...Musicians as a Discourse Community A discourse community is a group of people who share a set of basic goals and have their own ways of communicating about those goals. A large discourse community that I personally fall under is being a musician. Every instrument has its own jargon and those who play these instruments know the lingo and different brands and what makes certain techniques better than others. Musicians use music to express themselves and challenge themselves to accomplish more. Something as simple as hearing a new song can motivate the musician to learn new chords and put in the effort and practice to learn something new, or even put their own spin on the song. Musicians are a great example of a discourse community with all of the different instruments to learn and specific aspects to each instrument. Musicians understand the value behind making goals, for it is the only way to really learn. Either the musician has one instrument or several on the mind but it all starts the same way; researching the instrument and setting a goal. For example, when I started playing guitar, I planned to practice for thirty minutes every day until I learned the basic chords. After a week or so, I had the chords memorized and my fingers didn’t feel awkward stretching between the frets as they had before. The growth and development of a new musician is special and individual to every person. When a musician really loves a style of music or a specific artist, it is almost mandatory...
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...Robert Kelly Holly Kopcha ENGL 2089 106 3/6/2016 Marching Band The marching band is a community all their own. They all speak to each other in a language that is all their own. It was always easy to spot someone in school who was a “band kid” because of the way they carried themselves or the way they talked or the people they associated with. Kids in the marching band hang out with each other during and outside of school. They are a community all their own with unique characteristics. The marching band has specific goals that they set for themselves as well as for the group. Individually the members of the marching band have their own goals that they need to accomplish for the ultimate goal of making the group better. Each member will practice their music at home or in the practice rooms during class in order to get better at memorizing and accenting their music. They do this to help the group sound better when they are at competition. Band member also have a goal to memorize their drill sheets. This helps them to where they are supposed to be on the field at a certain time. Doing this helps the group look more unified in their formations. The group’s goals are to perform well at competitions and ultimately win a trophy for their school. To obtain this goal the group will practice for 2-4 days a week. Depending on the day or what needs work they will either work on drill or their music. Drill is the position in which the person should be in a specific time during...
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...So what is a discourse community? When you google discourse community, you read, “It is a group of people sharing a common goal using communication to reach that common goal.”Getting more into detail what exactly is a discourse community, we have John Swales’ academic essay, ‘The Concept of Discourse Community’, which breaks it down into six characteristics: “1. A discourse community has a broadly agreed set of common public goals. 2. A discourse community has mechanisms of intercommunication among its members. 3. A discourse community uses its participatory mechanisms primarily to provide information and feedback. 4. A discourse community utilizes and hence possesses one or more genres in the communicative furtherance of its aims. 5. In addition...
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...Now when reading thru the “Concept of a discourse community “ I found it a very difficult piece to write about. Really just reading thru it I found myself having to go back over it many times. So for this paper we were soppose to analize a part of the writing. So I decided to go over thse 6 chartestics that swalles talked about. Like I said swales came up with a set of guidelines that a discourse community has to meet to be actulla considered as a discourse community. The six characteristics that are to be included in a discourse community are common goals, participatory mechanisms, information exchange, community specific genre’s, a highly specialized terminology and a high general level of expertise (Swales, John. "The Concept of Discourse Community." (1990): 119-28. Print.)....
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...What would you say is Swales’ overall thesis for this article? What is he trying to prove? I believe Swale's overall thesis is that, the current definition for discourse community is vague and suggestive; centered around some main ideas but is still not well defined. I believe he is trying to prove that a specific set of characteristics must be present in order to define a discourse community. What discourse communities do you belong to professionally and personally? What discourse community do you hope to belong to in a future profession? Name at least one from each category. Professionally, I belong to the retail discourse community because I am currently working at Victoria's Secret. Personally, I belong to the discourse community of business...
