...returned to the Financier and Registering Authority simultaneously on making the termination entry in the certificate of the Registration and Form 24) To The Registering Authority ------------------------------------------------------------We hereby declare that the agreement of hire-purchase/lease/hypothecation entered into between us has been terminated. We, therefore, request that the note endorsed in the Certificate of Registration of vehicle No--------------------------- in respect of the said agreement between us be cancelled. The certificate of Registration together with the fee is enclosed. Date------------------- Signature or thumb impression of the Registered Owners Date------------------- Signature of the Financier with official Seal and address *Strike out whichever is inapplicable. OFFICE ENDORSEMENT Ref. Number..................................... Office of the........................................ The Cancellation of the entry of an agreement as requested above is recorded in this office Registration Record in Form 24 and Registration certificate on......................... (date). Date........................... Signature of the Registering Authority To The Financier ............................................................................................................................................ .............................................................................................................................................................
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...Sea Wee 10/22/11 Oral & Written Communication How To Speech How to make a Piñata Hello, my name is Sea Wee and as you may know I am a fellow classmate. Today I shall be demonstrating how to make a piñata. The piñata is basically a colorful cardboard container filled with small toys and/or candy and then broken as part of a ceremony or celebration. Beating a piñata became a famous international party event and is mostly associated with Mexico but its origins are considered to be in China. I will be showing how to make a custom piñata. You will need newspapers, two cups of flour, three cups of water, a balloon, two bowls (one big enough to hold a balloon), a spoon, blank sheets of paper, three tablespoons of cooking oil, a knife, paint or other decoration tools, crepe paper, strings, and finally candy or other goodies. First, lay down a sheet of newspaper on the floor and tear several pages of newspaper into strips. Then, get the two cups of flour and three cups of water. Next, mix them in a bowl until it forms a thick-glue paste. After that, inflate the balloon and rub a little cooking oil on it so the balloon would easily get off the paper when you later pop it. Place the balloon in the other bowl to prevent it from rolling while you work. Now soak the newspaper strips in the flour-water mixture and put the strips all over the balloon leaving a hole only at the top of the balloon. Leave it to dry. Then, after it dried, add another layer of newspaper on the balloon and...
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...Sealing mechanism: 1) Radial shaft seals: Radial shaft seals, also known as lip seals, are used to seal rotary elements, such as a shaft or rotating bore. It is widely used for in applications of full submersion of seal and shaft. Advantages: - Aviods leakage sufficientally - Prevent contamination which can harm components of the system. Operating conditions ( pressurized conditions) : Pressure ≤ 10 bar Temp -30 to 140oc Design: Lip ring with spiral spring for radial preloading Short but pressure stiff flexible, spring- preloaded sealing lip. 2) Stuffing box ( Gland seal) : The stuffing box prevents sea water from entering the UV hull. In many cases the stuffing box is mounted inboard near the point the shaft exits the hull. Design: The "box" is a cylindrical assembly, typically of bronze, comprising a sleeve threaded on one end to accept adjusting and locking nuts. A sound stuffing box installation is critical to safety because failure can admit a catastrophic volume of water into the UV Advantages: In a common type of stuffing box, rings of braided fiber, known as shaft packing or gland packing, form a seal between the shaft and the stuffing box. Ideally, the compression is just enough to make the seal both watertight when the shaft is stationary and drip slightly when the shaft is turning. 3) End face mechanical seal: An end face mechanical seal uses both rigid and flexible elements that maintain contact at a sealing interface and slide...
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...jar is open to allow the blade access to do its job. Though many blender jars are made of glass they can also be plastic and metal. 2. BLENDER JAR LID * The jar lid covers the top of the blender jar allowing you to safely operate the blender without your ingredients exploding from the jar. 3. JAR LID CENTER CAP * The center cap is that small plastic thing found in the center of the lid. It helps to keep liquids in but also allows you to add ingredients easily. 4. BLENDER BLADE CUTTER * The blender blade cutter is the stainless steel blade that does all of the crushing, stirring, pureeing and anything else your blender functions do. 5. O RING SEAL * This is a flat piece of rubber that sits between the blender blade cutter and blender jar. It creates a seal so that food particles and moisture do not get inside the motor and cause damage. 6. BOTTOM SCREW CUP * The bottom screw cap is important to the proper functioning of a blender. The bottom screw cap is what holds the blender blade cutter in place during operation. 7. BLENDER RUBBER DRIVE CLUTCH * Made out of rubber; this rests on top of the motor and on the bottom of the blade assembly. 8. MOTOR * This is hidden in the base of the...
