...National Horticulture Mission 2011-12 District Committee Members List, Dist. Pune |Sr. No. |Name of committee Member |Designation & address |Designation in Committee |Contact No. (Phone No.)| |1 |Shri. Vikas Deshmukh |Collector, Pune |Chairman |020-26114949 | | | | |Member-Secretary | | |2 |Shri. Ravindra Bhosale |Dist. Sup. Agriculture Officer, Pune | |020-2538310 | |3 |Shri. Anil Kavade |C.S.O. Zilla Parishad Pune |Member |020-26134313 | | | |Chairman, Agri. Committee, Z.P.Pune | | | |4 |Shri. Arun Chabhare | |Member |020-26134338 | |5 |Shri. B.S.Varale |Project Director, D.R.D.A, Z.P.Pune |Member |020-26131784 | | | | | |9822252630 ...
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...GLC IB Batch 2012-14 SCHOOL SURVEY NAME: Pallavi Mitra ROLL NO. : 81 Faculty Guide: Prof.: Sudipto Chakraborty PARIVARTAN MAHILA SANSTA NGO GUIDE : Ms. Jyoti Patekar, President SUMMARY: Parivartan Mahila Santha (estb: 1999), I came to know about this NGO after a seminar was held in our college campus. This NGO had mainly established to help the women in the society. The women were backward and were almost jobless. These even included the widows. The NGO also has a few ashrams in certain districts of Maharashtra. These Ashrams mainly shelter the orphan girls. It educates them and even takes responsibility of getting them married. As a part of the project given to us, me and my colleague, Ms. Swastika Mishra was to survey the municipal schools located in Dombivili and Titwala. Although our base was the Balika Ashram in Titwala we had spent 5 working days in Dombivili surveying the rest four schools. It was a great experience for both of us as we had been given the opportunity to explore the city of Mumbai and learn more about these orphan girls. ABBRIVIATIONS : NGO : Non-Governmental Organization KDMC : Kalyan Dombivili Municipal Corporation TABLE OF CONTENTS: Sl. No. | Topic | Page No. | 1 | INTRODUCTION | 5 | 2 | TASK PERFORMED BY US | 6 | 3 | REPORT OF THE SURVEY | 7 | 4 | RECOMENTATION TO THE SURVEY | 9 | 5 | CONCLUSION | 10 | INTRODUCTION Parivartan Mahila Sanstha...
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...His clothes were very simple. He dressed in a dhoti, a shirt, a shawl on the shoulder and a red 'Pagadi' (a Marathi cap) on his head. In many ways he was the architect of India’s Freedom Struggle. His ideas and efforts were carried on by equally worthy next generation of leaders Gandhi ji, Patel, Nehru and others. * Lokmanya Bal Gangadhar Tilak was born in Ratnagiri on July 23 1856, a year before the first war of Independence fought in 1857. Lokmanya was a title conferred on him by the public while the British called him the “father of Indian unrest”. He was an Indian nationalist, social reformer, teacher, journalist, editor, Sanskrit scholar, a great mathematician and freedom fighter who was the first popular leader of the Indian Independence Movement. “Swaraj ha maza janmasidha adhikar aahe ani to mi milavinach” [meaning: “Swaraj (self rule) is my birthright and I shall have it.”] This statement made by him is world famous even today and has inspired thousands to stand up for their rights. * Bal Gangadhar Tilak was a bright child and very good at mathematics. The problems which would take minutes for a person to solve on the paper, Bal Tilak would do them mentally and give the answer. He...
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...Laroa, Charla Jane H. BSCE-III MWF 9:30-10:30 BAL DU MOULIN DE LA GALETTE Pierre-Auguste Renoir 1876 * Subject – Scenery, focus on people in intimate and candid compositions * Function – to depict a typical Sunday afternoon at Moulin de la Galette * Medium (Material) – Oil * Style - vibrant light and has saturated color * Judgment – a typical scene from Paris 1. What is it about? The painting depicts a typical Sunday afternoon at Moulin de la Galette in the district of Montmartre in Paris. It was an open-air dancehall and café that was frequented by many artists living there. In the late 19th century, working class Parisians would dress up and spend time there dancing, drinking, and eating galettes into the evening. Renoir attended Sunday afternoon dances and enjoyed watching the happy couples. For him, it provided the perfect setting for a painting. This canvas shows Renoir's friends, Frank Lamy, Norbert Goeneutte, and Georges Rivière gathered around the central table. 2. What is it for? And who is the intended bodies / audiences? Especially for working girls and their young men together with a sprinkling of artists who enjoyed the spectacle and also found unprofessional models. The dapple of light is an Impressionist feature but Renoir seems especially to have welcomed the opportunity to make human beings, and especially women, the main components of picture. 3. What are its materials? Or what are the materials used? Renoir...
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