...viciously brutal, or she just does not fit society’s image of the perfect woman. Examples of the negative portrayal can be seen in literature such as Kate Chopin’s The Awakening, in which Edna is a weak and conforming wife having an affair with another man; William Shakespeare’s Macbeth, in which Lady Macbeth is an evil, conniving woman who degrades her husband by questioning his strength and masculinity; and Ernest Gaines’ A Lesson Before Dying, in which Vivian Baptiste cannot seem to simultaneously satisfy her family, her ex-husband, her boyfriend, Tante Lou, or Tante Lou’s friends while staying true to her religion, even though Grant has none at all. Through imagery, tone, and figurative...
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...The interactive oral was based on the novella, The Awakening, by Kate Chopin. The interactive oral caused me to understand other possible interpretations and perspectives of the novella. We spent time debating whether the title, The Awakening, or,the title, A Solitary Soul, was more suitable for the novella . This is due to the fact that several of my classmates had varying opinions on Edna’s desire, solitude or independence. I then realized the alternative which the imagery and figurative language used by Chopin could be analyzed or interpreted. I believe that my arguments were clearly conveyed to the group. The most interesting point made by one of my classmates was that the title, The Awakening, has a more positive connotation, so would...
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...The Awakening, she expresses the account of a youthful woman who begins to live her life for herself, breaking out of the numerous obstacles set by humanity and her family during the Victorian Era. When Chopin wrote The Awakening in the 1890s, a variety of social differences and tensions, which brought women’s rights into public conversation that prompted Chopin’s narrative. In Louisiana, which is the setting for The Awakening, most women at the time were their husbands' legitimate property. In addition, this was a prominently Catholic state meaning divorce was tremendously uncommon, and women expected to stay loyal and faithful to their husbands. This explains some reactions The Awakening received in after its publication in 1899. Chopin uses symbolism as an excellent device to insert her personal views to the reader giving them a foretaste into the life of this young woman at a time when women had no political rights and many restraints. In Kate Chopin’s “The Awakening,” she uses a variety of birds as symbols to illuminate Edna’s journey through life. The essential significance throughout the story is the desire to break away from the traditional views of women during the Victorian Era. However, Edna struggles with the backlash she would receive if she chose to fulfill her own desires, signifying what she actually wants in life. In Chopin’s text, she portrays this struggle vividly by using a caged parrot that gives voice to Edna’s unspoken feelings and her figurative imprisonment...
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...“The Awakening” Symbolism, Irony In Kate Chopin's short story “The Awakening”, the voice of the story portrays a woman with sexual aspirations, and moral female social rules in search for independence and self discovery. The story is based on the 19th century woman. During this time women barely had any freedom, were not recognized within the society and had no choice but to me submissive to their husbands. The main character of the story named Edna is portrayed to be a happy woman because she has everything; a wealthy, attentive husband, and two children. Thoughtout the story the truth about Edna’s unhappiness is revealed. The voice of the story uses symbolism, irony, and figurative language to express Edna Pontellier’s feelings as she found her way to her happiness and freedom. Throughout the text, Chopin encourages readers to think but using situational irony. “Irony- the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.” (Merriam-Webster). While reading, readers are made to think the opposite of what actually happened at the end of the story. In the beginning of the story, Edna’s husband Leonce tells his wife to send his friend Robert away when he starts to bore her. Unknown to Leonce that he was actually the one who was boring Edna. “"Well, send him about his business when he bores you, Edna," instructed her husband as he prepared to leave.” (Chopin 1). Another example of irony is when...
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...The Awakening The Awakening explores different details of a woman living life through the 1800's. The main character that is discussed is Edna Pontellier. She is married to Leonce Pontellier and they have two children together, Etienne and Raoul. The story behind Edna is her desire and struggles to be an independent woman and live fully within her true self. She has struggles learning this about herself and the purpose of a happy life that in turn it causes friction with her friends and family. There are many symbols and perspectives in the story that will help decide whether or not Edna did the right thing in the end. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity. A critical analysis consists of choosing a certain lens that would point out certain characteristics of a book and summarize the findings. From the weekly reading “When you analyze a piece of literature or portion of it, it is important to look at various parts of the work—characters, setting, figurative language, and symbolism” (South University, Lecture, wk.2). There are three perspectives that were included in The Awakening, Feminist, Psychoanalytical and Historical. While writing this paper from a feminist perspective there will also be comparisons from the other two. As Sigmund Freud stated “the mind has two parts,...
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... or a particular work, which we can recognize, identify, interpret and/or analyze. Both literary elements and literary techniques can rightly be called literary devices. Literary elements refers to aspects or characteristics of a whole text. They are not “used,” per se, by authors; we derive what they are from reading the text. Most literary elements can be derived from any and all texts; for example, every story has a theme, every story has a setting, every story has a conflict, every story is written from a particular point-of-view, etc. In order to be discussed legitimately, literary elements must be specifically identified for that text. Literary techniques refers to any specific, deliberate constructions of language which an author uses to convey meaning. An author’s use of a literary technique usually occurs with a single word or phrase, or a particular group of words or phrases, at one single point in a text. Unlike literary elements, literary techniques are not necessarily present in every text. Literary terms refers to the words themselves with which we identify and describe literary elements and techniques. They are not found in literature and they are not “used” by authors. Allegory: Where every aspect of a story is representative, usually symbolic, of something else, usually a larger abstract concept or important historical/geopolitical event. Lord of the Flies provides a compelling allegory...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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