Premium Essay

David Finch's Influence On Film

Submitted By
Words 686
Pages 3
David Andrew Leo Fincher is an American filmmaker, a director and producer who started his career as a production assistant at Korty Films, working under John Korty, a film director and animator, best known for his television and documentary work. David Fincher’s love for film started at an early age, when, like Steven Spielberg, he made home movies with an 8 mm camera. At Korty Films, David Fincher quickly moved up the production department’s ladder, eventually becoming a visual effects producer, which likely prompted the next whimsical move in what would become a long and illustrious career in filmmaking. After leaving Korty Films, David Fincher was given the incredible opportunity to work with the legendary filmmaker George Lucas (Star …show more content…
Later, Fincher joined Propaganda Films and began to direct music videos and commercials. Propaganda Films was also a starting point for directors such as Michael Bay, Spike Jonze, Gore Verbinski, Alex Proyas, and Zach
Snyder. In 1984, Fincher left Industrial Light & Magic and directed a television commercial with historic significance in American advertising, a television spot for the American Cancer
Society that showcased a fetus in the womb of its mother. The fetus was smoking a cigarette, which was both visually arresting and alarming. It was this particular commercial this author feels was the jumping off point for the unique visual style Fincher would develop, a style that would lead further into commercial work, music video production, television, and feature film excellence. David Fincher is one of the most visually and stylistic filmmakers working in the entertainment industry, a filmmaker with a tremendous history, and perhaps, an even greater future, as he will continue to create works of art that are commercially and

Similar Documents

Premium Essay

Cyrus the Great

...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...

Words: 221284 - Pages: 886