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Existentialism in the Stranger

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EXISTENTIALISM IN THE STRANGER

Albert Camus born in Mondovi, Algeria, in 1913, spent his early years in Algiers. He completed a doctorate in philosophy, then worked at various jobs, establishing his own theatrical company in the 1930s. At the age of 24 Camus became severely ill, a victim of tuberculosis. During four years of recovery, he formulated his existential philosophies and began his writing career. Most of Camus’ works are representative of the philosophy of existentialism. His well-known fictional piece is “The Stranger”. Meursault, the narrator of The Stranger, is an existential anti-hero. Locked into the routine of daily existence, his life is a shapeless void without ideas, preferences, goals, or emotions. Like a robot, Meursault responds to everything automatically, neither feeling nor caring. When he is offered a job transfer to Paris, Meursault says he does not care where he works; yet he does not go because moving would be too much trouble. His mother’s death is met with similar lack of response: he feels no despair or grief. Occasionally, Meursault lacks motivation to do anything, so he spends the day sitting at his bedroom window, smoking cigarettes more out of habit than desire. Meursault utilizes all of the six existential themes: Freedom, Contingency, Individuality, Existence, Reflection, and Nihilism.
The first existential theme is freedom. Freedom means that whatever happened prior to now does not influence what your next choice in life will be, we are free to make any choice we want. Meursault displays Freedom by just doing as he wishes to do. Meursault’s mother dies so he attends the funeral. While at his mother's funeral, Meursault decides to smoke cigarettes, drink a cup of coffee, and also he fails to cry. This just shows how Meursault is displaying his free will, he does not let the influence of his mother dying effect what he

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