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...lesson Gilgamesh learns in The Epic of Gilgamesh. Gilgamesh is bitter that only the gods can live forever and says as much when Enkidu warns him away from their fight with Humbaba. Life is short, the two warriors tell each other on their way to the deadly confrontation in the Cedar Forest, and the only thing that lasts is fame. After killing the Bull of Heaven, Enkidu is awakened from a chilling dream that foreshadows his death. In the dream, the gods were angry with him and Gilgamesh, so they met to decide their fate. Enkidu’s dream about the underworld anticipates the journey upon which the heartbroken Gilgamesh will soon embark, “the dream has shown that misery comes at last to the healthy man, the end of life is sorrow” (93). Shamash, the sun god, consoles Enkidu by reminding him how rich his life has been. The comfort the sun god offers Enkidu is indeed humanistic. The god tells him that love, glory, and the pleasures of a cultivated life are important, as are being loved while alive and mourned when dead. This consolation offers a strange kind of comfort, since he is essentially saying that the recompense for losing the life he cherished is the life he cherished. The dream proves true when Enkidu is cursed with an inglorious, painful death. Enkidu finally resigns himself to his fate, and as a result, Gilgamesh is terrified by the thought of his own death. Gilgamesh takes it upon himself to go on a quest in search of eternal life. One of the three characters Gilgamesh meets...
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...Joseph Campbell says that, “when we quit thinking about our self-preservation, we undergo a truly heroic transformation of consciousness”. This is true of Gilgamesh, who is the hero of the Epic of Gilgamesh. He accepts death and learns to live, which in turn lets him live forever through his legacy. After many futile attempts to gain immortality, Gilgamesh is left with no other options but to accept the inevitable. Through acceptance he learns humility and becomes a great leader for the people of Uruk. His subjects love him, and because of it, they tell his story from generation to generation making him immortal. After the death of his close friend Enkidu, Gilgamesh realizes that he cannot live forever. So, he goes on a journey to find...
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...The Futility of Seeking to Defy Mortality in “The Epic of Gilgamesh” Gilgamesh, the protagonist of “The Epic of Gilgamesh”, decides to embark on a quest to obtain immortality after his companion Enkidu perishes due to a sickness inflicted by the assembly of gods. After witnessing his dear friend die in such a grim manner he is reminded that he is mortal and that someday he too will succumb to death’s embrace. The thought of this terrifies him so he sets out to find Utnapishtim who survived the flood and became the only mortal to ever be granted ageless immortality. In my opinion, Gilgamesh’s most critical mistake which prevented him from becoming immortal was the actual quest for eternal life itself. It is because of the fact that our time on Earth is limited that makes life worthwhile and gives meaning to the events that occur during throughout it. Just about all of the different characters that Gilgamesh encounters in this adventure all try to convince him that his objective is not meant to be attainable by mortals. The divine wine-maker, Siduri, attempts to convey this by saying to Gilgamesh “You will never find that life for which you are looking. When the gods created man they allotted to him death, but life they retained in their own keeping” (Sandars 102). In a similar vein Utnapishtim tells Gilgamesh “There is no permanence. Do we build a house to stand forever? Do we seal a contract to hold for all time?” (Sandars 106-107). In my eyes, this...
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...Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. Before the coming of Enkidu, Gilgamesh was a man of great power. A being for which there was no equal match, Gilgamesh boasted about his overwhelming glory and power. However, his arrogance was accompanied with an extensive abuse of power, which pushed the city of Uruk into a state of rage. Still Gilgamesh felt no despair; he lived to display to others his majestic power. The first sign of a sincere change in Gilgamesh arises as a result of the birth of Enkidu. From the beginning, a powerful link developed between man and woman. The wise Ninsun said to Gilgamesh,"You will love him as a woman and he will never forsake you". Gilgamesh had finally met his match, a friend that would serve as his life-long companion. Upon the seal of this great friendship, Gilgamesh began to change his selfish ways. Nevertheless, he shared with Enkidu the luxuries of kindness. Setting aside his great pride and power, Gilgamesh had opened a place in his heart, and in his sumptuous life, for his beloved brother. The second significant change in Gilgamesh was caused by the...
