...Hamlet Movie Scene Comparison Act II, scene 2 is the longest scene in Hamlet. In this scene, Rosencrantz and Guildernstern come to the King, Voltimand and Cornelius report the message from Norway, Polonius suggests to Claudius and Gertrude the reason of Hamlet’s madness, Hamlet calls Polonius a “fishmonger”, Rosencrantz and Guildernstern bring in the players, Hamlet decides to let the players play the Old King’s murder. Scene 2 is divided into sub-sections in a way to present the plot and the theme more clearly. The “fishmonger scene” refers to the part from Polonius’s explanation of Hamlet’s madness “Your noble son is mad” (2.2.92) to the end of Hamlet and Polonius’s first interaction “except my life” (2.2.210), initiates Hamlet’s actions on revenge and vouchsafes how other characters view his “madness”. This essay will compare the actors’ gestures and line arrangements from directors Kenneth Branagh and Franco Zeffirelli to depict the different effects in Hamlet’s madness. First, the actors’ gestures between Kenneth Branagh version and Mel Gibson version show differences to the interpretations of Hamlet’s madness. There are not many gestures in the Kenneth Branagh film, which can mean something. When Polonius talks to Claudius and Gertrude, also when he talks to Hamlet, he does not have obvious big body movement, but instead just standing straight, walking steadily, behaving perfectly like a honorable and educated man; Hamlet as the noble son of the King and Queen, and the...
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...emotional interpretation. The successful public voice must then consider the nature of the interpreters themselves, and whether or not they register what is being said to them (even if they misinterpret it completely!) rather than simply dismissing what they hear. If the concept of public voice is to be largely dependent on this feature, this paper then seeks to examine and prove Ophelia’s inability to completely achieve a successful form of public voice throughout the play with the characters that surround her – the majority of whom are male! As mentioned, a public voice may be thought of as necessitating some affect on its audience. Even from Ophelia’s entrance in the play, her various audiences go largely unaffected by the things she voices. When we are introduced to Ophelia in Act I Scene III, her brother Laertes affirms his (negative) stance on Ophelia’s relationship with Hamlet, and tells her almost explicitly how she should behave regarding this relationship with her lover. Appointing himself a rather aggressive role in his sister’s love life, Laertes instructs his sister to “fear” (1.III.32) the advances and desires of Hamlet in hopes...
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...Hamlet Act I Literary Devices English IV AP / Mrs. Ramos Use the text of Act I to find examples of the literary devices below. Quote the examples using proper notation (quotation marks, Act, scene, and line numbers). Then, explain the effect of the use of the device in the example. Use your own paper. There are clues for locating an example of each in the parentheses, but top points will be given to examples other than the ones pointed out in the clues. If you are not familiar with a device, use a literary dictionary to define it for yourself. Regular dictionaries will be hit-or-miss on these terms as they are highly specialized. Poetic Devices 1. couplet (Hamlet explains to his mother that his behavior is not an act, scene 2) 2. elision (Bernardo describes the movement of the stars, scene 1) 3. syncope (Horatio describes the sunrise, scene 1) 4. masculine rhyme / ending (The last two lines of Hamlet’s response to his mother’s concerns about his behavior, scene 2) 5. feminine rhyme / ending (Claudius presents the court with his appraisal of Fortinbras’ advance, scene 2) 6. diacritical accent (all over the place) Language / Rhetorical Devices 7. allusion (Hamlet contrasts himself with Hercules, scene 2) 8. antithesis (Claudius explains the death of his brother and his marriage to the widow, scene 2) 9. oxymoron (Claudius explains the death of his brother and his marriage to the widow, scene 2) 10. polysyndeton (Hamlet responds to his mother’s question...
