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Gender Roles and Social Class

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Submitted By jennacanam
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Jenna Canam
Dr. Rhoda Zuk
ENGL 1170
2 February 2016

Gender Roles and Social Class in “The Yellow Wall-Paper” and “Revelation”

Charlotte Perkins Gilman’s “The Yellow Wall-Paper” illustrates the hardships that woman suffered during this time period, physically and mentally. John is the perfect example of what a dominating spouse is like, a man who is in complete control over his wife. “John laughs at me, of course, but one expects that in marriage” (Gilman 3). John laughs at his Wife’s ideas and thoughts, he never took what she had to say in a serious matter. It is clear by Jane’s statement that this is what what was expected in society during that time period.

The authors views on feminism are shown through both the dialogue and thoughts of Jane. Jane’s need to express her thinking breaks through some social barriers during this time period, “I did write for a while in spite of them” (Gilman 3). Jane feels depressed when she is unable to express her thoughts through writing, as writing was the only way she felt free of those thoughts. She feels tired of hiding from her husband and society, but Jane also feels societies pressure to remain under the care of her husband. “He takes all care from me, and so I feel basely ungrateful not to value it more” (Gilman 4). Even though John has eliminated all control from Jane’s hands, making her feel like a prisoner, she feels societies pressure to worship him and agree with his way of thinking of being in complete control.

When Jane had reached madness she took on control of her own thoughts, Johns leader role of a protective husband became reversed. John suddenly became much like a woman in his reaction when seeing Jane in her state of madness. “Now why should that man have fainted?”. (Gilman 19). After viewing his wife in a state of delirium, this caused him to faint. This is one of the stereotypes that are associated with woman when they are in a state of shock.

The room that the majority of the story takes place drives Jane to complete insanity. Further feminist views are clearly shown through through the surroundings of her environment of which Jane describes. The environment in which Jane is placed in was like living in a prison. Jane request to John for the wallpaper to be replaced, but he refuses her request, “that after the wallpaper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on” (Gilman 6). He did not consider Jane’s thoughts and feeling only of his intentions with her. The clearest use of setting was used to highlight feminist’s views in the wallpaper. “At night in any kind of light, in twilight, in candlelight, lamplight, and worst of all by moonlight, it becomes bars!” (Gilman 13). The wall paper did not physically restrain Jane like the bars and gates, but represented a prison within her mind. All of Jane’s thoughts were focused completely on the wallpaper, being unable to detach her mind from the pattern within it. It all ties together with Jane sees an image of a woman trapped in the wallpaper, her mind is not free until she had removed it all. In Jane’s mind, it is a must the gender roles be eliminated from social order if woman will ever be free.

In Flannery O’Conner’s “Revelation”, Mrs. Turpin is convinced that she is of higher class than the white-trash woman because she is white and a landowner. She believes the white-trash woman is uneducated and not intelligent, feeling repulsed when she speaks or interrupting her conversation with someone else. The conflict is built up through facial expressions shown by Mary Grace throughout the story. There are several types of people in the doctor’s office, and these types of people symbolize the different levels of social classes. The white-trash woman represents a lower class with low intelligence, the woman is dressed well represents a higher class with high standards and intelligence and Mrs. Turpin represents the middle working class with an average intelligence.

At the end of the story because of her experience with Mary Grace, Mrs. Turpin begins to rethink who she is. There is a moment where she realizes that she has been living her life wrong. She was still upset of how Mary Grace had called her a hurtful name, then began having a conversation with god. “What did you send me with a message like that for?” (O’Conner 215). It is significant when Mrs. Turpin is turning the water off in the pig pen. Even though the noise of the crickets the only noise Mrs. Turpin hears is the voices of “the souls climbing upward into the starry field and shouting hallelujah” (O’Conner 218). It is that she again realizes that she has been wrong in what she believed in.

Works Cited Page

* Gilman, Charlotte Perkins, and Robert Shulman. The Yellow Wall-paper, and Other Stories. Oxford: Oxford UP, 1995. Print.

* O'Connor, Flannery. Everything That Rises Must Converge. New York: Farrar, Straus and Giroux, 1965. Print.

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