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Christoph Willibald Gluck, also known as Ritter von Gluck, was a German opera composer that lived during the early classical period. He was best known for the operas Orfeo ed Euridice, Alceste, Iphigénie en Aulide, and Iphigénie en Tauride, with Iphigenie en Tauride being his most famous composition. He was specialized in Italian, French, and German operas. He was also known for making major reforms to the opera. As Gluck was a composer in the time period between Baroque and Classical Periods, he was a major composer in transforming Baroque style opera into Classical opera. Gluck’s operas have proven successful, as they had received good reviews by the concert-goers and have been performed many times around the world. His work inspired …show more content…
He was the first of six children, and his father’s name was Alexander Gluck; who married Christoph’s mother, Maria Walburga, in 1711. Christoph Gluck was born into a family of foresters living in Upper Bohemia in Germany. Gluck’s father was a forester under the service of Prince Lobkowitz. Christoph Gluck still received a good education and even music lessons, being in the lower middle class. When Christoph Gluck was thirteen, he ran away from his home in Bohemia to avoid being forced into the profession of his …show more content…
As a composer in Maria Theresa’s court, he wrote operas in Vienna. His stay in these areas influenced his works. He worked with Raniero de Calzabigi, an Italian poet, to create his new style of opera. He wanted to create an opera “free of abuses which so have so long disfigured Italian opera and made of the most splendid and beautiful of spectacles the most ridiculous and wearisome.” In the Baroque Period, the style opera seria (tragédie lyrique in French) was dominant in Europe, which is a serious style in Italian opera. Gluck used this opera style in his first operas such as Artaserse (1741), Demofoonte (1742), Il Tigrane (1743), Sofinisba (1744), and Ippolito (1745). Those early operas written by Christoph Gluck included melodic and charming movements accompanied with periodic outbursts of dynamics and emotions, which was the fashion of Italian opera at the time. Another opera style that was popular in the Gluck’s early years was the pasticcio, which was a collection of several famous arias set to different text. According to Gluck, this affected the original integrity of the piece, and his operas written in this style during his time in England were not as successful as Gluck wanted to. During Christoph Willibald Gluck’s time in England, he wrote the operas La caduta de’ giganti and Artamene in 1746; both of these operas did not meet positive reception. La

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