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Ethnomusicology Notes

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What is Music?
Sound vibration with specific meaning
Conceptual phenomenon based on society
Ethnomusicologists try to understand societies through music. By understanding music, there is an understanding of people, the community or the society.
Vocal, instrumental, dance.
In some cultures, all these characteristics are combined where generally, vocal, dance and theater are separate. i.e: Flamingo
Culturally specific activity
Labels emblematic of the activities (contextualized in time and space)
Folk, traditional, popular, art

World Music?
Peter Gabriel/ Paul Simon. Collaborating with artists outside of popular music. In the 80s, World Music was known as the collaboration with others.
Zulu girls perform wedding song/dance. (Central Africa)
(1) Paul Nabor from Belize. Transformation of this music which began to be a project of international world music. Village House Production, Punta Gorda Town, Belize Central America.
Guitar, percussion and voice.
(2) Andy Palacio – Watina. Producer transformed Paul Nabor’s base into Watina. The first album that put (Garifuna community in Belize) Garifuna music/this kind of music on an international scene. Was a popular album of world music.
Andy Palacio – Dunya 2007 Festival Rotterdam (Joined by Paul Nabor) Paul Nabor sings in the Modal system whereas the instruments are in the tonal system. Completely different systems combined together.
(3) Aurelio Martinez – The Laru Beya Sessions. In Senegal to commence a new collaboration. Taking Garifuna language and mixing it with Spanish rhythms. Hip hop with a reggae background. “Music is a tool”. Andy Palacio, who saved Garifuna Music – New York Times. Preservation of the culture
Category from the West (1980)
Everything which is not considered as “Western art music” but it could be art music.
“Traditional Music” : Dancing women for the wedding.
“Fusion” like Peter Gabriel or Paul Simon or Aurelio Martinez
Object of ethnomusicologists
Overview of several types of music from around the World (folk, popular, art, traditional)
Critique of musical categories

Why and How World Music?
Study object of a discipline
History of discipline
Methodology of a discipline
Resources of ethnomusicologists

What is ethnomusicology today?
1950: Jaap Kunst (Dutch, Gamelan) – Bali: Ethno: Other – Music - Ology: Science. The science of others’ music.
Study of music in context:
Specific object
Fieldwork
Interview
Recordings
Study a specificity of music:
Music as a sound
Music as material,
Music as culture,
Music as social activity
Stakes of music
To try to better understand society and human beings.
Music as a “fait social total” (Marcel Mauss, Jean Molino)
Music is related to a system of thinking/discipline
Emblematic of individual and collective
Specificity of ethnomusicology: empirical approach based on the study of musical characteristics and functions
Contact with other disciplines
Musicology, Anthropology, Sociology, Philosophy, Linguistic, Acoustic

Difficulties of ethnomusicology
Unknown musical system (transcription of music)
Unlike opera with musical scores, music from other cultures have a different way and this must be learnt.
Traditional music which exists through performance.
The scholar has to be a part of a culture different from their own (ethnocentrism)
Not necessary but we must be critical of it in order to better understand it. The information given must be interpreted to be useful.
Representativeness of musical culture in the field work
“Informant” gives the information.
Detect the competence of the musician doing the fieldwork. * * What do ethnomusicologists study?
Individual and collective practices
Musicological objects
Musical performances
Transmission and learning of music
Status and role of musical practices and
Musical esthetic
Musical discourses

History of ethnomusicology: Prehistory.
Pioneers:
John Ellis: Comparative Musicology, analysis of scales from Non-Western cultures (first work of Comparative Musicology)
Theodor Baker (1882): Monograph with Seneca First Nations (State of NY) Ethnographical observations and musical transcriptions.
Carl Stumpf (1902): Created the first archive of Non-Western music at the Psychological Institute, University of Berlin
In Europe, at the end of XIXe century/beginning of XXe century, scholars used music collected by Others

School of Berlin, end XIX, beginning XX century
School of Comparative Musicology
Time of major expeditions
Time of major collections from around the world
Study of objects out of context, “in laboratory”: the one who collects is not the one who analyses
Principal Scholars
Carl Stumpf
Otto Abraham
Eric Hornbstel

School of Berlin
Main interests
Analysis of musical systems
Analysis of tuning systems
Hornbostel and Sachs proposed a classification of musical instruments in four categories (idiophone, membranophone chordophone, aerophone)
Search for universals
Objective
Proposed a theory of musical evolution
Specificity of this school
Comparative perspective

The continuity of East European School
In France, this approach has ben adopted by Claudie Marcel-Dubois who worked in rural France and overseas departments (Musée des Arts et Traditions Populaires)
In Canada by Marius Barbeau who worked in Quebec and also with First Nations form the West, the East and the Prairies.

Ethnomusicology in Canada
East European approach
French approach
North American approach
There is no “one ethnomusicology”. However, there are ethnomusicologists and there are ethnomusicologies.

United States School Prehistory
“The Self with the Others”
The proximity with the Others: First Nations
Scholars from United-States work at home with First Nations
Development of long-term presence in fieldwork
Fusion between ethnography and music
1925: descriptive, analytical and synchronic perspectives
Monograph of First Nations life experiences

Pioneers:
Geo
Main Figures
Frances Densmore (1867-1957) develops the monographic genre
Tries to understand continuity and change
Studies36 First Nations groups: about 15 volumes
Conservation/modification of musical traditions
David McAllester (1916-2006) analyses ethnographic and musical data from Navajo First Nations
Co-founder of the Society for
1954, The Enemy way
Alan Lomax
Description, comparison and research of Universals
Fieldwork
Analyzes singing styles
Mantle Hood
Bi-musicality
Pioneer o performance analysis
UCLA (Institue of ethnomusicology) Learn the music of the others to better understand it.
Alan Merriam
Considered the father

Difference between French and US approaches
France
Issues
Continuity with colonial projects
Importance of the object
Supplying museums with Non-Western artifacts
Spatial scale
Space of creation and developmnt of discipline: museum
Temporal scale
Space and time of creation: Europe, end XIXe
Theoretical problem: research of universals (Comparative Musciology)
US
Issues
Cultural relativism, link with anthropology
Brought to light the specificity of each musical culture and the dynamic “social context/musical practices”
Importance of the subject
Spatial scale
Space of creation and development of discipline: universities
Temporal scale
Space and time of creation: XXe in US
First Nations

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