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...Micro-Ethnography discourse communities exist worldwide from communities who represent single mothers, to employees working within the workforce, to those who commute to work every day where they may be involved in either leadership or support roles, to those who participate in sports, or those who simply participate in extracurricular activities such as a church group or simply groups of people whom share the same goals, language, interests, or practices, or religion. Social discourse communities encompass any group of 2 or more members which share a common set of goals or duties or simply share a similar group dynamic. Within Gee’s “What Is Literacy?” Gee identifies the broad definition of a discourse. Gee writes, A socially accepted association among ways of using language, of thinking and acting that can be used to identify oneself as a member of a socially meaningful group or “social network. (1) Most can easily identify with many separate discourses as a result from their raising such as in “Speaking in Tongues” or as a result of their education and adaptability to their environments as in “First They Changed My Name”. Human’s ability to adapt uses our “Get in where you fit in” mind set. Acting as one’s camouflage allows us as humans to avoid sticking out and instead encourages our abilities to blend in with the crowd and not be treated differently or singled out from the majority. While working within a very upstanding company, I was recently promoted to Environmental...
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...To maintain order in a community, one must adapt to the way of life in that community. In this sample discourse community analysis, the author speaks about joining the band community, and what kind of things he/she had to adapt to, and learn in order to successfully be part of said community. The author begins to build his/her credibility by effectively using the following strategies: diction, point of view, and tone. With the use of these devices, the author is able to appeal to their classmates on a more personal rather than professional level. In this essay, the author talks about having to learn about “the pyramid of sound,” which he/she states is very important in the band community. When describing the importance of this skill, the...
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...Sun Ra, a beloved jazz musician by many for his genre-bending style and creativity, is left out of a lot of histories of jazz e.g., every book and film I absorbed this semester leaves him out of the jazz narrative, why? Sun Ra is both praised and criticized for his creatively avant-garde representation of jazz. A brief background of the musician shows that he started playing piano at around the age of 11. In 1936, at age 22, he decided to drop out of college to pursue a musical vocation. Additionally, he claimed he was transported to the planet Saturn and told to drop out to teach through music. Nonetheless, ten years later he began playing for such acts as Wynonie Harris, Billie Holiday, Lil Green, Fletcher Henderson and formed a trio with...
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...Cultural Moves AMERICAN CROSSROADS Edited by Earl Lewis, George Lipsitz, Peggy Pascoe, George Sánchez, and Dana Takagi 1. Border Matters: Remapping American Cultural Studies, by José David Saldívar 2. The White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture, by Neil Foley 3. Indians in the Making: Ethnic Relations and Indian Identities around Puget Sound, by Alexandra Harmon 4. Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, edited by George Mariscal 5. Immigration and the Political Economy of Home: West Indian Brooklyn and American Indian Minneapolis, by Rachel Buff 6. Epic Encounters: Culture, Media, and U.S. Interests in the Middle East,1945–2000, by Melani McAlister 7. Contagious Divides: Epidemics and Race in San Francisco’s Chinatown, by Nayan Shah 8. Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934–1990, by Lon Kurashige 9. American Sensations: Class, Empire, and the Production of Popular Culture, by Shelley Streeby 10. Colored White: Transcending the Racial Past, by David R. Roediger 11. Reproducing Empire: Race, Sex, Science, and U.S. Imperialism in Puerto Rico, by Laura Briggs 12. meXicana Encounters: The Making of Social Identities on the Borderlands, by Rosa Linda Fregoso 13. Popular Culture in the Age of White Flight, by Eric Avila 14. Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom, by Tiya Miles 15. Cultural Moves: African Americans and the Politics of...
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...People and their personalities are sums of all of the experiences they have had in their lifetime. I am who I am because of all the people I have met, the situations and circumstances I have been exposed to, and the activities that I have engaged in. In What Is Literacy written by James Gee, he discusses that individuals are simply meeting points of multiple, and sometimes conflicting historical and social discourses. This statement really hits home with me, especially the word conflicting. I am an Egyptian-American who was raised in a very cultural and traditional family, but went to school and made friends in a community that felt almost entirely different. My friends never understand why I go to church with my family three times a week,...
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...differing in kind and reception from those modernity, Orientalist-inspired dances pioneered by solo belly dancing artists. New media plays an important role in influencing public reception contexts of multicultural transnational pop groups. Since the late 1990s, the Internet has radically altered the creation, promotion, and discourse surrounding popular culture. Websites such as YouTube offers “Prosumers” new audiences to witness their intimate rewriting of popular culture, like the re-mix of “Buttons”. Through these internet community sites, the image of a threating yet enticing feminine Orient is reclaimed and remixed by a broader, mixed-gendered, multicultural group of mass culture participants throughout the digital world. Reaction: I have always wondered why the West views the Orient, especially oriental women, in the fetishized manner that they do. This reading may hold the key to my answer; the oriental image goes back to the late 1800s, and how the media has represented the Orient. I found it especially interesting how belly-dances are essentially “Western” now, even though it has origins in the Other. Taylor - Some Versions of Difference: Discourses of Hybridity in Transnational Musics Summary: In recent years, hybridity has become an important lens through which cross-cultural encounters are understood, sometimes displacing lenses of authenticity. This has led to hybridity becoming a criterion that shapes the ways musics by Others are heard by critics, fans, and listeners...
