...Dorian Gray character analysis Dorian Gray is so many opposites at once that we can’t really understand them all. He’s good, he’s bad; he’s beautiful, he’s hideous; he’s perfect, he’s terribly flawed. Most importantly, he is literary two things at one – he’s himself, a living, a breathing human being, and he’s also the portrait, a visible reflection of the state of his soul. Dorian Gray within the novel At the opening of the novel, Dorian Gray exists as something of an ideal: he is the archetype of male youth and beauty. As such, he captures the imagination of Basil Hallward, a painter, and Lord Henry Wotton, a nobleman who imagines fashioning Dorian into a pleasure-seeker. Dorian is exceptionally vain and becomes convinced, in the course of a brief conversation with Lord Henry, that his most salient characteristics—his youth and physical attractiveness—are ever growing. The thought of waking one day without these attributes sends Dorian into a tailspin: he curses his fate and pledges his soul if only he could live without bearing the physical burdens of aging and sinning. He longs to be as youthful and lovely as the masterpiece that Basil has painted of him, and he wishes that the portrait could age in his stead. His vulnerability and insecurity in these moments make him excellent clay for Lord Henry’s willing hands. Dorian soon leaves Basil’s studio for Lord Henry’s parlor, where he adopts the tenets of “the new Hedonism” and resolves to live his life as a pleasure-seeker...
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...The Picture of Dorian Gray: Plot Analysis The Picture of Dorian Gray by Oscar Wilde is a fiction novel that tells about a man who goes through many trials and tribulations that test his sanity. The novel takes place in the late 19th century which is considered to be the Victorian era. The Victorian era was an era of great judgement and it really depended on your social class whether or not you would get treated with high regards. The contrast between middle-class society and the sins of the wealthy corrupted upper class played a huge role in the novel. Dorian Gray was considered to be of the higher class, therefore, he struggled with the madness that came with it. Dorian Gray was beautiful. So beautiful that Wilde made a point to explain to the reader how beautiful and good-looking he was. “Yes, he was certainly wonderfully handsome, with his finely-curved scarlet lips, his frank blue eyes, his crisp gold hair” (Wilde 11). Not only was Dorian Gray well respected, but he was quite the man to look at and everyone admired him. However, Dorian Gray had some of his own demons to battle with his quest to stay forever young. Having this impossible and selfish wish comes him transforming from a gorgeous innocent pure soul, to a full developed maniac. To continue, like many other novels, there’s other characters that have a great impact towards the main character. Lord Henry is the definition of a bad influence that impacted Dorian Gray. Dorian Gray does not have any parents because...
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...Fiction Sexuality in The Picture of Dorian Gray Oscar Wilde’s The Picture of Dorian Gray alludes to homosexuality throughout the entirety of the novel. While homosexual relations between the characters are not directly discussed, the context and conversations between the characters points to homosexual relations between all of the male characters. Oscar Wilde, himself, was part of the Decadents movement at the end of the Victorian period. Decadents are known for undermining the mainstream Victorian ideals. There has been a significant change in society’s morals since the publication of the novel in 1891. A person reading The Picture of Dorian Gray in today’s culture may see nothing wrong about the context of the novel or the relationships between the characters within it but, at the time of publication, it was seen by society as an immoral book and even used in the trial against Oscar Wilde that resulted in two years imprisonment and hard labor. I will argue that using the characters of Dorian Gray, Lord Henry Wotton, and Basil Hallward, Oscar Wilde supports the common Decadents belief that open sexuality in mainstream Victorian culture would make for a better, happier society. From the very beginning of the novel, homosexual relations are apparent through the conversation about Dorian Gray between Basil Hallward and Lord Henry. As Lord Henry questions Basil about the mysterious person in his painting, Basil’s odd obsession with Dorian becomes evident. He describes their meeting...
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...The Picture of Dorian Gray: Literary Analysis Life is like a game of chess, you use the other pieces to your advantage. This is exactly what Dorian did in The Picture of Dorian Gray by Oscar Wilde. Stepping on the backs of everyone until you stand on top of a mountain of the fallen, how selfish. Dorian proves this theme of learning the results of selfishness when he thinks he is gazing down below from the top, but he is only one step from the edge of despair. The author shows the theme of selfishness throughout the book by using symbolism, gothic elements, and character choices. Symbolism is used throughout The Picture of Dorian Gray to support the theme of selfishness. Dorian’s action being shaped to the portrait actions proves that...
