...The Rise of The Culture: How New Wave Rappers and Producers are Impacting the Genre of Hip-Hop From Atlanta, to all corners of the country, the new wave of hip-hop is apparent and it’s here to stay. Coming from a small town in the southern part of Ohio, it may be a bit puzzling to put together how I’ve come to appreciate and find the ability to analyze a genre of music as profound and bodacious, as well as braggadocious and culture centric, as Hip-Hop is. The answer lies within what makes the genre so great, passion. I have been unendingly passionate about the lyrical schemes and powerful sounds of Hip-Hop since I was first introduced to the music around age ten. Fast-forward ten years later and my appreciation has grown exponentially....
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...Hip-Hop has been and will extend to be one of the most mighty heritage movements of the up to date world. It is best accepted for its leverage on the melodies industry. Before hip-hop evolved publicly, it was a localized wonder that had blown out usually in underprivileged localities all over New York City. Ever since then Hip-Hop has been adept to leverage persons to proceed differently. The attractiveness of Hip-Hop has been subjugated by enterprise persons to conceive profit. Of all the performers on MTV, rappers obtain the most vigilance for their proficiency to continue their proficiency to articulate their outlooks in bold manners. Hip-hop has evolved considerably since the end of the 1980’s when it was advised to be the CNN for very dark youth by Chuck D. It was inescapable for Hip-Hop to originate from the below ground sound and become more commercialized at one issue or another. However, if this action was a contradictory or affirmative occurrence is contended about by many. Commercialization is generally the submission of enterprise in alignment to earnings or to exploit. This procedure has stayed one of the objectives of persons in the hip-hop culture. Hip-hop devotes persons the opening to display their gifts of rapping, break-dancing, DJing and graffiti to profit from cash and reside what was advised a perfect lifestyle. The culture of Hip-Hop is going into the mainstream by the use of melodies and corrects publicizing. A couple of persons make it and become very...
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...Hip hop has influenced generations in a way I believe no other genre has. Hip Hop in the textbook is said to have first emerged in largely African-American, afro Caribbean, and Latino communities of the Bronx and then spread to Harlem and other boroughs of the New York City in the early 1970s. It is defined as a style of popular music of United States and Hispanic origin, featuring rap with an electronic backing. It can also be described as a culture and form of ground breaking music and self-expression with elements that consisted of the elements of graffiti art, DJing, MCing, and breaking. Today Hip-Hop is considered to be dead in the mainstream because so-called mainstream Hip-Hop doesn't have the elements of hip-hop and have no meaning....
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...In Dr. Bradley’s lecture covering hip hop in the south she was asked about the role of influence that women played in the hip hop culture of the early 2000s. Although she had spent the hour sonically evaluating the significance of primarily OutKast’s music had on the genre and southern culture, it dawned on all the females in the room that she had not mentioned any female artists. It was not because women were not what she wanted to cover, but rather because hip hop is still male dominated and women have very little space to be cultural innovators. This is reminiscent of the disposition of women in the ancient Roman society. Women at that time were regarded as second class citizens whose main function was merely to populate the society. They...
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...South Bronx is recognized as the place where hip hop was born and where the expressive elements of hip hop were formed (DJing, breaking and graffiti) during 1970s. Neighborhoods near the Bronx also experimented in this “expressive phenomena” that later became as hip hop culture. Hip hop elements didn’t emerge or develop at the same time, but they share common antecedents. Puerto Ricans (the largest ethno-racial group) together with African Americans and Caribbean people formed the poorest population in the Bronx in 1970. As a result, hip hop is created by the poor-working class of youths and later it became “a ghetto phenomenon.” Hip hop was about the...
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...I recently read the article “Black culture beyond hip hop,” by Thomas Chatterton Williams. Reading this article confirms that the theme is blacks tend to rely heavy on hip hop and it is destroying the youth. Hip hop dictates how most carry themselves. Many people focus on how real they want to be or trying to be cool which hip hop has major influences on children and teens. After reading this article, a problem that I seen developing was how they are believing hip hop only has an impact on African American culture. Not only does it impact African American culture, it also has an impact on American culture in general. Normally we see how hip hop stars are living and how they rap about the fancy houses and cars. Some rap about the strippers,...
