...painter Artemisia Gentileschi was born in Rome in 1593, just before the beginning of the Baroque era. Gentileschi’s father was also an artist; he shared his techniques with his daughter who spent hours in his workshop before attempting to create works of her own. In her early teens, Artemisia claimed to have been raped by her artistic mentor, a possible cause of her feministic and brutally naturalistic views in the art world. Paintings like Judith Slaying Holofernes have sometimes overshadowed Self-Portrait due to their shocking subject matter from a woman at that time. For a woman at the beginning of the 17th century, being a painter represented an uncommon and difficult challenge. Gentileschi adopted her style of chiaroscuro from Caravaggio, whose paintings combined realistic observations of the human state with dramatic lighting. In this lighting, the viewer was able to detect multiple saturation levels of a given color. This new technique of shadowing changed the standard from simple black shading to lower levels of color by mixing in small amounts of black paint. Gentileschi exemplified her ability to use chiaroscuro in Judith Slaying Holofernes where deep reds fade in the blood that runs down the sheets and into darkness. In her Self-Portrait as the Allegory of Painting, the use of lighting can be noted as an important component. The light is coming from the left, but is unique in that the source is not visible and is unusually harsh. The front of Gentileschi’s body...
Words: 440 - Pages: 2
...mannerism And is characterized by ornate detail. In art criticism the word Baroque Came to be describe anything irregular,biazerre, or otherwise departing from established rules and proportions. Although, Baroque art had some of the best painters during that time were, Velázquez, Caravaggio, Rembrandt, Rubens, and many more. One of my favorite paintings of this era was The Calling of Matthew painted by Caravaggio. Michelangelo Merisi da Caravaggio was an Italian painter During the Baroque period. He was born around 1571 in Italy and also an Orphan at the age of 11. Caravaggio, whose fiery masterpieces Included “The Death of Virgin “and “David with the head of Goliath” and who inspired various . According to Andrew Graham-Dixon the Author of his biography “Caravaggio: A Life sacred and Profane”, The artist’s troubled adult years stemmed directly from that traumatic Loss of his family. Most of his art work was related to his own life. However, Caravaggio had a knack for naturalism that intrigued and Influenced many northern states. He felt a great distance from the renaissance. He was an outcast to his own society and was a very Violent man and was arrested several times. Caravaggio died July 18, 1610, in Porto Ercole, Italy. Baroque also died as well like in other Trend around the year 1750. There are three parts of baroque art and music’s death early baroque c.1590-c.1625,high baroque c.1625-1650,and late baroque c.1650-1725. This happened because of Religious...
Words: 315 - Pages: 2
...Art Essay ART has not always been what we think it is today. An object regarded as Art today may not have been perceived as such when it was first made, nor was the person who made it necessarily regarded as an artist. Both the notion of "art" and the idea of the "artist" are relatively modern terms. Many of the objects we identify as art today -- Greek painted pottery, medieval manuscript illuminations, and so on -- were made in times and places when people had no concept of "art" as we understand the term. These objects may have been appreciated in various ways and often admired, but not as "art" in the current sense. ART lacks a satisfactory definition. It is easier to describe it as the way something is done -- "the use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with others" (Britannica Online) -- rather than what it is. The idea of an object being a "work of art" emerges, together with the concept of the Artist, in the 15th and 16th centuries in Italy. During the Renaissance, the word Art emerges as a collective term encompassing Painting, Sculpture, and Architecture, a grouping given currency by the Italian artist and biographer Giorgio Vasari in the 16th century. Subsequently, this grouping was expanded to include Music and Poetry which became known in the 18th century as the 'Fine Arts'. These five Arts have formed an irreducible nucleus from which have been...
Words: 1459 - Pages: 6
...impact on me, either minimally or profound. Either was, deciding on a piece to write about didn’t not come easy. However, in narrowing down my choices, I chose a piece called “Calvary” by Abraham Janssens van Nuyssen. This piece has significant importance to me and my formative years. Abraham Janssens van Nuyssen was a Flemish Baroque painter, who was born around 1573 in Antwerp, and was known, for his time, to be “the dean of the master painters”. Early life reports noted that he was a student of Jan Snellinck. His stylistic development signifies that he could have possibly visited Rome during the years 1598 through 1601, as it’s apparent in his works that he was clearly influenced by the vigorous modeling and dramatic lighting of Caravaggio, and possibly the Roman Baroque school. There are also hints,in his style, that he was largely influenced by such artists as Carracci and Domenichino. They were classics of the Bolognese school. Over time and through experience, his technique and compositions became looser and even more animated. He could have possibly fell under the spell of Ruben, as did most artists in Flanders during these later years. Janssens died in Antwerp, his birth city on January 25, 1632. Janssens work, “Calvary” has significant value and influence on me, since I can recall my early years learning the Catholic faith. Coming from a strict catholic upbringing, it was necessary for me to learn the religion, catechisms, and attend church weekly. In all of...