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...identity. Identity is how a person sees themselves and those that are not at the same class or level of knowledge as them. This starts the theme of oppression. Oppression is when someone has control or power over someone or a group of people and controls their actions and way of life. In The Epic of Gilgamesh, the city of Uruk is ruled by Gilgamesh, who is part god and part human that was created by the gods. With his power as a ruler of Uruk, he created his own set of rules for the people of Uruk to follow that may not have been a part of their everyday lives before Gilgamesh arrived in their city. In The Epic of Gilgamesh, a townsperson tells Enkidu “Gilgamesh the king is about to celebrate marriage with the Queen of Love, and he still demands to be first with the bride, the king to be first, and the husband to follow”(6). This is one example of how Gilgamesh uses his power to oppress the lives of the people of Uruk to do as he says. Gilgamesh also takes the young sons of the townspeople to use as he sees fit. The fact that the men of Uruk complain about the rules that Gilgamesh has in place, proves that they are not happy with how most things are within their city. Since Gilgamesh knows he is part god, he uses this as an advantage and thinks it gives him the right to have authority and power over the people of Uruk to have them do anything he says. The...
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...Ingmar Bergman’s film, Seventh Seal, reflects his views on life in an allegorical fashion. Bergman utilizes the setting of a medieval, plague-ridden landscape to metaphorically investigate the existence of god and meaning of life. The film follows the knight, Antonius, as he returns from the Crusades with his squire, Jöns. Bergman uses black and white to enhance the mood. The film’s vivid imagery and powerful score challenge the viewer to interpret the film’s messages and assign them meaning. The film investigates the deepest philosophical questions of humanity. Compared with Akira Kurosawa’s film, Ikiru, the Seventh Seal expresses a darker outlook on the world. Bergman’s cinematic masterpiece remains a relevant work of art in a world that struggles to address the deepest questions of religion and the phenomena of simply being alive. Seventh Seal begins with a shot of the heavens as a powerful orchestrated piece of music plays. A passage from the Book of Revelation is recited, "And when the Lamb had opened the seventh seal, there was silence in heaven about the space of half an hour," (Revelation 8:1). Antonius and Jöns lie on a beach of pebbles. The land is framed proportional to the sky, juxtaposing the kingdoms of heaven and earth. A chess set sits to the right of Antonius. The camera pans away from him, zooming in on the chess pieces. It symbolically equates Antonius as a piece of the game. A man cloaked in black approaches, revealing himself to be death. He states that...
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...In the Epic of Gilgamesh, Gilgamesh is credited with the building of the legendary walls of Uruk. An alternative version has Gilgamesh telling Urshanabi, the ferryman, that the city's walls were built by the Seven Sages. In historical times, Sargon of Akkad claimed to have destroyed these walls to prove his military power. Fragments of an epic text found in Me-Turan (modern Tell Haddad) relate that at the end of his life Gilgamesh was buried under the river bed. The people of Uruk diverted the flow of the Euphrates passing Uruk for the purpose of burying the dead king within the river bed. In April 2003, a German expedition claimed to have discovered his last resting place.[3] It is generally accepted that Gilgamesh was a historical figure, since inscriptions have been found which confirm the historical existence of other figures associated with him: such as the kings Enmebaragesi and Aga of Kish. If Gilgamesh was a historical king, he probably reigned in about the 26th century BC. Some of the earliest Sumerian texts spell his name as Bilgames. Initial difficulties in reading cuneiform resulted in Gilgamesh's making his re-entrance into world culture in 1872 as "Izdubar".[4][5] In most texts, Gilgamesh is written with the determinative for divine beings (DINGIR) - but there is no evidence for a contemporary cult, and the Sumerian Gilgamesh myths suggest that deification was a later development (unlike the case of the Akkadian god-kings). Over the centuries there was...
