William Faulkner’s “A Rose for Emily” is among his most famous short stories because of the interesting method of storytelling it employs. Faulkner uses a non-linear plot structure in this story, as opposed to the more often used, more simplified linear plot structure of most fiction. “A linear plot begins at point A, progresses through events which build towards a climax, and then finally reaches point B” (Malone). In contrast, “a non-linear plot typically presents the audience with multiple paths from point A to point B” (Malone). In other words, non-linear plot structures consist of back-and-forth storytelling, or flashbacks. Because of this non-conventional plot structure, “A Rose for Emily” has been described as an “emotionally complex and chronologically confusing narrative” (Petry 53). However, the story has also been cited as “one of Faulkner’s most carefully constructed stories” (Everett 165). The effectiveness of the disordered chronology can be likened to the preciseness of an equation. As Faulkner misdirected his readers through the use of flashbacks, he revealed Miss Emily’s disoriented mental state in her dealings with the passage of time.

Faulkner efficiently complicates the narrative situation by opening “A Rose for Emily” with the death of the main character. The first sentence captures the reader’s attention immediately, evoking a collective sympathy for the main character: “When Miss Emily Grierson died, our whole town went to her funeral” (Faulkner 33). One paragraph later, the narrator explains: “Alive, Miss Emily had been a tradition, a duty, a care; a sort of hereditary obligation upon the town” (Faulkner 34). Before readers have time to digest the death of the main character, they are forced to return to the days when she was alive. The use of this flashback allows readers little time to feel much positive consideration for