Words: 375 - Pages: 2
...with the religious tensions within Western Christianity: division on Roman Catholicism and Protestantism. In response to the Protestant Reformation of the early sixteen century, the Roman Catholic Church had embarked in the 1550s on a program of renewal known as the Counter - Reformation.” (htt2) http://www.albany.edu/scj/jcjpc/figures/st-paul.jpg The Conversion of Saint Paul by: Caravaggio “This painting represents the moment when Saul (later to be renamed Paul) is on the road to Damascus to carry out a persecution of the young Christian community. He has a vision as Christ calls out to him, "Why are you persecuting me?" In the position of the St Paul and of the Christ, and in the movement of the horse into the depth of the picture, this work is still related to the tradition of Michelangelo, but there are decidedly Caravaggesque elements in the work, such as the face of the angel supporting Christ. and in the play of light upon Paul's fallen form.” (Caravaggio:) It was said that the first version of this painting was rejected by Tiberio Cerasi, treasurer general to pope Clement VIII. Caravaggio was an artist known for his down to earth realism and dramatic use of light, he created vivid and dramatic paintings, “he used light to imply a blinding flash, symbolizing the evangelist sudden and soul shattering conversion.” (Frank, 2011). This form of work...
Words: 749 - Pages: 3
...Artemisia Gentileschi was an Italian Baroque painter in the early 17th century. At this point and time, it was hard for females to make a name for themselves, especially in the art world, but Artemisia refused to give in to that role. Having been trained by her father, Orazio and his friend Caravaggio, at a young age, she showed talent and had her own unique style that set her apart from many of the men artists during her time. This is what makes Artemisia Gentileschi an icon of Feminist art.Her depictions of famous scenes differ greatly from men’s. In her first signed painting, Susanna and the Elders depicts the story of a young woman being sexually harassed by the elders in her community. While, many of the male artists at this time depicted the woman as being coy...
Words: 713 - Pages: 3
...Jessica Shelton American Intercontinental University Baroque HUMA205– Art Appreciation May 24, 2013 Introduction The baroque period for art was a very important time. The period contributed a lot to art as we know it now, and it introduced both new techniques as well as new artists. The period lasted roughly from the 16th century, and in some places lasted until the 1750’s. Three important pieces of art from that time are Descent from the cross painted by Rembrandt, Conversion of Saint Paul by Caravaggio and Raising of the cross by Peter Paul Rubens. The three artworks will be described, along with a summary of the artist’s personal views of art. The personal views of the artists are often times influenced by the trends and schools of thought during the time period. Along with being described, the pieces will be analyzed, and how they fit into the time period with be explained. The three paintings will also be compared and contrasted, explaining their similarities and their differences. Description of Works The first painting is Rembrandt’s, The Descent from the Cross. This along with all the other paintings featured is a very moving piece. For religious people, this was a very moving and emotional scene. The painting features Jesus, whom had previously been hanging on the cross. Jesus is being removed from the cross by his followers, the main focus point being Jesus himself and the man who is holding his body while others climb the cross to continue trying to...
Words: 1225 - Pages: 5
...were used. The Baroque period ran from 1600 to 1770, Artist of that time used different techniques that were used during the renaissance period to bring drama to art. An immense amount of art in that period shows fantastic energy and emotion. These pieces of art that were designed and created during the Baroque period brought out emotion in the onlookers of the paintings and sculptures. Some of the ways the artist conveyed emotions in their pieces or works is they used dramatic use of light, scale and composition and the curves and the counter curves. The pieces usually hit the onlooker first, by the emotions that were portrayed by the way the artist conveyed his image in his pieces. Michelangelo Merisi da Caravaggios is said to have lived the most dangerous and darkest life of most painters, it is said that he lived his life without any restraints. He painted ordinary people as models and painted them with unforgiving realism. His feeling against tradition gave new meaning to traditional themes in religious painting. In his early painting you can see his full revolt against both mannerism and classicism, later as he painted more religious pieces like the “conversation of Saint Paul” 1600 to 1601. The painting recalls the moment when Saul of Tarsus was on his way to Damascus to destroy the Christion community, and was stopped by a blinding light, and heard a voice saying “ Saul Saul why do you persecute me”? " 5: And he said, "Who are you, Lord?" And...