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...Travelling Players in Hamlet: New Historicist Issues Travelling Players in Hamlet: New Historicist Issues In Hamlet, Shakespeare makes use of a play within a play, as the device through which Prince Hamlet hopes to prove King Claudius’s guilt in the murder of the old King Hamlet. This idea suggests itself to Hamlet in Act 2, Scene 2, when Rosencrantz tells him that a group of actors will soon be arriving at Elsinore, at which point their conversation digresses briefly to the circumstances surrounding these itinerant players. In the space of the next 45 lines, Shakespeare informs his audience of several important issues affecting the real actors of his time. This is of particular interest from the viewpoint of New Historicism, which treats literature as a part of history, and as an expression or representation of forces on history (Holman and Harmon, 318). New Historicism emerged as a theoretical movement in the late 1970s and early 1980s with one of the earliest proponents being Louis A. Montrose. In his essay “Professing the Renaissance: The Poetics and Politics of Culture,” Montrose says that the focus of New Historicism “…has been upon a refiguring of the socio-cultural field within which canonical Renaissance literary and dramatic works were originally produced; upon resituating them not only in relationship to other genres and modes of discourse but also in relationship to contemporaneous social institutions and non-discursive practices”...
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...|[pic] |Syllabus | | |College of Humanities | | |ENG/125 Version 3 | | |Literature in Society | Copyright © 2010, 2008, 2006 by University of Phoenix. All rights reserved. Course Description This course introduces themes in literature and provides guided study and practice in reflecting on themes which describe the human experience across cultural and societal boundaries. The course includes readings from literature in different genres and cultures. Students study the literature in thematic units and are asked to make connections to their own lives and cultures. Policies Faculty and students/learners will be held responsible for understanding and adhering to all policies contained within the following two documents: • University policies: You must be logged into the student website to view this document. • Instructor policies: This document is posted in the Course Materials forum. University policies are subject to change. Be sure to read the policies...
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...Psychoanalysis of Hamlet’s Subconscious Psychoanalytic http://en.wikipedia.org/wiki/Hamlet In the first half of the 20th century, when psychoanalysis was at the height of its influence, its concepts were applied to Hamlet, notably by Sigmund Freud, Ernest Jones, and Jacques Lacan, and these studies influenced theatrical productions. Freud suggested that an unconscious oedipal conflict caused Hamlet's hesitations. (Artist: Eugène Delacroix 1844). In his The Interpretation of Dreams (1900), Freud's analysis starts from the premise that "the play is built up on Hamlet's hesitations over fulfilling the task of revenge that is assigned to him; but its text offers no reasons or motives for these hesitations".[83] After reviewing various literary theories, Freud concludes that Hamlet has an "Oedipal desire for his mother and the subsequent guilt [is] preventing him from murdering the man [Claudius] who has done what he unconsciously wanted to do".[84] Confronted with his repressed desires, Hamlet realises that "he himself is literally no better than the sinner whom he is to punish".[83] Freud suggests that Hamlet's apparent "distaste for sexuality"—articulated in his "nunnery" conversation with Ophelia—accords with this interpretation.[85][86] John Barrymore's long-running 1922 performance in New York was characterized as "revolutionary in its use of Freudian psychology; in keeping with the post World War I rebellion against everything...
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...Analysis of Factors Influencing Adequate Funding of Social Health Care in the Tower Hamlets, London DECLARATION I declare that this is my original work and has not been submitted in any other university or institution for examination. Signature Date Student no: Stud - This is to confirm that the work this proposal was done by the student under our supervision. SignatureDate Supervisor 1: For and behalf of (Name of institution) Signature Date Chairperson, Department of ( ) DEDICATION This work is dedicated to my family members for their enduring support they gave for the whole time I was pursuing this project. ACKNOWLEDGEMENT First, I would like to thank my supervisor .................... who has guided me in writing this project. More particularly my special thanks go to my lecturers for taking me through the whole course. I am also greatly indebted to my fellow students who were with me throughout the course work. OPERATIONAL DEFINITION OF TERMS Class A drugs- drugs deemed by the government to cause the most lethal harm when consumed. They attract heavy jail terms including life in prison. Community care- a term used in healthcare policies to mean looking after people with particular needs in the community. Local strategic partnership- a single non-statutory body, aligned with local authority boundaries that bring together at a local level the different parts of the public sector as well as the...
