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Chappelle Show

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Submitted By sixrusty
Words 3450
Pages 14
Charlie Fierro
Protest Art!: The Rhetoric of Art as Social Activism RBA
June 4, 2010
Alexis Charles
Chappelle and Pryor’s True Hollywood Stories If you get pulled over wouldn’t you turn your radio down, no body wants to get their ass beat to a soundtrack. --Dave Chappelle

Although this comment is humorous and socially clever, Chappelle’s joke says more about American culture, specifically racial and class issues, than most academics can hope to explain. As James Lipton suggests in his interview with Dave Chappelle on the talk show Inside the Actor’s Studio, black comedy has been an important form of art for learning about the black condition. Comedians, such as Bill Cosby, Chris Rock, and Eddie Murphy are just a few of the black comedians that have used their art to provide those insights and induce change in society. The late Richard Pryor understood more so than others that in comedy he had “‘a unique vehicle’ at his disposal that he would be wise to employ for ‘meaningful expression’” and his declared successor, Dave Chappelle, did as well (Simpson 114). The influence of Chappelle and Pryor’s comedy on the American audience has been a highly researched topic. The influence of the most recent and still dominant figure, Chappelle, has yet to be entirely seen, as many of his performances are hardly a decade old. It is undisputed among scholars and critics, however, that, like Pryor, Chappelle through his art “has made us look at ourselves and laugh at ourselves,” stimulating an open discussion about a multitude of issues including race (Lipton). Therefore, through their comedic art, Richard Pryor and Dave Chappelle, whose backgrounds shape their comedy, offer important insights and critiques of racial stereotypes. Their jokes help show which racial issues have improved as well as show which problems have remained a

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