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...Jean-Jacques Rousseau was born in city of Geneva, on 28th of June 1712. Rousseau`s mother died a week after his was born and his father blamed him for her death. He, then, was orphaned at the age of 10 because his father left Geneva to avoid imprisonment. Rousseau brought up by his devout Christian aunt and uncle, which spurred his hatred of authority and the church. Even though Rousseau had never received formal education, his love of literature and creative imagination were developed at a young age. In the Confessions, Rousseau mentioned that he went to Paris to become a composer and musician in his young adulthood, but he was discouraged and laughed by the other famous musicians at the time. At the same time, Rousseau became a close friend of fellow philosophe Diderot. As he mentioned in his autobiography, the reason why he was so...
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...My discourse community is the music community. I am very dedicated to music and this is something I quite literally want to do with my life. I don’t want to be like Prince, or Akon, or even Beyoncé; I want to be the artist that does her own thing. I’m a rookie. I’m not entirely sure where I am going but the factor that I hold onto is expression. Sometimes, I imagine myself on stage, singing to the crowds, not a care in the world but just losing yourself. That is a day dream. There are quite a few factors on being a successful musician. I took a poll from my classmates and told them to rate my options from 1 to being the most important and 3 being the least important. My options were, ‘real talk’, ‘dedication’, and ‘good audio’. In all of them...
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...Organizational Management Introduction The amalgamation of the organization is the characteristic that engages the arrangement of the innovative revival systems of the businesses that are integrating into a component with such recently collective scheme of procedures. This procedure of unification of two or extra companies to figure a solitary component of the companies engages an amount of organizational arrangements, which comprise populace, possessions and responsibilities. (L Heracleous, 2001) The procedure of joining all of these schemes is regarded as incorporation. Incorporation is a feature that suits inside the sequence of a business or precise business amalgamation and acquirement sequence wherein ventures buy assimilate and ultimately wind up of the other businesses. One major point that should never be forgotten is to acquire various business concerning papers of the company with whom it desires to amalgamate. Position of Bill Bailey’s on the Merger The chairperson the Utah Opera Organization may well apply the MEI hypothesis relating to the organizing consolidation: Avoiding Merger-Encouraged-Individualism to hold up the unification. According to this hypothesis, unification and acquirement offer businesses with attractive prospects for the market allocation and enhancements, economies of scope through vertical integration as well as technological advancement. (L Heracleous, 2001) This progress also offers workforce with increase and remuneration, which comprise...
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...A Revival: Transformation of Mevlevism in Turkey Hande DEVRİM KÜÇÜKEBE Ege University State Conservatory of Turkish Music Final Essay for IPEDAK- Erasmus Project- Intensive Programme 2010 Revival can be defined as a social movement aiming to restore and protect a tradition which is believed to be disappeared or partly neglegted. This essay will focus on how revival is discussed as a concept in the works written by Egil Bakka, Andriy Nahachewsky, Mohd Anis Md Nor and Ayhan Erol and the case of The whirling Dervishes in Turkey will be elaborated using this concept of revival. In his article ‘Whose dances? Whose authenticity?’ Egil Bakka, mentions folk dance revival in Norway as an ‘organized folk dance movement as opposed to popular tradition’. He presents two dance categories. The first one contains ‘dances staying alive because of their own strength and popularity’ and the second category consists of ‘dances being consciously cultivated, taught and sustained by a desire to preserve, nurture or utilize’ (60) In the first category there are the dances common in Norwegian rural areas and he states that there aren’t any systematic teaching and efforts to keep these dances alive. The dances in the second category are the ones which are subjected to the revival or ‘organised folk dance movement’ Bakka states that the revival process requires to move...
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