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Arnold Friend's Stereotypes

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Why Are You Going There: Analyzing “Where Are You Going, Where Have You Been?” with Joyce Wags’ View on Grotesque Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” is more than a horror about a fifteen-year-old girl’s daydream turning into nightmare. Attracted by the complex structure and message of this story, Critic Joyce M. Wegs expresses her appreciation to the “multiple levels” the story’s structure and its ability to “[reach] beyond the surface of realism” (Wegs 66). Before turning to her reasoning of Arnold Friend’s true identity as the Devil, Wegs suggests that Connie’s tragic fate is a result of her “excessive devotion to …popular culture” (Wegs 66), and her lack of parental guidance. However, questions remain in Wegs’ …show more content…
They exhibit the immaturity of mind, the lack of self-awareness and refusing to accept the difficulties that exists in the reality just like Connie and her family do. Arnold Friend deceives himself as a much younger figure than he actually is by dressing up in “tight fades jeans”, “scuffed boots”, and “a white pullover shirt” (Oates 655), mimicking the fashion of the teenagers. He tells Connie he was eighteen and is possibly wearing a wig, and stuffed his boots and knows the teenager slangs to appeal as a youthful lover when Connie later found out that he is about thirty. He tries to escape the heaviness of reality mich like Connie’s father numbs himself through work. Ellie Oscar has “the face of a forty-year old baby” (Oates 658) and seems to be obsessed with popular music like the devoted and single-minded Connie who runs into the world of popular music without fully understand the meaning of her actions. Both characters seek to live in a self-sufficient world of youth to avoid the real, grown-up world. To live with a mature mind is difficult but it is a major step for a teenager to become an adult in order to preserve his or her own identity. Friend and Oscar have too many human characteristics and weaknesses to be considered devils from Hell as Wegs suggested in the later parts of her essay. Instead, Arnold Friend and Ellie Oscar can be considered as the representations of those who lost in the process of becoming adults, and the parts of many adults who still refuses to the great and terrible reality of the modern

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