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Harvey Play Analysis

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Harvey premiered on Broadway on November 1, 1944, at the 48th Street Theatre, and after one thousand seven hundred seventy-five performances, closed on January 15, 1949. The original production was directed by Antoinette Perry and produced by Brock Pemberton, starring Frank Fay as Elwood P. Dowd and Josephine Hull as Elwood's sister Veta. Elwood was subsequently played during this run by Joe E. Brown, Jack Buchanan, and most famously- James Stewart. The play won the Pulitzer Prize for Drama in 1945. It was originally a play, but has been adapted many times – the most famous being James Stewart’s rendition in all three adaptations of Broadway, Movie, and TV show. The film version did well at the box office, but not quite well enough to recoup its …show more content…
Dowd, a good-natured, mild-mannered man who is known in all of the bars in his town. Elwood is polite and cheerful and always amicable toward any strangers he might encounter, which seems far-fetched when the audience first learns a rather odd character trait: his best friend is an invisible six-foot-tall rabbit, Harvey. Wherever he goes, he brings an extra hat and coat for Harvey, and he buys theater tickets and railroad tickets in twos so that they can go everywhere together. His sister and her daughter try to have Elwood committed to the local sanitarium, where the behavior of the prominent psychologist and his staff raise the age-old question of who is more dangerous to society: the easy-going dreamer with a vivid imagination or the people who want him to conform to the accepted version of reality. In fact, only just before Elwood is to be given an injection that will make him into a "perfectly normal human being,” does Veta realize that she would rather have Elwood the same as he has always been — carefree and kind — even if it means living with Harvey. Elwood seems to have no main objective in the film other than to be pleasant to others while introducing

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