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...work for several months pasting labels on bottles. This experience was painful and socially humiliating to him, and images of the factory haunted him for the rest of his life. These images provided a backdrop to much of his fiction, which often focused on class issues; the plight of the poor and oppressed; and lost, suffering children. As an adult, he championed social and political causes designed to help the poor, prisoners, and children. Dickens became a reporter in 1832, and in 1833 he began publishing short stories and essays. In 1836 he married Catherine Hogarth. The couple had ten children, but their marriage was unhappy and ended in 1858. Dickens’s successful career as a novelist began in 1837 with the publication of The Pickwick Papers. Other novels include A Christmas Carol,...
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...Horatio, to watch with them. When he sees the ghost, he decides they should tell Hamlet, the dead King's son. Hamlet is also the nephew of the present King, Claudius, who not only assumed his dead brother's crown but also married his widow, Gertrude. Claudius seems an able King, easily handling the threat of the Norwegian Prince Fortinbras. But Hamlet is furious about Gertrude's marriage to Claudius. Hamlet meets the ghost, which claims to be the spirit of his father, murdered by Claudius. Hamlet quickly accepts the ghost's command to seek revenge. Yet Hamlet is uncertain if what the ghost said is true. He delays his revenge and begins to act half-mad, contemplate suicide, and becomes furious at all women. The Lord Chamberlain, Polonius, concludes that Hamlet's behavior comes from lovesickness for Ophelia, Polonius's daughter. Claudius and Gertrude summon two of Hamlet's old friends, Rosencrantz and Guildenstern, to find out what's wrong with him. As Polonius develops a plot to spy on a meeting between Hamlet and Ophelia, Hamlet develops a plot of his own: to have a recently arrived troupe of actors put on a play that resembles Claudius's alleged murder of Old Hamlet, and watch Claudius's reaction. Polonius and Claudius spy on the meeting between Ophelia and Hamlet, during which Hamlet flies into a rage against women and marriage. Claudius concludes Hamlet neither loves Ophelia nor is mad. Seeing Hamlet as a threat, he decides to send him away. At the play that night, Claudius runs...
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...Popular Culture of Europe Throughout the Ages Popular culture always has, and will remain, a telling aspect of the mindset of the masses throughout history. It is best defined by PhilosophyNow as the vernacular or people’s culture that predominates in a society at a point in time. The popular culture of Early Modern Europe can largely be classified as a shift from rowdy and vulgar celebrations to a more educated form of enjoying oneself. In the 1800’s, the formation of a mass society accompanied the growing literary movement, while post-WWI Europe experienced the gradual growth of mass media after numerous technological advancements, and later, a global movement towards rapid Americanization. In the mid-1300’s, the disease known as the Black Death was progressing rapidly throughout Europe. As more and more bodies were infected, the European masses began to live each day as if it were their last. This took place in the form of “sex crazed and alcoholic orgies” (Spielvogel 307). In Giovanni Boccaccio’s Decameron, a description of the popular reaction to the plague is featured: “Others maintained free living to be a better preservative, and would baulk no passion or appetite they wished to gratify, drinking and reveling incessantly from tavern to tavern” (Boccaccio 3). Although the most prominent scares of the Black Death began to fade away in the later years of the 14th century, the need for a rowdy form of enjoyment was still prevalent. Europe experienced a so-called...
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...your performance. Please ensure that you read the texts and the accompanying study guides that we have prepared for you. Let me repeat: you must read all the texts prescribed. Do make points as you go along. If there is anything you do not understand, please ask your Counsellor at the Study Centre for clarification. Once you are able to do the assignments satisfactorily, you will be ready to take the exam with confidence. Instructions: Before attempting the assignment please read the following instructions carefully. 1 2 3 Read the detailed instructions about the assignments given in the Programme Guide for Elective Courses. Write your roll no. name, full address and date on the top right corner of the first page of your response sheet(s). Write the Course Title,...
