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Barbie Doll

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Barbie Doll.

Perhaps the real mark of "Barbie Doll's" welcome has been the numerous times it has been reprinted and analysed. Appearing in 1973, at the heart of feminism's second wave, "Barbie Doll" embodied the rage many women felt at being sexually objectified and treated as second-class citizens. The poem remains popular in large parts because it continues to represent women's experience.
When you read the title of this poem, automatically you get a sense of something that is not real, a typical stereotype. This stereotype is seen through modern life today, through the media, celebrities, peer groups, or the obvious child’s toy.
“Barbie Doll” symbolically describes the inherently destructive nature of patriarchy. A system of social organization in which the “male” is the ruling principle, patriarchy demands women’s obedience to men. Historically, this obedience has been externally manifest through law, for example, until the twentieth century women had been denied voting privileges in the United States. But patriarchy also exhibits its power through the shaping of mind and self-image. A “good” woman is one who conforms to patriarchal expectations: she is feminine, domestic, and will be a stereotypical housewife and leave the men to be the “breadwinner”.
The “Barbie Doll” is known as “Satan’s plastic sister”. The intention of the doll was perfection, and when little girls are brought up playing with “Barbie & Ken” they expect reality to be very similar in later life, as this is the only way they recognise life to be.
The basis of the poem is very similar to what feminists claim. Feminists insist that the doll is “unrealistic” and proceed to tear away at poor Barbie with accusations that she is responsible for everything from the self consciousness of the female body to bulimia, anorexia and teen suicide.
The mocking imagery and ironic tone of the poem

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