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...Wiener 9/18/13 English 101 Gilgamesh vs. Oedipus What does being powerful mean? Some may say that being powerful means knowing all things; that you do not make mistakes. Some may say that when you are great and wise you have no weaknesses. However, in the “Epic of Gilgamesh” and “Oedipus the king” this is not true. Both all mighty kings seek the very advice that they once gave. Neither one of them are perfect and do not seek help. Their stories are very different but are similar in the struggle they face. The thought of someone being powerful is complicated in the aspect that people do not go through the same things that normal other people do. Although they are portrayed as powerful, both characters share the normal weakness with all human beings. Therefore, the two stories demonstrate the weaknesses of even the most dominate humans. Gilgamesh is an almighty, half-god and half-human. In the “Epic of Gilgamesh”, Benjamin Walker starts off stating how flawless he is. The text says, “He knew the ways, was wise in all things” (p. 38). Which exemplifies his power and prudent ways. It continues on about Gilgamesh and his supremeness. Later on Gilgamesh makes a friend named Enkidu. Enkidu was, “shaggy with hair was his whole body, he was made lush with head hair, like a woman, the locks of his hair grew thick as a grain field” (p. 40). The quote shows how Enkidu was portrayed in the beginning before showing how Gilgamesh fell in love with him. Gilgamesh becomes great friends with...
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...A prelude introduces us to the hero. Gilgamesh’s mother was the Lady Wildcow Ninsun, a minor goddess noted for her wisdom, and Lugulbanda was his father. Gilgamesh built the great city of Uruk and surrounded it with magnificent, intricately constructed outer and inner walls. He erected beautiful temples for Anu, the god of the heavens, and for Anu’s daughter Ishtar, the goddess of war and love. He laid out orchards and ponds and irrigated fields. A dauntless explorer, Gilgamesh opened passes through the mountains and dug wells in the wilderness. He traveled to the ends of the Earth and beyond, where he met Utnapishtim, the sole survivor of the great flood that almost ended the world. When he returned from his travels he wrote everything down on a tablet of lapis lazuli and locked it in a copper chest. As the story begins, Gilgamesh is terrifying and all-powerful. He sacrifices warriors whenever he feels like fighting, rapes his nobles’ wives, takes whatever he wants from his people, and tramples anyone who gets in his way. The old men of Uruk complain, saying that a king is supposed to protect his subjects like a shepherd, not harass them like a wild ox. The gods listen. They tell Aruru, the goddess of creation, that since she made Gilgamesh, she must now make someone strong enough to stand up to him. Aruru takes some clay, moistens it with her spit, and forms another man, named Enkidu. Shunning the cultivated lands and the cities, he lives in the wilderness with the animals...
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...The Sumerian tale of Gilgamesh is the oldest to have survived into the modern era. Thus the greatest value of Gilgamesh is that it opens a window for modern readers into their collective past. The tale’s content reveals much about humanity’s earliest social and religious concerns, while its form reveals equivalent insights about the relationship between instruction and entertainment in an oral culture. The story of Gilgamesh reveals both a desire to commemorate the hero’s greatness and an obligation to learn from his flaws. The first thing the audience learns from the story is that Gilgamesh builds protective walls around the city, a great gift to his society. When the audience next learns that the king has been abusive to the young men of the city and has deflowered young maidens, their disapproval of these acts is tempered by their initial approval of his great accomplishment. Overall, the early portions of the story demonstrate that the abiding criterion for judgment is not the happiness of the individual, even if that individual is the king, but the good of society as a whole. When Gilgamesh exercises the kingly privilege in deflowering maidens, his actions may be legal, but they fail to provide any benefit for Uruk and are therefore condemned. Thus does the audience learn that greatness entails responsibility, not just strength. Crucial to the lesson of the story is Gilgamesh’s status as two-thirds god, one-third human. Kings are more than human and therefore are revered;...
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...ever before in human history. As people become more disconnected with nature and animals, more and more people are becoming depressed through their hectic lives and often yearn to be reconnected to the natural world again. However, the bond between humans and the wild are connected through the lens of a camera. As Chris Palmer has mentioned “During primetime in September 2008, more than 30 million viewers tuned in to Animal Planet, which is now seen in 94 million households in the United States and more than 220 million internationally.”(Palmer. Pg 5). Larger and more expensive productions such as Arctic Tale gives audiences a newer cinematic experience to the wild habitat. The films overall journey follows Nanu the polar bear and ** the seal in their struggle to find food because of the effects from...
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