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...Writer “Dorian Gray the Escape Artist” is the culmination of my work in my WR100 seminar, Fantasy at the Fin-de-Siècle. The final assignment was to create a research paper based on an interesting problem or paradox I had found in Oscar Wilde’s book, The Picture of Dorian Gray. For me, one of the book’s most fascinating elements was Dorian’s immature behavior; though he grows older, he never seems to “grow up.” At first, I investigated how my idea related to aestheticism and what Dorian’s immaturity showed about aestheticism; however, I could not find a solid way to prove my thesis. My greatest problem was being unsure of how writing a paper based on a research problem in The Picture of Dorian Gray constituted a researchable argument and not just a literary analysis. Hoping to gain a different perspective on the assignment, I met with fellow classmates to talk out my problem. It turned out that they were having the same issue with their essays, and through discussing my paper with them, I realized that my topic was too narrow to be easily supported by sources; the idea of Dorian growing older without growing up was interesting but could not easily be supported with sources outside the novel itself. With this in mind, I modified my thesis, claiming that though Dorian Gray demonstrates aesthetic behavior in The Picture of Dorian Gray, his fascination with artistic things serves less to pursue aestheticism and more to evade his dark past. In this manner, I argued, Dorian could...
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...The Picture of Dorian Gray Oscar Wilde This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. The Picture of Dorian Gray Chapter I The studio was filled with the rich odor of roses, and when the light summer wind stirred amidst the trees of the garden there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pinkflowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as usual, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-colored blossoms of the laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid jade-faced painters who, in an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the black-crocketed spires of the early June hollyhocks, seemed to make the stillness 2 of 250 The Picture of Dorian Gray more oppressive...
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...But between me and narrative synthesis of the round table revolution last week thinking about age, essentially, how the contemporary debate struck many in the US history, but essentially personal and -political although several of the narrative between the high and the other fundamental democratic and representative. For Hobsbawm, analysis, or "wide on human affairs" of these methods are really bold and decisive measures the synthesis of what-efforts to count. Perhaps, after all, you want the goose just kind of synthesis Hobsbawm American wealth of experience in the last fifty years of research and diversity is probably not...
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...Министерство образования и науки Российской Федерации Государственное образовательное учреждение высшего профессионального образования Славянский-на-Кубани государственный педагогический институт «Утверждаю» и.о. ректора Яценко А.И. «____»_______________2011г. РАБОЧАЯ ПРОГРАММА ДИСЦИПЛИНЫ «Интерпретация текста» направление подготовки 050100 ПЕДАГОГИЧЕСКОЕ ОБРАЗОВАНИЕ Профиль «Английский язык», «Немецкий язык» Квалификация (степень) БАКАЛАВР Форма обучения ОЧНАЯ Славянск-на-Кубани 2011г ДИСЦИПЛИНА «Интерпретация текста» Направление: 050100 педагогическое образование Квалификация (степень) бакалавр Объем трудоемкости 10 кредитов (360 часов, из них: 180 часов аудиторной нагрузки, 180 часа самостоятельной работы, контроль самостоятельной работы 8 часа) 1. Цель дисциплины: Формирование системы знаний, умений и навыков, связанных с основными принципами интерпретации художественного текста. Задачи дисциплины: - рассмотрение интерпретации как теоретической проблемы; - ознакомление со структурой художественного текста и системой художественных средств, реализующих сообщаемую в тексте основную и дополнительную информацию; - изучение различные методов интерпретации художественного текста; - развитие и совершенствование навыков чтения и говорения, обсуждения отдельных проблем, обоснования своей позиции; - развитие навыков интерпретации (толкования) художественного текста и его лингвистического (стилистического) анализа; - развитие навыков перевода текстов художественного стиля, достижения...
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...Themes Themes are the fundamental and often universal ideas explored in a literary work. The Duality of Human Nature Dr. Jekyll and Mr. Hyde centers upon a conception of humanity as dual in nature, although the theme does not emerge fully until the last chapter, when the complete story of the Jekyll-Hyde relationship is revealed. Therefore, we confront the theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According...
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...Themes Themes are the fundamental and often universal ideas explored in a literary work. The Duality of Human Nature Dr. Jekyll and Mr. Hyde centers upon a conception of humanity as dual in nature, although the theme does not emerge fully until the last chapter, when the complete story of the Jekyll-Hyde relationship is revealed. Therefore, we confront the theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According...
