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Freedom In The Harlem Renaissance

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Persecution, death, despair and glorified agony describe the ways in which African Americans felt during the 19nth century leading to social change and the Harlem Renaissance. The Harlem Renaissance was sparked by the pain that African Americans felt being slaves and in turn they moved to the more urbanized and industrial north. It was considered a Renaissance because the liberal arts like, music, literature and art were uplifted independently for African American culture. This in turn created a social change for African Americans to have more freedom and liberty. Social change associated with freedom in the Harlem Renaissance can be attributed to three different reasons, literature, art and music.

Literature played a gargantuan role in the …show more content…
Firstly, the art piece, (AM I NOT A MAN AND A BROTHER, By Thomas Wedgwood 1837), exposed the diaspora like situation African Americans during the Harlem Renaissance being in shackles. In turn this was exemplified by a slave in the art piece. Likewise the artpiece by (Alfred R. Waud, The Freedom Beru 1837), amplifies the everlasting fever that African Americans felt with lethal force being depicted to stop them. Specifically this instance was shown through a white man stopping the African American crowd. Moreover, the last art piece (Ascent of Ethiopia by Lois Mailou Jones, 1932) metaphorically showed the hill that African Americans were trying to climb to get into civility, with Egyptian oppressors represtering white oppressors. To wrap up, the three different pieces of evidence all showed the realities of life for African Americans during the Harlem Renaissance either metaphorically or literally. These paintings inspired African Americans to gain more freedom from the oppression that they …show more content…
In the first place, the song (Go Harlem by Chick Webb 1936) shows a melodious and upbeat tone that translates into the mood that some African Americans were feeling because of their new found freedom in Harlem. Identically, the song (Wade In The Water by Frederick J. Work and John Wesley Work II, 1901) shows the misery that African Americans were feeling due to the continued beatdown of hopes and dreams that occurred from white people. Third, (Cold In Hands Blues by Louis Strong and Bessie Smith, 1925) expressed in the lyrics how some African American woman were robbed of their family's income by their husbands and forced to subject their simple luxuries away to be forced into a cosmos of bitter agony. To conclude, the three songs that were mentioned sum up the joy and despair that African Americans felt with differing levels of prosperity and liberty among

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