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City Of God Comparison

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The history of anime extends all the way back to early 20th century Japan with the success of the first commercial animated film, 1917’s Imokawa Mukuzo, The Janitor. Since then, anime has evolved into a worldwide phenomenom with numerous franchises and large fan bases. Among them is AKIRA, a cult classic film revered as the “quintessential anime” and one of the best anime and science fiction films of all time. Initially created by Katsuhiro Otomo as a manga in 1982, the first half of AKIRA was later adapted into a feature film in 1988. The film has since opened the eyes to what filmmaking, art and storytelling could be in anime like Hayao Miyazaki’s Spirited Away and it demonstrates truth behind its gruesome reality like in Fernando Meirelles’ …show more content…
The city is laden with war, drugs and murder as Rocket tries to survive and his depiction captures the world for what it really is in favelas. The story of AKIRA has a similar tone; however, we are given an alternate futuristic setting where World War III ended 31 years ago, we are in Neo Tokyo instead of the Brazilian favelas, but the killing and violence remain constant. In this film, we begin with two sequences: a biker gang called The Capsules, led by Kaneda, going against The Clowns and a little boy and a man running from the police in another. The man is gunned down by the police and the boy appears to have telekinetic powers he runs away. Even after most of the Capsules ended their pursuit of the Clowns, Capsule member Tetsuo continues on, only to later crash into the same little boy and suffer a change that grants him similar powers and rage to gain control like never seen before. Spirited Away on the surface is way different from the previous two, telling the tale of Chihiro, a little girl who, while moving to a new town, discovers a small village with her parents and is sucked into a spirit world. In the spirit world, her parents are literally turned into pigs upon consuming the food there, she becomes forced to work in a bathhouse in order to leave and she is slowly …show more content…
Li’l Ze, like our previous antagonists, is merely a product of his environment that took things a bit too far, even to the point of laughing at his triumphs. That is what make him different from Tetsuo and No-Face. He laughs and cherishes violence if it means he gets his way. He gains capitalism by assimilating others and killing them if they provide no need to him, just like No-Face did. And while he lacks the powers that Tetsuo gained, his power is through his name, aggression and guns. He would rather shoot you and take what you own before he asks you a question and smile while doing it. Both Akira and City of God have prominent police and military opposition in their narratives as well as the local population stepping in to take them down to. Something I did enjoy about City of God was Rocket’s omniscient storytelling. He let the story unfold in an order that never truly fell into place. With flashbacks and foreshadowing to explain how a character came to be like Li’l Di’ce becoming Li’l Ze, Knockout Ned becoming a vigilante and murdered by a heartbroken son and reversing to the beginning from the climax, I enjoyed pieces together how the film carried each step for the audience to analyze and

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