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Antithesis of a Midsummers Night Dream

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Antithesis in A Midsummer Night’s Dream In Shakespeare's play A Midsummer Night's, there are a lot of themes that are evident. Some of these themes included order, disorder, reality, dream, harmony, enmity, amity, harmony, and dissonance are just to name a few. Normally, none of these themes would even be present at the same time because of their contrasting nature and the fact that they are complete opposites. However, the fact that not only are these themes present at the same time, but they even interact with one another inside of the play to create events within the play is the epitome of antithesis. Shakespeare even includes character antitheses that intertwine with the themes. Furthermore, in A Midsummer Night's Dream the main overshadowing theme is the concept of antithesis because the fact that all of the themes present in the play have opposites that can be clearly be seen and the fact that Shakespeare places next to each other in contrasting beauty show antithesis. In this play, none of these themes would exist without their opposites.
Initially, one of the examples of antithesis, and probably the most prevalent, in A Midsummer Night's Dream is the theme of disorder and its companion order. Disorder is a dominant theme in this play because it is seen on nearly every page and in many aspects of the play. In most cases, the disorder is cause by the fairies. These fairies are part of the dream world that actually controls the real world. One of the main fairies that causes the disorder goes by the name of Puck. Puck, with the guidance of his head fairy Oberon, attempts to use his fairy magic to try to teach the Athenians, but one in particular, a lesson in love but in the end winds up causing a brouhaha among the lovers Demetrius, Lysander, Hermia, and Helena. Puck also manipulates magic to cause Titania into becoming enamored of an “ass”. Pucks grace and

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