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...Joseph G. Schloss is infatuated with hip-hop culture and “focuses on studying it as part of a larger complex of expressive traditions of the African Diaspora.” Foundation, a work by Schloss, covers the development of said culture in New York where he studied it as an ethnomusicologist. Specifically, Foundation covers the b-boy dance and community. Schloss attending and participating in many b-boy events gives the reader and inside perspective of the movement. In the book Schloss discussed many aspects of the hip-hop culture and gathered opinions of the b-boys and b-girls as well as other non-participants. The beginning of the work starts off by discussing the “bad” perspective individuals have of hip-hop, saying it’s too provocative and violent....
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...INTRODUCTION Culture of Hip-hop was born in 1970 and it keeps developing until today. Hip-hop basically has four kinds of forms which are DJing, Rapping, Graffiti, Break-dancing, and Beatboxing. However why music, in this case is Rapping, can build great influence to the listeners. Music is form of cultural expression that does not necessary experience race and other identity relationships. This aspect appeals to youth experiences because racial identities do not mean only simply one thing for them. Since identities of race are combination of multiple identities, such as national context, class, and even gender. This turns up in Hip-hop music which focuses on mixed identities to find local’s expression. Hip-hop music is no longer seen only as song to listen but has become a lifestyle to youth in modern era. They feel this music can represent them who are struggling to find meaning and identities in their society which most of them do, regardless of they are White, Black, Asian, etc. However, other kinds of Hip-hop culture like graffiti art and break dancing also have same influence like Hip-hop music. This condition makes business players who are outside of Hip-hop industry find opportunity to contract famous and successful Hip-hop music artist to commercialize their products. These companies use the mindset that has been built by the artist and indirectly put that image in the commodities which appeal to young consumers. The thesis of this paper is how Hip-hop cultures specifically...
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...Rhetorical Analysis The title of this article is “Hip hop’s betrayal of Black Women” which first appeared in 2006, and was written by Jennifer McLune a librarian, activist, and writer living in Washington D.C. Although, the author makes valid points in her response she does not demonstrate enough knowledge on the subject of hip hop culture. The author argues black women in today’s hip hop culture are unfairly made out to be inferior to their male counterparts. The article can be broken down into five divisions. The author writes in response to the “socioeconomic” (297) reasoning given for the current state of affairs. The author disagrees with Powell’s response calling it a way to silence feminist critiques of the culture. The author argues that hip hop owes its success to the ideology to women-hating and that poverty is argued to be an excuse of it. The author addresses a range of issues from contemporary artists being too inconsistent, to female artists not being as united when it comes to standing up for a change. For this reason “Hip hop’s betrayal of Black Women” should not be considered by PopMatters and the National Council of Teachers of English (NCTE) for the top prize for persuasiveness due the author’s use of rhetorical analysis and logical fallacy in addressing opposing viewpoints In “Hip-Hop’s Betrayal of Black Women” the author uses three kinds of rhetorical techniques in the article logos, pathos, and ethos. Logos is used to show facts, reasons, and statistics...
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...Philosophy of hip hop Student’s Name University Affiliation Report on Film ‘From Mambo to Hip Hop’ ‘From Mambo to Hip-Hop: A South Bronx Tale’ is an hour long documentary that narrates a story about the inventive life of the South Bronx, starting with the Puerto Rican immigration and the acceptance of Cuban rhythms to form the New York salsa resonance; enduring with the fires that damaged the neighborhood, but not the innovative spirit of its inhabitants; accounting the ascending of hip-hop from the ruins; and finishing with reflections on the influence of the neighborhood’s songs to make sure that the endurance of a number of generations of its people, and, in the course, take the world’s pop customs by storm. ‘From Mambo to Hip-Hop’ dances all the way through the account of a region that took care of two musical movements: the mambo that developed into salsa and the hip-hop that cropped up from the most distressed days of the South Bronx. Created by Steve Zeitlin and Elena Martinez , who are principals in the New York ‘folklore group City Lore’, and directed by Henry Chalfant, who is a longtime speaker of the South Bronx who worked together on a documentary from the early 1980’s “Style Wars,” “From Mambo” dashes by, driven by tempo that varies through the decades. Mambo and hip-hop are the type of dissolving pot experience that New York stirs and heats. Their ancestry is African, refracted through the Caribbean and the town. In their early stages...
