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Culture and Religion

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Submitted By Weeweehead
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Culture and language are, in many cases, synonymous. Often times, culture breeds language. Throughout my youth, I have had the enriching opportunity of growing up in a cultural environment. This is an experience that has given me many valuable tools and skills. There are two cultural artifacts linked to this page. These artifacts illustrate the effect that culture has on language. The cultural foundation in my childhood, and the language associated with it, instilled me with strength, moral correctness, and just principles.

My first artifact is a sound clip of me playing two Djembe (jim-bay) drums, a Dun Dun (doon-doon) drum, and a Kenken bell. This sound clip was produced years ago – I was recorded in layers to give the illusion that there were four musicians. The “cultural community,” as its members often refer to it, consists of blacks who are in touch with their traditional African roots (specifically west-African). Fourteen years ago, west-African percussion was in its prime; I was lucky enough to grow up around the major players. Yet, this community and form of music had an exclusive language. Conversations with Djembe players were often nonsensical to anyone outside of the community. The English used by members of the cultural community was a Creole of traditional concepts, words from west-African languages, and Djembe music terms. This situation was intensified by the fact that west-African music is polyrhythmic and incapable of being written. For example, a Djembe drummer may tell his student: “Press in more for your tones and less on your slaps if you want to get that ‘tot tot’ sound.” The student may respond by saying: “It could also be that I didn’t pull the verticals as tight as I should have. If I put a row of diamonds in, that should bring me back up, but I’ll work on my strikes also.” This is only a minor example of normal conversations among

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