...In Macbeth by William Shakespeare after he murders king Duncan the main character Macbeth hears a voice say “Macbeth shall sleep no more” (II: ii: 41). This theme is carried on throughout the play the play until Macbeth’s final death. In Macbeth the theme “sleep no more” first comes after Macbeth and Lady Macbeth’s plan of killing King Duncan is executed. The first application of the theme of sleep is presented in a very simple way. When the main character Macbeth is returning to his wife after murdering Duncan he tells her that he hears a voice say “Macbeth does murder sleep, the innocent sleep” (II:ii:34). In this scene the play is illustrating that because Macbeth has murdered the king he will not sleep well anymore. Also when the voice said “the innocent sleep” it was saying that the people who were asleep in the house at that time were innocent. Only Macbeth and Lady Macbeth were awake in the house and they aren’t considered innocent because they planned and executed the murder of a king. This scene foreshadows the true meaning of the theme later on in the play....
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...Siesta Sleep is a vital part of every day and for most it is the only constant. Although, change in people’s daily lives is inevitable, sleep is the one thing that one can be sure about. From starting a day off by rising from sleep to going back to sleep as night falls, this “constant” is true for all. Another person who Macbeth, a thane, who through his accomplishments on the battlefield was slowly inching up the social ladder. Then, when the greed for power begins to eat him and the bodies start piling up things beginbegan to change for the characters. When the delicate balance of sleep is disrupted, dire consequences come about as they do in Shakespeare's play Macbeth. Through the characters’ reactions to the severe deprivation of sleep,...
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...Is Macbeth an evil villain or simply a tragic hero? What makes a character a true tragic hero? All tragic heroes have the same qualities; an honorable person who is doomed for a tragic downfall; the situation usually makes them suffer and feel guilty. Would Macbeth be considered an evil villain or noble man? Throughout the play Macbeth by William Shakespeare, it is clear to see that Macbeth is a man who was influenced by the wrong people, and completely driven to have success. Could the drive to success make a person so morally wrong? How could the favorable Macbeth take such an awful turn for defeat? Macbeth is the perfect example of a true tragic hero; possessing great nobility that came crashing down at the hands of his peers, and the single tragic flaw of ambition. The first time the reader was introduced to the character Macbeth, it would be impossible to think he could turn out to be so morally imperfect. For brave Macbeth—well he deserves that name—Disdaining fortune, with his brandished steel, Which smoked with bloody execution, Like valor’s minion carved out his passage Till he faced the slave; Which ne'er shook hands, nor bade farewell to him, Till he unseamed him from the nave to th' chops, And fixed his head upon our battlement (Shakespeare 1.2.16-23). When the caption is talking about Macbeth, it was obvious to understand that Macbeth was a brave and a courageous fighter; he was explained to be a hero very quickly in the beginning. This...
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...THEMES OF GUILT – MACBETH In the story of Macbeth, guilt is an important theme due to the fact that it unstiffens Macbeth’s ambition and coldness. His brutality is balanced by his guilt, a trait that enables the audience to identify with Macbeth throughout the play despite his oppressiveness. MACBETH AND LADY MACBETH: The two main characters who experience extreme feelings of guilt throughout the play are Macbeth and Lady Macbeth. Macbeth’s guilt is caused by the ghosts of those who he murdered and of the consequences that follow their murders. For example, Macbeth is visited by the ghost of Banquo, who he murdered to protect his secret. The apparition embodies Macbeth’s guilt and therefore causes Macbeth to nearly reveal the truth about King Duncan’s murder. Macbeth’s guilt prevents him from enjoying his gain of royalty but it does not stop him from committing more than 1 murders. This perhaps indicates a lack of morality, which is Macbeth’s key character flaw. Lady Macbeth on the overhand is driven crazy from the adrenaline of watching her husband commit such murders and is the force behind his actions. Unlike Macbeth’s...
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...which. Shakespeare didn’t write “heroes” and “villains.” He wrote real people with real flaws, who were all equally capable of committing good and evil. One of the most important themes in Macbeth involves the witches' statement in Act 1, Scene1 that "fair is foul and foul is fair." (Act 1, Scene 1, Line 10) This phrase aptly describes the macabre status quo within the character Macbeth and without. When Macbeth and Banquo first see the weird sisters, Banquo is horrified by their hideous appearances. Conversely, Macbeth immediately began to converse with these universally known evil creatures. After hearing their prophecies, one can say that Macbeth considered the witches to be "fair" when in reality their intentions were quite "foul." Macbeth's possession of the titles of Thane of Glamis, Thane of Cawdor and King of Scotland came by foul means. Macbeth became the Thane of Glamis by his father Sinel's death; he became Thane of Cawdor when the former namesake was executed for treason; and he was ordained King of Scotland after murdering the venerable Duncan. Thus, Macbeth has a rather ghastly way of advancing in life. This theme is further verified by King Duncan's statement "There's no art/ To find the mind's construction in the face." (Act 1, Scene 4, Lines 11-12) Although Macbeth has the semblance of the amicable and dutiful host, ("fair") he is secretly plotting Duncan's death...
