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Critique of New Age Bollywood

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Submitted By seema64
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New Age Bollywood: Society’s call or IQ’s fall The actress flexes her belly muscles for the 367th time on screen. She seems to be quite content with the blatant stereotyping and the pigeon-holing. The fact that she is only there as a commodity doesn’t seem to bother her. The actor falls in love at first sight – with her or her belly dancing, we’re not really sure. The same actor proceeds to bash the skulls of 453 similar minded men lusting after the aforementioned belly to prove his love for the actress. (With all due respect to the undoubtedly smart and perfectly reasonable 453 goons, it often beats me why they all never attack at once.) The audience erupts at the end of the painfully (er, coat please) long fight sequence, hooting, whistling, and generally losing their minds. God bless them. The actor, who anyway can’t distinguish between the 36 similar movies he has done in the past, signs yet another movie where all he has to do is take off his shirt and make this constipated look on his face – and cha-ching – 2 crores in his pocket. The director and the producer laugh their way to the bank, wondering how they got this lucky. I just can’t figure out whether to laugh or to cry. Neither probably. I’ve heard that rat poison is pretty effective. With Bollywood happily cruising downhill, one wonders what role the general public plays in the heroic decline of Indian cinema. Just the day before, I sat down and tried to watch Mere Baap Pehle Aap. With Genelia D’Souza acting totally out of character, a non-existent plot, and a script which should have been read once and then used as toilet paper, it is safe to conclude that this movie fully merited consuming two and half hours of my life. Another important aspect of Bollywood, which I am proud to point out is how it is completely original. No sir, there is absolutely no ripping off involved. It is just not part of our

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