Words: 1099 - Pages: 5
...initial thought was that I’ve been to the DIA so many times that there’s nothing new that I’ve not seen. Well I realized that I could not have been more incorrect. Prior to taking Humanities I simply enjoyed looking at art. Through my studies so far I’ve learned to truly appreciate art, the time it takes to design and create art and the thought process in involved with selection. I feel that my eyes were not truly seeing art they were merely looking at the art. Thru the same eyes I now see the beauty in colors, lighting, lines, contour, space, technique and so much more. One can never realize how amazing art is until one learns about art and learns to appreciate it. [pic] Martha and Mary Magdalene, by Michelangelo Merisi da Caravaggio painted about 1598. This was found in the European Inspired by Italia wing of the DIA. The approximate size of the painting is six feet. The medium chosen for this creation of art was oil and tempera on canvas. The title did not help me interpret what I was seeing in this painting as I had not read nor heard about such a story from childhood. When looking over the painting I noticed several things that appear to me to be of importance such as; the difference in clothing, the mirror, the flower, the box on the table, the reflection of light in the mirror, and the expressions on each face. The artist uses warm colors but chose to accentuate Mary’s status by using a deeper brighter red as well as a deeper green. This makes it seem...
Words: 1240 - Pages: 5
...Artemisia Gentileschi (1593-1653) Considered one of the most important artists of the Baroque movement in Early Modern Europe, Artemisia Gentileschi, had to prove herself and break down the boundaries for a woman in a male dominated field. Artemisia was born in Rome on July 8, 1953 to Orazio and Prudentia Monotone Gentileschi, who died when the artist was only twelve years of age. Her upbringing was left to her father, who was also a well-known painter. He trained her since she was not permitted to learn in the studios of successful artists of the moment. Orazio introduced his daughter to the working artists of Rome including Caravaggio, whose tenebrism technique and chiaroscuro style had a great influence on her paintings. Unfortunately, other than artistic training, Artemisia, had hardly any other schooling and did not learn to read or write until she was an adult. Agostino Tassi was a Florentine artist with whom Orazio had a working relationship, however, this acquaintance proved to have dire consequences for his daughter. In 1612, at the age of nineteen, Artemisia, accused Tassi of rape. Orazio, upon learning of this horrible crime committed against his daughter filed an injury and damage lawsuit against Tassi, which is clearly documented in the transcripts of the seven-month long trial. According to Artemisia, Tassi aided by family friends repeatedly tried to be alone with her until he was successful in cornering her in her own bedroom where the rape took place...
Words: 1789 - Pages: 8
...This style of art developed and bloomed in Europe somewhere around the early 17th to mid 18th century. It has its emphases up on drama, swirling forms and very intricate and elaborate ornamentation. The calling of St. Mathew is one of the most magnificent masterpieces there is. This was painted by Michelangelo Mersi Da Caravaggio . The painting reached completion in 1599-1600. In this painting there appears to be a single window in the foreground. Not much light happens to be filtering through the panes (http://www.albany.edu/scj/jcjpc/vol6is3/st-matthew-calling.html). There appears to be some kind of table at which five individuals are sitting at. One appears to be looking at money, another like they just sat down. The outlook of the room appears dull and very gloomy. To the right of this art there appear to be two men. Jesus Christ seems to be the identity of one of the individuals. Strands of light appear to focus upon one individual sitting at the table. Jesus does not appear to be wearing any kind of footwear. This can be considered signs of holiness. This picture appears to fit into the Baroque style of art. Caravaggio was dangerous and rebellious. In the 1600s is when he first appeared upon the art...
