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Arguments In The Truman Show

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The Puppeteers of The Truman Show In The Truman Show, Truman, and to an extent the residents of Seahaven, are under the control of Christof and the viewers. Like the the prisoners in Plato’s “Allegory of the Cave,” Truman believes his reality is the true reality. Despite the actors and the illegitimacy of Seahaven, Truman does not know anything else, must like the prisoners only know the shadows on the wall. When Truman begins to realize the fraudulence of his world, he begins his journey to enlightenment. Like the prisoner, he exits the dome and sees the real world for the first time long after he has accepted the realities of his world. For most of his life Truman was a puppet to Christof and, in a way, to the viewers. Since TV is all about …show more content…
Since they were successful, they made enormous amounts of money off product placement and sold props. In addition, they also gained global recognition, since everyone watched the show. Although it would be easy to say wealth and publicity was all Christof wanted, I think he also wanted to create a better life for Truman. Seahaven was Christof’s utopia. It was safe, secure and predictable. It was what Christof wanted his life to be. The idea for the Truman show was Christof way of implementing his utopia, even if it was just for one person. It was his contribution to world in an attempt to remove pain and suffering from everyday life. Although there was some pain in Seahaven, it was insignificant to the suffering and unpredictability of the outside world. In today’s world, we are all puppets to Mother Culture. Although many would argue that the president or the CEOs of huge corporations are the puppeteers, these people are also puppets. They do what is expected of them despite their personal opinions. Universally, humanity is controlled by the overarching ideas of right and wrong. We do what our culture tells us, which consists of uniformity and attempts at global domination. Every aspect of our life is controlled by our culture, and no matter

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