laing and Charles Lee. In this movie each artist had their own roles in the production of the film. I will explain each role. First there is the Director James Cameron and his role is the dynamic creative force in a film's production. His role acts as the critical link between the production, technical and creative teams. James Cameron was responsible for artistically translating the film's written script into real images and sounds on the screen. He had to visualize the style and structure of the film, and then act as both a narrator and team leader to bring his vision to reality. His main responsibility is script editing, casting, shot composition, shot selection and editing. Peter Lamont is the production designer and his responsibility is the whole Art Department. Mr. Lamont role in helping the director was also to achieve the film's visual requirements, and in providing producers with carefully designed schedules which offer feasible ways of making films within agreed budgets and specific periods of time. The look of a set or location is fundamental in drawing the audience into the story. This location is an critical element in making a film believable and suggestive. A lot of hard work and imagination goes into constructing...
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...Doomsday How does doomsday become popular？ 1. The Mayan calendar says sun era will end on December 21, 2012. Many believers believe that the end of December 21, 2012 is the end of the world: a wandering planet will impact the earth, thus the whole world will be destroyed. According to ancient Mayan calendar, 2012’s winter solstice marks a 144000 days of the end of the cycle. This period began in the legendary Maya creation day, already repeated 12 times. And 13 times will come to an end in 2012, to complete a full 5200 creation cycle. There is a very short time before the end of the world coming; the rumor has become the hot topic of fiction films and television programs 2. Hollywood films and social network blow up the rumor of the end of the world: People’s fanaticism to "eschatology" stem from the Hollywood disaster film "2012". In the film, the Mayan prophecy: in the December 21, 2012, the fifth sun age coming, the sun will disappear, and the earth will violent shake, then the earth will be destroyed. Why do people so trust Mayan prophecy? Because of the mysterious Mayans were very proficient in astronomical figures. As early as 3000 years ago, they accurately calculated the time about revolution of the earth and running of other stars. The accuracy even surprised modern scientists 3. Frequent natural disasters increase people’s concern: The earth goes into seismic active period, so some people’s end guesses also warm up. On March 11, 2011, level 9.0 earthquake happened...
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...les morts” that was written by Boileau Narcejac. Jimmy Stewart who was portrayed “Scottie” was stellar in this film as well as Alfred Hitchcock’s presence and directorial style; paramount. Cinematography, which is the combined art and technology of films and how it is created, was evident in this film (Cinematography). One of the features that Alfred Hitchcock is heavily noted for is the use of color to draw in feeling and emotion within a scene. For instance, in the opening scene of Vertigo, the first thing you will notice is the use of red, blue, and green. The colors shifted from one to the next with the changing of objects and certain panning techniques that were used to focus the audience on a certain point of the frame and color significance. Most importantly, Hitchcock used those colors as a lead in to the rest of the entire movie, which they are used throughout every scene and have a specific meaning and connection. For an example, the color red was used in a matter that would have the viewer assume that emotions like that of terror, fear, and horror. However, throughout the film the same color is used in flowers, wallpaper, and other scenery, which had a different meaning as in warmer emotional feelings. The color blue was used in connection with Scottie’s case of vertigo, paranoia, guilt, and supernatural like elements. It was also common throughout the film to see him wearing blue suits and specific focus on the color of his eyes during different scenes where emotion...
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...customer was 46 years old, with a median income of about $150,000 (USD). Two-thirds were male, married, and had no children. Delving deeper, they discovered this nugget: Roughly 85% of BMW purchasers used the Internet before purchasing the-hire-logo On April 26, 2001, the now defunct bmwfilms.com launches with a series of short films available for viewing. Clive Owen plays the driver, a man who goes from place to place (in sexy BMW’s of course), getting hired by various people to be a sort of transport for their vital needs. The series launches with Ambush directed by John Frankenheimer and featuring the BMW 7 series. Along with Ambush, four other short films were released in 2001, including: - Chosen directed by Ang Lee (Crouching Tiger, Hidden Dragon) featuring the BMW 5 series >>> scroll to the bottom of this article - The Follow directed by Wong Kar-wai with Forest Whitaker, Mickey Rourke, and Adriana Lima and featuring the BMW 3 series and Z3 roadster >>> scroll to the bottom of this article - Powder Keg directed by Alejandro González Iñárritu (21 grams, Babel) featuring the BMW X5 >>> scroll to the bottom of this article (love the song...
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...Griffith, who is often referred to as the father of film, was influenced by the works of Edwin S. Porter. Porter’s two film’s Life of and American Fireman (1903) and The Great Train Robbery (1903) display some of the early innovations in filmmaking that were instrumental in the development of film language. By examining the films of Porter and Griffith ( Birth of the Nation (1915)) , discuss in detail the manner in which Griffith was influenced by the works of Edwin S. Porter in establishing the basic vocabulary of filmmaking and editing . The film industry in contemporary society has proven itself to be one of the most popular forms of entertainment and information. Films produced these days have made way for a thriving industry. It is important to understand how these films are made and in particular how the cinema culture has evolved. D.W Griffith was a prominent figure in creating films during the early 1900s. His work was based on the basic narrative ideas for film that were formally introduced by Edwin S Porter, another critical figure in cinematic history. This essay will discuss how the works of Porter influenced D.W Griffith in developing the basic vocabulary of filmmaking and editing with reference to the early films of both these filmmakers. During the silent film era, Porter introduced the use of continuity editing and different styles of scene-cutting, (Cook, 2004:18). Porter’s first experiment with films was one-shot skits such as his New York City in a Blizzard...
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...and avant-garde films. To explore various genres, film theories, and cinematic styles. To illustrate a variety of filmmaking techniques, conventions, and icons. To gain knowledge of international cinema. To study the works of prominent filmmakers and their cinematic impact. To provide a critical methodology and practical application to facilitate a greater critical understanding and appreciation of all aspects of film. To gain experience in writing critical academic essays in relation to film analysis. Students should gain a solid foundational knowledge and understanding of different film genres, forms, and techniques of film making and be able to analyze and communicate how those concepts are used in films to 1) tell a story effectively, 2) communicate meaning in a visual medium, and 3) persuade audiences towards different or particular ways of feeling about or seeing themselves and the world. As a result of taking this course, I hope that students will 1) understand how films create and communicate meaning 2) seek out and enjoy watching a greater variety of films, and 3)...
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