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...your performance. Please ensure that you read the texts and the accompanying study guides that we have prepared for you. Let me repeat: you must read all the texts prescribed. Do make points as you go along. If there is anything you do not understand, please ask your Counsellor at the Study Centre for clarification. Once you are able to do the assignments satisfactorily, you will be ready to take the exam with confidence. Instructions: Before attempting the assignment please read the following instructions carefully. 1 2 3 Read the detailed instructions about the assignments given in the Programme Guide for Elective Courses. Write your roll no. name, full address and date on the top right corner of the first page of your response sheet(s). Write the Course Title,...
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...Ethnic Literature Paper Phaedra Rosengarth ENG302 December 13, 2010 Judith Glass Ethnic Literature The Harlem Renaissance was a cultural movement that spanned the 1920s and 1930s. A major factor leading to the rise of the Harlem Renaissance was the migration of African-Americans to the northern cities. Between 1919 and 1926, large numbers of black Americans left their rural southern states homes to move to urban centers such as New York City, Chicago, and Washington, DC. This black urban migration combined with the experimental trends occurring throughout 1920s American society and the rise of a group of radical black intellectuals all contributed to the particular styles and unprecedented success of black artists. What began as a series of literary discussions in lower Manhattan (Greenwich Village) and upper Manhattan (Harlem) was first known as the 'New Negro Movement.' Later termed the Harlem Renaissance, this movement brought unprecedented creative activity in writing, art, and music and redefined expressions of African-Americans and their heritage. Historians disagree as to when the Harlem Renaissance began and ended. The Harlem Renaissance is unofficially recognized to have spanned from about 1919 until the early or mid-1930s. Many of its ideas lived on much longer. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, was placed between 1924 (the year that Opportunity: A Journal of Negro Life hosted...
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...Jakarta’s evolving political environment, and pressures from governments abroad, which led to the nation’s independence. However, internal resistance as a part of the independence struggle was particularly unique in East Timor as it manifested in two forms – violent resistance and non-violent resistance – each creating impacts of varying magnitudes. I chose the role of internal resistance as the focus of my research due to the intriguing nature of this very distinction. This essay will attempt to demonstrate that internal resistance of both forms worked to strengthen nationalism and unity among the East Timorese, and garnered crucial international support that was necessary for East Timor’s independence. Historically, a nation’s first response to an invasion is armed resistance, whether it is sanctioned by the government, or carried out by guerilla forces. Such was also the case in East Timor, where The Revolutionary Front for an Independent East Timor (Fretilin) became the face of East Timorese armed resistance upon Indonesia’s invasion in December 1975. Following the invasion, Fretilin successfully established a “functioning society” in the mountains by late 1976, which became the base out of which they coordinated and led their armed resistance efforts. Fretilin’s armed resistance challenged Indonesian forces, which fueled the flames of a ‘war’ that led to a bloody stalemate. In late 1978, Indonesia finally broke the...
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...Sophocles' Oedipus is a perfect fit to Aristotle's Ideal Tragic Hero. Oedipus follows all of the rules, with a hamartia, an anagnorisis, and a peripeteia. The audience is introduced to the hamartia, or tragic flaw, of Oedipus early in the play. Oedipus believes he can dodge the oracle given to him at Delphi that he will kill his father and marry his mother. By leaving the city of Corinth and heading to Thebes, Oedipus thinks that he can outsmart the will that the gods have for him. However, the audience knows that one cannot run away from an oracle. The oracle will come true no matter what is done. Therefore, the hamartia of Oedipus is his belief that he can evade his oracle. Oedipus' anagnorisis, recognition, later comes when he is told that it was he who killed the former King Lauis and that he is, in fact, now married to his own mother. The city of Thebes had been searching for King Lauis' murderer in order to drive him out of Thebes to save the city from the plague. With this anagnorisis Oedipus is finally led to his peripeteia, or downfall. First of all, Oedipus is put to shame in front of his entire city because of his incestuous act of marrying his mother. But, more importantly, he realizes that he had not successfully avoided the oracle. In order to try to save himself he blinds himself. If he is not able to see the truth with his own eyes, he should not be able to enjoy the gift of sight. http://personal.monm.edu/ysample/aristotle.htm Oedipus follows ten of the points...
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