...away from her problems, prioritizes family first, believes anything Angel says. “Tess Durbeyfield at this time of her life was a mere vessel of emotion untinctured by experience.” Angel Clare: handsome, intelligent, youngest of 3 sons, father is a parson, expected to follow the rules of the church but instead rebels because he does not fully agree with the teachings of the church, wants to become a farmer, has great passion for Tess but shuns her when she reveals her secret. “Viewing [Tess] in these lights, a regret for [Angel’s] hasty judgments began to oppress him.” Alec d’Urberville: dark but handsome, manipulative, persistent in marrying Tess, not totally but is portrayed devilish. “He had an almost swarthy complexion, with full lips, badly moulded, though red and smooth, above which was a well-groomed black moustache with curled points, though his age could not be more than three- or four-and-twenty.” Joan Durbeyfield: mother of Tess and many other children, widowed through mid-book, seems to care for Tess but is only truly looking out for herself. “You ought to have been more careful if you didn’t mean to get him to make you his wife!” Point of View (include significance): The book is written in an omniscient point of view so the reader can understand why setting plays such a big role in the novel. It help us better understand the characters and the plot going on in the novel. Symbols/Images/Motifs (include quotes and significance) Landscape: reflects what is...
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...The North Rose Window at Chartres & Its Intricate Stained Glass Story that Depicts the Importance of Christ’s Heritage from the Old Testament Although it may seem an outdated medium, stained glass is one of the most striking and intricate forms of expression. Stained glass has been one of the most powerful sources of storytelling during its extended history, especially in telling the history of Christianity in churches, cathedrals and similar notable buildings. However stained glass hadn’t been the method of communication in Christianity before the Gothic style. “The elimination of solid mural surfaces and the transformation of the Gothic building into a skeletal frame led to the ascendancy of stained glass during the twelfth century” (Bleiberg.) Not only does stained glass serve to tell remarkable stories, but it is also a significant part of the architecture. It is unlikely to find original stained glass windows that are still intact, and so it is not surprising that Chartres Cathedral, 50 miles southwest of Paris, is renowned for its well-preserved stained glass. Chartres began construction in 1194 and continued to assemble until 1250, and so the Rayonnant style remains somewhat cohesive throughout the cathedral. Chartres has three rose windows, created around 1235, which show some of the most stunning examples of high gothic intricacy and tracery. The north rose window depicts the glorification of the Virgin, and through its incredible complexity and striking painted...
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...Look back through the play to find as many light and dark images as you can. In each case, identify the context; who is speaking? When and where? What kind of effects do these images have? Light and dark imagery: Act 1 scene 1- scene 4 Montague says: Away from light steals home my heavy son Shut up his windows, locks fair daylight out And makes himself an artificial night He talks about Romeo as he is depressed and locked himself in a room. Capulet says: At my poor house look to behold this night Earth treading stars that make heaven light He means there will be a lot of beautiful ladies at the party and their beauties will light up the night sky. Romeo says: Give me a torch: I am not for this ambling Being but heavy, I will bear the light Romeo said this to Benvolio at Capulet party. He doesn’t want to wear a mask because he is in the bad mood, heavy and he will stand still and carry the light. Romeo says: But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun Romeo said this to Juliet. He is saying that her beauty is like the sun. Shining beauty, pure, shiny. Romeo says: Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she Romeo said this to Juliet at the balcony. He is saying that he does not want the sun to arise because that means he will have to go home and there are chances that he will see Juliet again. Act 1 scene...
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...the meaning of the name, Islam. The word “Islam” is derived form the Arabic root “asalama” which literally means peace, purity and submission. Thus Islam means “surrender to the Almighty” and Muslim means “one who is in a state of submission”. It is understood that this submission is to the Will of God, as is laid down in the Quran. This tenet is unequivocally accepted by all sects of Islam be they Shia, Sunni or Sufis. 2. Explain the basic concepts of Islam. Islam is an unerringly monotheistic religion. It enjoins the existence of one God, his prophet Muhammad who is the Last Prophet in a long line of prophets sent throughout time and to every civilization, and the Quran as the Word of God revealed to Muhammad through the angel Jibrael. Muslims believe that God is one and incomparable and the purpose of life is to worship him and to adhere to his word, as laid down in the Quran, and in Sunnah , as closely as possible. They believe that Islam is the final, completed and universal version of a faith revealed too many prophets before; most notably Abraham, Moses and Jesus, but whose message has now been distorted. 3. Describe the practices of Islam. The practices of Islam are based on the ubiquitous “Five Pillars”. These are, in order of importance, Shahadah or acceptance of One-ness of God, Salat or five daily Prayers, Saum or Fasting in the month of Ramadan, Zakat or obligatory Alms-giving, Hajj or Pilgrimage to...