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...It is not uncommon for a war veteran plagued with PTSD to desire a solitary life in the mountains. Throughout Shakespeare’s tragic play of Macbeth, Macbeth makes several bad decisions. By the end of Act V, the consequences of these decisions catch up to Macbeth, and result in his mental deterioration and downfall. Macbeth’s character traits are the driving forces in this mental deterioration. These character traits include his blind ambition, his guilt, and also his false hopes. Macbeth’s tragic flaw, his blind ambition, is a large contributing factor to his mental deterioration. In the course of the play, Macbeth has a tendency to make decisions out of his desire for power. One example of this greed is when the three witches prophesize that Macbeth will become Thane of Cawdor, and later, king of Scotland. When the first prophecy comes true, Macbeth becomes over powered by greed and murders Duncan so that he may become king. In a letter sent to Lady Macbeth, Macbeth states that, “‘Hail, king that shalt be!’/ This have I thought good to deliver thee, my dearest/ partner of greatness; that thou mightest not lose the/ dues of rejoicing” (I, v,...
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...Celton Brito-Lobato Analyse and compare how Lady Macbeth and Curley's wife are presented Shakespeare’s ' Macbeth' and Steinbeck’s ‘Of Mice and Men’ In the Shakespearean play of ‘Macbeth’ we are introduced to the character of Lady Macbeth. Similarly in John Steinbeck's novella Of Mice of Men we also presented with an equally diverse character of Curley's wife. ‘Macbeth’ was written during the early 17th century, and was a play 'fit for a king'. It outlines a couple's ambition to become rulers of Scotland and sees them fulfil this ambition and in doing so, killing the king in the process. Despite being written during patriarchal Jacobean society, Lady Macbeth is a female protagonist. Throughout the play, through Lady Macbeth's actions we are forced to believe that she is evil. In contrast, in the novel John Steinbeck tells a story of dreams, hopes and loneliness. We are introduced to a majorly significant and complex character, named Curley’s wife. Steinbeck shows us that Curley’s wife is flirtatious, mischievous (despite the patriarchal society of the 1930’s) but most of all she is an isolated character. Her hasty marriage to Curley proves to be failed attempt to escape her own spiral of disappointment of not fulfilling her ambition of becoming an actress. This ironically is a main theme in both texts. This essay will analyse and compare the presentation of Lady Macbeth and Curley's wife through structure, themes, what is said about them, their actions and what they themselves...
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...will do whatever it takes to remain in control. Macbeth, written by William Shakespeare, utilizes psychoanalysis to portray how the Macbeths’ lust for power ultimately leads to their downfall. To begin, Macbeth’s thirst for power commences upon hearing the Witches’ prophecy. The Third Witch proclaims, “All hail, Macbeth, that shalt be king hereafter!” (1.3.51). Macbeth and his companion, Banquo, find this prophecy of being king absurd to the point of being funny. Yet Macbeth secretly...