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...Themes Themes are the fundamental and often universal ideas explored in a literary work. The Duality of Human Nature Dr. Jekyll and Mr. Hyde centers upon a conception of humanity as dual in nature, although the theme does not emerge fully until the last chapter, when the complete story of the Jekyll-Hyde relationship is revealed. Therefore, we confront the theory of a dual human nature explicitly only after having witnessed all of the events of the novel, including Hyde’s crimes and his ultimate eclipsing of Jekyll. The text not only posits the duality of human nature as its central theme but forces us to ponder the properties of this duality and to consider each of the novel’s episodes as we weigh various theories. Jekyll asserts that “man is not truly one, but truly two,” and he imagines the human soul as the battleground for an “angel” and a “fiend,” each struggling for mastery. But his potion, which he hoped would separate and purify each element, succeeds only in bringing the dark side into being—Hyde emerges, but he has no angelic counterpart. Once unleashed, Hyde slowly takes over, until Jekyll ceases to exist. If man is half angel and half fiend, one wonders what happens to the “angel” at the end of the novel. Perhaps the angel gives way permanently to Jekyll’s devil. Or perhaps Jekyll is simply mistaken: man is not “truly two” but is first and foremost the primitive creature embodied in Hyde, brought under tentative control by civilization, law, and conscience. According...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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...INTRODUCTION The present course- paper is devoted to the comprehensive study of stylistic device – the epithet in the literary work “Jane Eyre” by Charlotte Bronte. The topicality of chosen by us theme lies in the fact that a human being perceives the reality by means of various images. These images exist everywhere: in art, in nature, in thoughts, and in speech in particular. Each of us at least ones created an image. We use different means (stylistic expressive means and devices) to achieve the aim. In our research we would like to concentrate our attention on “epithet”, a figure of speech which gives the opportunity to create the most expressive and vivid images. Despite the fact that there are many works devoted to the problem under analysis some important aspects such as structural - the lexical stylistic device the epithet as its component have not been fully investigated. This defines the actuality of the work and its theoretical value. The basic purpose of this course-paper is formulated as a research of linguistic nature of epithet, its types from the point of semantic, structural parameters and its informational significance in the text. The given aim predetermines the concrete tasks of the research. The course- paper pursues the following objectives: 1) to read the novel “Jane Eyre” and to find epithets; 2) to reveal the theoretical notion of the epithets and its categories; 3) to observe emotional, evaluative, expressive components of the lexical meaning...
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...how he estimates art and artists. Liszt is a man of extensive culture, vivid imagination, and great knowledge of the world; and, in addition to their high artistic value, his lines glow with poetic fervor, with impassioned eloquence. His musical criticisms are refined and acute, but without repulsive technicalities or scientific terms, ever sparkling with the poetic ardor of the generous soul through which the discriminating, yet appreciative awards were poured. Ah! in these days of degenerate rivalries and bitter jealousies, let us welcome a proof of affection so tender as his "Life of Chopin"! It would be impossible for the reader of this book to remain ignorant of the exactions of art. While, through its eloquence and subtle analysis of character, it appeals to the cultivated literary tastes of our people, it opens for them a dazzling perspective into that strange world of...
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...VOLUME EDITOR S. WALLER is an Associate Professor of Philosophy at Montana State University Bozeman. Her areas of research are philosophy of neurology, philosophy of cognitive ethology (especially dolphins, wolves, and coyotes), and philosophy of mind, specifically the parts of the mind we disavow. SERIES EDITOR FRITZ ALLHOFF is an Assistant Professor in the Philosophy Department at Western Michigan University, as well as a Senior Research Fellow at the Australian National University’s Centre for Applied Philosophy and Public Ethics. In addition to editing the Philosophy for Everyone series, Allhoff is the volume editor or co-editor for several titles, including Wine & Philosophy (Wiley-Blackwell, 2007), Whiskey & Philosophy (with Marcus P. Adams, Wiley, 2009), and Food & Philosophy (with Dave Monroe,Wiley-Blackwell, 2007). P H I L O S O P H Y F O R E V E RYO N E Series editor: Fritz Allhoff Not so much a subject matter, philosophy is a way of thinking.Thinking not just about the Big Questions, but about little ones too.This series invites everyone to ponder things they care about, big or small, significant, serious … or just curious. Running & Philosophy: A Marathon for the Mind Edited by Michael W. Austin Wine & Philosophy: A Symposium on Thinking and Drinking Edited by Fritz Allhoff Food & Philosophy: Eat,Think and Be Merry Edited by Fritz Allhoff and Dave Monroe Beer & Philosophy: The Unexamined Beer Isn’t Worth Drinking Edited by Steven D. Hales Whiskey & Philosophy:...
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