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Culture Difference on Film

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Submitted By ymc3174
Words 1563
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Yamei Chen

1/16/2012

The Joy Luck Club, I’ve watched that movie many times, when I was a lot younger and also recently, because of my age, what I’ve experienced in life, each time I viewed the movie, my mind set are different as well, yet everything I watch this movie it brings tears into my eyes. When I was younger viewing the movie, which was very close to reality to what actually happen to women in China in the time, I think now when I view the movie, I’ve missed the whole point of the movie, it was really describing the relationship between mother and daughter in different time zone and culture background. “As cultural institutions, mass media often reflect some aspects of the society in which they operate. The critically acclaimed film The Joy Luck Club (1993) reflects diaspora experiences of Chinese immigrant women and depicts intergenerational tensions between Chinese mothers and their American-born Chinese daughters. It also reflects the struggles, dilemmas, and conflicts in the search for identity and self-development among Chinese and Chinese American women.” (Yea-Wen, C. (2007).
The storyline is centered upon Jing-Mei Woo also referred as June, who struggles to deal with the recent death of her mother Suyuan Woo, throughout the movie. The movie takes place at a reception held on June’s behalf before her trip to China to meet her twin half-sisters who were abandoned by their mother many years ago. June struggles with her mother’s past which she never fully understood. Though Suyuan dies before the movie begins, it is revealed that Suyuan was forced to abandon her daughters after contracting severe dysentery on her journey to escape the Japanese invasion during the Second World War. Believing she would die on the journey, Suyuan leaves them in hopes they would be rescued and returned to their father. Suyuan ultimately survives the trip but discovers that her husband was killed. She eventually remarries, moves to the USA, and has another daughter. After many years, she learns that her daughters were adopted in China though she dies of a brain aneurism without ever being reunited. Suyuan placed her hopes and dreams in June. In June’s childhood, Suyuan attempted to continuously educate her on Chinese culture.
An-Mei Hsu mother of Rose Hsu Jordan, was raised by her grandparents after her mother was banned from the family for becoming the concubine of a wealthy man after the death of her first husband. After her grandmother’s death An-Mei decides to live with her mother in the house of the wealthy man and his four wives. An-Mei’s mother ultimately commits suicide after much deception and pain was revealed. An-Mei later immigrates to the USA, marries, and gives birth to seven children. Rose Hsu Jordan is one of those seven children who is seen as passive and struggles to be heard in her marriage. After her husband files for divorce, Rose finds her voice after learning her mother’s childhood story and fights for her marriage which is ultimately salvaged. Women in that time, did what they had to do, the film also explained why An-Mei’s mom had to married the wealthy old men, being forced into anything in Chinese’s culture was a shameful thing, family wouldn’t understand and doesn’t care, women had no place or respect, anything bad happened to them, it was always the one getting blamed as well. Women had to fight for their respect and place in a family, which still happens now, and it’s just not in China, there are women here in America had to fight for their respect and a place in her in law’s family.
Lindo Jong, mother of Waverly Jong was forced into an arranged marriage at the age of 16. This marriage did not produce offspring as was demanded by her cruel mother-in-law. After much torture, Lindo was able to cleverly escape the arranged marriage without bringing disgrace to her family name or to herself. She immigrated to the USA, married a Chinese-American man and had three children. Lindo struggles with having lost some of her Chinese identity by living in the USA for so long and worries that her daughter Waverly’s Western American upbringing has caused a wedge in their relationship. Waverly is an intelligent, independent woman who struggles with constant feelings of inadequacy and criticism from her mother. She feels that nothing she ever does is good enough and therefore has a strained relationship with her mother.
Finally, Ying-Ying St. Clair, mother of Lena St. Clair was raised to believe that Chinese women should be meek and passive. Despite being quite independent and strong willed, Ying-Ying conformed to Chinese cultural expectations by marrying a man who ultimately cheats on her with several other women. Ying-Ying felt betrayed and used to a point one day she accidently drawn her own one month old son. Ying-Ying is horrified to discover that her daughter Lena has emulated her passive behavior and is also stuck in a loveless marriage with a controlling husband, everything is half and half, a marriage should be a whole, there shouldn’t be yours or mine. It is not until Ying-Ying visits Lena at her home and shares her childhood story that Lena finds the courage to demand from her husband the love and compassion she feels she deserves.
Gender and culture are entangled in The Joy Luck Club, as the viewer is transported through countries, class, and time, only to see that the bonds of heritage and family are not broken by the crossing of oceans. Connection to culture of origin runs deep among Chinese Americans (Uba,1994). In this way, The Joy Luck Club is an accurate mirror of reality, as it portrays some of the richness of Chinese American culture. From a feminist perspective, The Joy Luck Club, on its surface, contrasts traditional Chinese gender roles to that of Westernized Chinese-American women. As the second generation women describe their childhood and adulthood relationships with their mothers, the viewer sees representations of stereotypical Chinese mother-daughter interactions.
As reflected in the Chinese-American daughters’ stories, the Chinese culture the mothers attempted to pass on led to rejection and disappointment. The daughters are expected to be smart, talented, and respectful, while at the same time never having her “worth be measured by the loudness of her husband’s belch.” It would be an easy assumption, from a systems perspective, to place blame on the Chinese-born mothers for their daughters’ relational and self-concept problems. The mothers are portrayed as critical, perfectionistic, and unforgiving. The fathers of the American-born women all have a passive, gentle nature about them and did little to balance out the pervasive feminine energy. This is in direct contrast to the traditional Confucian indoctrination that was prevalent during the early lives of the mothers in which women were expected to be passive and nurture the family.
The mothers lived in Builica, China during a time of war and poverty. For each of the mothers, their childhood was filled with constant powerlessness and subjection. Yet, in a life of hopelessness each of the women find what it means to be strong in the face of gender-based oppression. Though the movie does not portray each woman’s decision to marry and come to the USA, the viewer understands that each does so with the hope of providing more opportunity for their children. The women come to the USA with high expectations about their lives, and those expectations are especially high for their daughters.
My parents decided to move to U.S. in hopes for better opportunities for me and my brother, sometimes I feel like I’ve failed my parents, I tried everything I could to satisfied my parents, I didn’t think anything was good enough, I can related to this movie 100 percent, my mom may not went thru the things these women has went thru, but she straggled in her time in China, just simply because the government didn’t like her family background, my family and I moved here when I was 13 years old, they try to remind us of who we are, trying to get us to keep our tradition, they aren’t exactly happy with my decision most of the time, I was too suborned to just did what I wanted. All mother or parents try to do what’s best for their child, when I was younger I did the same thing, I refused to listen, refused to do what was told to me. I’m older now with my own career, I travel all around the world, it really took my job to make me realized how important my family is to me, how much more I should of respected my parents.
Reference
Igeleke, E., Marie, M., Huddleston, K., & Fife, S. (2010). Movie reviews. The Joy Luck Club. Journal Of Feminist Family Therapy, 22(3), 236-241. doi:10.1080/08952833.2010.499757

Yea-Wen, C. (2007). When East is West, Examining Chinese Mother-Daughter Relationships and Cultural Values through Amy Tan's The Joy Luck Club. Kaleidoscope: A Graduate Journal Of Qualitative Communication Research, 699-120.

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