Words: 627 - Pages: 3
...The three artist, I have chosen is Peter Paul Rubens, Michelangelo Merisi Da and Rembrandt Van Rijn. All of these artist are artist from the Baroque era and all of the works of art I have chosen have some sort of religious meaning or content. Rembrandt Van Rijn painting of the return of the prodigal son is painted as an expressive work of art. Rembrandt painted his picture on an oil on canvas, he used different shades of lighting and coloring is in the setting of the painting shows the influence and effects of the Prodigal son returning home to his father. In this painting Rembrandt portrayed the prodigal son to be overwhelmed and out done by his rebelliousness. In the painting the father is holding out his arms welcoming his son home with compassion. The painting of the Prodigal son symbolize the return of the defeated rebellious son and the ability of his father to accept his son faults and welcome him home with open arms. Rembrandt spend money carelessly and as results of this sent him into financial troubles. Although Rembrandt had financial troubles he still managed to buy an expensive home which put him into more debt. In the painting of the Prodigal son Rembrandt painted himself as the Prodigal son because recognized his flaws of being rebellious by spending more money than he could afford. Peter Paul Rubens, the Raising of the Cross makes use of classical Baroque techniques to accentuate countless religious facts. Rubens painted this portrait with the distinction of...
Words: 742 - Pages: 3
...Undervisningsbeskrivelse Stamoplysninger til brug ved prøver til gymnasiale uddannelser |Termin |December 2012 | |Institution |VUC Vestsjælland Nord | |Uddannelse |hfe | |Fag og niveau |Engelsk B | |Lærer(e) |Kirsten Bridgwood, Tine Tang Lystbæk | |Hold |E-læring engelsk B11 jan og E-læring engelsk B21 jan | Oversigt over gennemførte undervisningsforløb |Titel 1 |Growing Up | |Titel 2 |Social Networking | |Titel 3 |Violence | |Titel 4 ...
Words: 1598 - Pages: 7
...The painters, sculptors, and architects of the Baroque period often wished to engage the viewer in innovative ways. Using one work of art by Caravaggio and one work of art by Bernini, explain the role of the viewer in the Italian Baroque. Be specific in your analysis of the way each artist wished the viewer to respond or interact with his art. Respond to at least one of your classmates who wrote about works by Bernini and Caravaggio other than those you selected. While Michelangelo’s David is today set on a platform in an interior space, where viewers are able to walk around the work and see it from all angles (from ground level), the statue was originally intended to be standing “…on a pedestal highup by Florence Cathedral’s dome… .” (http://news.discovery.com/history/michelangelos-david-as-it-was-meant-to-be-seen.html) Thus, for the most part, the statue was intended to be viewed frontally (ignoring the possibility of walking from side to side at street level). Bernini’s answer to Michelangelo’s David demands that the viewer to walk around the sculpture –not merely to appreciate it, but also to experience the action that is taking place (i.e., David’s launching of a stone at Goliath). Below appears the Bernini David from multiple angles: Walking around and the statue multiple times would permit the viewer to absorb not merely the image of battle –but also to feel the moment of battle, to feel in his or her own body the strain of throwing...
Words: 467 - Pages: 2
...“Prometheus Bound” by Peter Paul Rubens and Frans Snyder “Prometheus Bound” by Peter Paul Rubens and Frans Snyder is a personal new favorite painting for me. From the first time I laid eyes on this work of art I was immediately drawn in by the image of this defenseless man, chained up, and the gruesomeness of seeing the an eagle ripping his liver from his side. The tale behind this painting and the process by which the Rubens created this painting are equally fascinating. Being raised Catholic during the Baroque period, much of Ruben’s paintings reflected his religion. He produced religious paintings such as “Daniel in the Lions’ Den”, ”Raising of the Cross”, and “Descent from the Cross.” He worked in a studio where he had other artist working on paintings with him. He had artists who specialized in painting certain forms such as fish, birds, and clouds among many other forms. In “Prometheus Bound” Frans Snyder is actually credited with painting the great eagle. “Prometheus Bound” is about the legend of Prometheus, the Greek Titan who gave fire to humankind, which defied Zeus’s order. As punishment for defying Zeus, Prometheus was bound with chains to the side of Mount Caucasas for eternity. It was here that a great eagle would come every day to feast on Prometheus’s liver. Being a Titan, Prometheus’s liver would regenerate every night and the eagle would come back every day and repeat the excruciating punishment. When I look at “Prometheus Bound” I see dark, mountainous,...
Words: 745 - Pages: 3