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...without sin. Sin, like adulthood or corruption, then enters into the group and the group is destroyed. The political structure the boys establish when they first meet on the island is also destroyed in the process. The group descends into chaos, with Simon and Piggy as casualties. In the end, Jack, the primary exponent of sin, burns down the island while hunting Ralph, which allows for the boys’ rescue. Despite being rescued, it was clear the boys were changed forever. Likewise, in William Shakespeare’s Macbeth (1606), the country of Scotland is portrayed to be organized under the order of a higher being; a king. When Macbeth, a highly regarded thane, is tempted by a prophecy of being king, he acts on his temptation. Macbeth then becomes king but this damages the political structure because of how Macbeth rules. As Macbeth continues down his path of bloodshed, he disrupts and destroys Scotland’s moral centre but he also destroys the view of how an ideal king would be. In the end, Macbeth and his wife receive just punishments. Both of these texts are allegorical. An allegory is a work, typically art work, used to reveal a hidden...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...Shakespeare’s Characters: Self-Gratification Over Human Kindness William Shakespeare wrote in his tragedy, Julius Caesar, “The evil, that men do lives after them; The good is oft interred with their bones.” It is shown that Shakespeare’s lead characters are concerned with their need for self-satisfaction, gratitude, and dignity. They lack the solicitude for human kindness and the thought of others. The more the audience analyzes the characters, the more they see the true ambition and reasoning for their evil deeds. During Shakespeare’s time, it wasn’t unusual for men to seek such power. For instance, Taming of the Shrew is a play that focuses on the desire for marriage; but the emotions of young couples were not the main consideration in courtship (McDonald 267). Katherina actions portray her as the shrew, but the audience knows her ultimate desire was to receive genuine love from a man. Richard III makes it abundantly clear that he desires to take over the English thrown and do whatever it takes to grasp it. Additionally, Hamlet seeks revenge and is motivated to do so by his supernatural spirit of his father (Sobran 45). The need for wealth, power, ambition, and greed lead many of Shakespeare’s characters to satisfy their own self gratitude over the basic ideas of human kindness. London, during the sixteenth century, was a time of extreme corruption. Gender roles were unequal, marriage was spurious, and seeking wealth or power of some sort became every man’s objective. The...
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...Some definitions of literary devices, techniques and style from searching via http://www.ferretsoft.com/ LITERARY DEVICES http://mrbraiman.home.att.net/lit.htm Literary devices refers to any specific aspect of literature, or a particular work, which we can recognize, identify, interpret and/or analyze. Both literary elements and literary techniques can rightly be called literary devices. Literary elements refers to aspects or characteristics of a whole text. They are not “used,” per se, by authors; we derive what they are from reading the text. Most literary elements can be derived from any and all texts; for example, every story has a theme, every story has a setting, every story has a conflict, every story is written from a particular point-of-view, etc. In order to be discussed legitimately, literary elements must be specifically identified for that text. Literary techniques refers to any specific, deliberate constructions of language which an author uses to convey meaning. An author’s use of a literary technique usually occurs with a single word or phrase, or a particular group of words or phrases, at one single point in a text. Unlike literary elements, literary techniques are not necessarily present in every text. Literary terms refers to the words themselves with which we identify and describe literary elements and techniques. They are not found in literature and they are not “used” by authors. Allegory:...
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...Hamlet’s Melancholy Critics of Shakespeare’s Hamlet have debated, discussed, and thoroughly pondered the meaning of Hamlet’s inaction in the play and what drives him in his thoughts and actions. Many speculate that Hamlet’s inaction is caused by a number of obstacles throughout the play, but through careful inspection of Hamlet at his very worst and very best, one can see that obstacles are not the problem with his inability to act—it is the constant state of melancholy he is thrown into by the events that ultimately ruin his life. Hamlet, having just lost his father, is not given time or sympathy for his much-needed grieving; and this, in turn initiates his melancholic state that controls his actions and motives to the very end of the play (Kirsch 17). Throughout the play one can see that Hamlet never once loses possession over those qualities that make him such a noble character. Even in his most tumultuous state he has healthy and positive feelings: a strong love of his father, longing for revenge, and disgust of his uncle and the deed he committed (Bradley 142). So, though Hamlet is not in his normal state, he is not distressed beyond reason and any obstacle that would not prevent him from acting before certainly should not now. The conclusion is inevitably that Hamlet is in a state of melancholy because of what has just happened. His healthy motives combined with the overwhelming feelings of melancholic aversion and lethargy create a seemingly unattainable mode...
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...EXCEL MODELING AND ESTIMATION IN CORPORATE FINANCE Third Edition CRAIG W. HOLDEN Max Barney Faculty Fellow and Associate Professor Kelley School of Business Indiana University Copyright © 2008 by Prentice Hall, Inc., Upper Saddle River, New Jersey 07458 To Kathryn, Diana, and Jimmy. Contents iii CONTENTS Preface ..................................................................................... vii Third Edition Changes .................................................................................... vii What Is Unique About This Book ..................................................................... x Conventions Used In This Book .......................................................................xi Craig’s Challenge ........................................................................................... xiii The Excel Modeling and Estimation Series .................................................. xiii Suggestions for Faculty Members ..................................................................xiv Acknowledgements ........................................................................................... xv About The Author ................................................................. xvi PART 1 TIME VALUE OF MONEY ..... 1 Chapter 1 Single Cash Flow ....................................................1 1.1 Present Value .......................................................................................
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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