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...academies, excelling in Latin, in writing verse, and declamation. However, despite his education, he was looked down upon and regarded as an outsider by the upper class of Richmond’s society; perhaps because the Allan’s never legally adopted Poe. Also, the culture of Richmond during Poe’s young adulthood did not regard actors in a high manner. This could have attributed to his reputation since his biological parents were actors. The loss of his mother at an early age definitely affected Poe. “The angels, whispering to one another, Can find, among their burning terms of love, None so devotional as that of ‘Mother’” Poe wrote that in To My Mother. In Tamerlane, he not only wrote about his father, but he wrote about his mother as well; he had more respect for his mother than he did for his father. This respect can be found in “Tamerlane” because in it he speaks much nicer of his mother. For example, he writes, “O, she was worthy of all love! Love – as in infancy was mine – ‘Twas such as angel minds above Might envy; her young heart the shrine on which my every hope and thought.’” Tamerlane also shows Poe’s inner reflections of how he thought life with his mother might have been. In 1831 Poe moved to Baltimore to...
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...************** Dr. Ehrenkrook RELGST 1210 19 October 2012 2 Baruch The beginning of Baruch starts in the twenty-fifth year of Jeconiah, king of Judah, when the word of the Lord came to Baruch, the son of Neriah. God asks, “Have you seen all that this people are doing to Me, that the evils which these two tribes which remained have done are greater than (those of) the ten tribes which were carried away captive?” The people of Israel are not folling the commandments he gave to them. “The former tribes were forced by their kings to commit sin, but these two of themselves have been forcing and compelling their kings to commit sin. For this reason, behold I bring evil upon this city, and upon its inhabitants, and it shall be removed from before me for a time, and I will scatter this people among the Gentiles that they may do good to the Gentiles. And my people shall be chastened, and the time shall come when they will seek for the prosperity of their times.” This is not the kind, loving and forgiving God that kids learn about in bible school. This God is planning on destroying a city, so he then picks out a man in that city, Baruch, and tells him to leave. Then God plans on delivering up this land to the people that hate the Jews. This is also unique because God refers to the fact that he is destroying the city of his people. God then says that he is telling Baruch this so that him and people like him may “retire” from the city. The reason God will save Baruch’s people is...
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...THE SPANISH COLONIAL TRADITION From 1565 to 1898 the Philippines was a colony of Spain. During this long period, Spanish-influenced architecture appeared, namely, the iglesia or simbahan (church) and its adjoining campanario (bell tower) and convento (residence of the parish priest), the escuela (school), the fuerza or fortaleza (fortification), the civic buildings like the casa real and tribunal, the farola (lighthouses), the bahay na bato (dwellings of wood and stone), and the puente (stone bridges). It is generally acknowledged that the Philippines is the bastion of Christianity in the Orient. Some scholars believe that, because of this, the country absorbed the greatest degree of influence from the west in the Asian region, losing much of its identity in the process. Other scholars believe, however, that all these influences were really assimilated by the older ethnic base, which actually indigenized them. It is pointed out, for example, that the Spanish word for church, iglesia, never became fully accepted among the Filipinos, who used their own terms to denote a place of worship. Thus the Tagalog and Cebuano use simbahan, the Ilocano, simbaan, and the Pampango, pisamban. This process of indigenization was to characterize much of Filipino construction during the more than three centuries of Spanish colonization. The Beginnings The history of Philippine architecture under the Spanish regime begins with the arrival of Miguel Lopez de Legaspi’s expedition in 1565. In Cebu...
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...Jekyll-Hyde relationship is revealed. Therefore, we confront the theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According to this theory, the potion simply strips away the civilized veneer, exposing man’s essential nature. Certainly, the novel goes out of its way to paint Hyde as animalistic—he is hairy and ugly; he conducts himself according to instinct rather than reason; Utterson describes him as a “troglodyte...
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...Jekyll-Hyde relationship is revealed. Therefore, we confront the theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According to this theory, the potion simply strips away the civilized veneer, exposing man’s essential nature. Certainly, the novel goes out of its way to paint Hyde as animalistic—he is hairy and ugly; he conducts himself according to instinct rather than reason; Utterson describes him as a “troglodyte...
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...Jekyll-Hyde relationship is revealed. Therefore, we confront the theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According to this theory, the potion simply strips away the civilized veneer, exposing man’s essential nature. Certainly, the novel goes out of its way to paint Hyde as animalistic—he is hairy and ugly; he conducts himself according to instinct rather than reason; Utterson describes him as a “troglodyte...
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... Augusto Rodríguez In Partial Fulfillment of the Requirements for the Completion Of GLST 500-D05 global studies survey By Clarence Hudson November 8, 2014 Contents Introduction 1 Old Testament and New Testament Texts Related to Mission 2 The Nature of God Relates to Mission 5 Mission Theology Relates to Other Aspects of Theology 6 Key Themes and Motifs of Mission Theology 8 Mission Theology Related to the Missionary, Church Leaders and Lay People 10 Conclusion 11 Bibliography) 12 Introduction “Mission is what we do.” It describes the specific task of making disciples of all the nations. It also includes your neighbor, church, employment, relatives, friends, across town, or in different states. Mission is not just one of a list of things that the Bible happens to talk about, it is somewhat more urgent than some. Mission is, “what it’s all about. With that said, this paper will visit the Old and New Testament in relations to missions, how the nature of God is reflected in missions, how mission theology relates to other aspects of theology, key motifs found in missions theology, as well as how missions relates to missionaries, church leaders and lay people. Old Testament and New Testament Texts Related to Mission In the beginning God created heaven and the earth. (Genesis 1:1KJV) He was on a mission to form the world and when he created mankind, they are to worship and serve Him as a sovereign in His kingdom. The Bible alone...
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...Light Over Dark: The Choice Romeo and Juliet Didn’t Make The purpose of the light/dark motif in Romeo and Juliet is to show how Romeo and Juliet are unable to tell light from dark, or good from bad. I think everyone has the potential to distinguish what choices lead to “light” and what choices keep them in the “dark”. So Romeo and Juliet had that potential but I don’t think they wanted to know about that, since nothing else mattered to them but them. In this play, Romeo and Juliet do never make a clear choice of light over dark because they almost do not want to deal that decision in the middle of their romantic journey. They could have brought their situation which was becoming more of a mess each day, into the light by talking openly about it. However that would’ve ended the feud between the families that would have to be dealt with in some way and I’m sure Romeo and Juliet would not have lost their lives doing that. By ignoring their responsibilities and ignoring the darkness that was rising on them quickly both Romeo and Juliet allow tragedy to take them both. In the first scene, Romeo is depressed because his love for Rosaline is a one-way love. His parents are worried because Romeo spends all his time in the dark. Even when it is light, he shrouds himself in darkness to reflect his dreary mood: Away from the light steals home my heavy son / And private in his chamber pens himself / Shuts up his windows, locks fair daylight out / And makes himself an artificial night (I...
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...FLST 3160 02 F2 2015 Topics in Film Studies Film Noir Colin Taylor Out of the Past Out of the Past is a 1947 film noir directed by French director Jacques Tourneur from the source novel, “Build My Gallows High” by Daniel Mainwaring and using a script by the author but with hefty additions from the author of The Maltese Falcon, James M Cain as well Frank Fenton, a B-movie writer who rumour has it was responsible for many of the films great one liners. As the AMC film site has it, “The downbeat screenplay was based on Geoffrey Homes' (a pseudonym - his real name was Daniel Mainwaring) 1946 novel Build My Gallows High, a book that consciously imitated Dashiell Hammett's The Maltese Falcon (1941). (An uncredited James M. Cain wrote some of the script.)” Tourneur was an established director whose oeuvre was predominantly what we should call B Movies but all of which had a striking visual style. His three most famous movies before Out of the Past, Cat People, I Walked with a Zombie and The Leopard Man are all about transformation, the night, perversion, the corrosive effects of evil, and the powerful link between violence and sex. Both he and Mainwaring were unapologetic left wingers (Mainwaring had to operate under a pseudonym during the McCarthy witch hunts) who saw evil in greed. Mainwaring’s most famous film script was the “reds under the bed” masterpiece The Invasion of the Body snatchers, another film about changes in people. Out of the Past is such a rich visual and...
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...LIBERTY UNIVERSITY BAPTIST THEOLOGICAL SEMINARY Theology of Missions Submitted to Dr. Jeff Brawner, in partial fulfillment of the requirements for the completion of the course GLST 500 – D08 Global Studies Survey By Boyd Ouden November 29, 2015 Contents Old Testament and New Testament Texts Related to Missions 3 How God Relates to the Mission field 5 Themes and Patterns of Mission Theology 5 Understanding God through Suffering 5 Evangelizing in the Midst of Suffering 5 Testimonials through Suffering 5 Saving lives through suffering 5 Purpose of Suffering 6 Conclusion 8 Bibliography 10 Old Testament and New Testament Texts Related to Missions As we look at the theology of missions we must start with the Word of God. “Go therefore and make disciples of all the nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit. Teaching them to observe all things that I have commanded you; and loo, I am with you always, even to the end of the age. Amen.” (Matt 28:19-20) This is “The Great Commission” from the Bible calling man to the mission arena. While we see evidence of the mission filed throughout the Old Testament it is in the New Testament where the call and instructions and encouragement come to light. The first scripture that addressed the mission mandate was Genesis 12:1-4 when God told Abraham to father a nation. This became the basis for mission work in the Old and New Testament...
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...Some definitions of literary devices, techniques and style from searching via http://www.ferretsoft.com/ LITERARY DEVICES http://mrbraiman.home.att.net/lit.htm Literary devices refers to any specific aspect of literature, or a particular work, which we can recognize, identify, interpret and/or analyze. Both literary elements and literary techniques can rightly be called literary devices. Literary elements refers to aspects or characteristics of a whole text. They are not “used,” per se, by authors; we derive what they are from reading the text. Most literary elements can be derived from any and all texts; for example, every story has a theme, every story has a setting, every story has a conflict, every story is written from a particular point-of-view, etc. In order to be discussed legitimately, literary elements must be specifically identified for that text. Literary techniques refers to any specific, deliberate constructions of language which an author uses to convey meaning. An author’s use of a literary technique usually occurs with a single word or phrase, or a particular group of words or phrases, at one single point in a text. Unlike literary elements, literary techniques are not necessarily present in every text. Literary terms refers to the words themselves with which we identify and describe literary elements and techniques. They are not found in literature and they are not “used” by authors. Allegory:...
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