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...Running head: REFERENCE GROUP ANALYSIS Reference Group Analysis MKT510 - Week 3 – Assignment #1 Prof. Wei Song REFERNECE GROUPS Reference groups are groups whose presumed perspectives or values are being used by an individual as the basis for his or her current behavior. These groups are used as a guide for behavioral patterns is specific situations. These reference groups are classified according to the number of variables, and are used to identify consumption patterns and assist in marketing efforts. There are four criteria that have been found particularly useful; the first criteria is membership criterion is dichotomous; either one is a member or their not. Some members are more secure in their membership than others. The second is strength of social ties identifies the closeness and intimacy of the group linkage, the primary groups are considered family and friends which involve strong ties and frequent interaction while professional and neighborhood associations with weaker ties and less frequent interactions are considered secondary groups. The third criterion is the type of contact and weather it is direct group (face-to-face) or indirect group (internet, social networking). The forth and last is the attraction or desirability that memberships in a given group has for the individual. A dissociative reference group is a group with negative desirability and can influence behavior just as those with positive desirability. Non-membership groups...
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...TECHNOLOGY TAKING CHILDHOOD AWAY FROM CHILDREN In the present day world, the I.T. age, the age of computers, laptops, Androids, Blackberrys, I-pads etc. its impossible to see life without the use of some technology or other. While Technology is indeed a boon and the revolution brought about in the industry has completely changed the way we live, there seems to be some major drawbacks like misusing the technology or addiction/fascination of latest gadgets etc. Presently, a gadget is no more treated a helping device, but has evolved more as a status symbol and there is this fascination of having the best one in the market, whether one truly has the use of it or not. And such fascination is not only in the youth or the adults, the children are more attracted towards the gadget world. We have barely come to a conclusion that how much of watching the television should be permitted to kids. Now we have a host of other issues like how much of internet is acceptable to kids?, how much just how much should a kid learn about and use the cell phones and tablets? The market for kids is much greater than those of grown ups. About 72 percent of iTunes’ top-selling “education” apps are designed for preschoolers and elementary school children. The market is flooded with electronic games and apps for the kids. On the surface things appear to be pleasing, The interactive apps, the educating apps etc. makes parents feel proud when a child responds to the screen. However, looking deep...
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... Its important to use apostrophe’s correctly. 4. If your sentence begins with a long introductory word group use a comma to separate the word group from the rest of the sentence. Tutorial 2: Using the index Assume that you have written the following sentences and want to know the answers to the questions in brackets. Use the index at the back of the book to locate the information you need, and edit the sentences if necessary. Tell where you found the information also. 1. Each of the candidates have decided to participate in tonight’s debate. [Should the verb be has or have to agree with Each?] 2. We had intended to go surfing but spent most of our vacation lying on the beach. [Should I use lying or laying?] 3. In some cultures, it is considered ill mannered for you to accept a gift. [Is it OK to use you to mean “anyone in general”?] 4. In Canada, Joanne picked up several bottles of maple syrup for her sister and me. [Should I write for her sister and I?] Tutorial 3: Using the menus or the index Imagine that...
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...How the group met and got started Today I am going to talk to you all about an American hip hop group from the mid 1990’s called the fugees. The fugees represent several different elements of music styles such as hip hop, soul Caribbean and reggae. The members of the group the Fugees include Rapper Wyclef Jean, singer/ rapper Lauryn hill and rapper Praas Michael. The name Fugees came from the term refugee meaning someone fleeing from a foreign country, they looked at it as since there are many displaced Haitians who look up to the United States for political and social asylum the term refugee is used as a derogatory term for Haitians in general. Pras and Wyclef were both born in Haiti and moved to the United States as children they are both also cousins. Wyclef is the son of a pastor and Pras is the son of a deacon. They both grew up in Brookyln, New York and then later moved to Newark, New Jersey as teenagers. Lauryn as a child listened to her parents Motown 1960’s soul records. Lauryn came from a musical family, her mother sang at weddings and played the piano, and her brother played the saxophone, guitar, drums and harmonica. Lauren had been singing in her church choir and in gospel groups with her family members since she was a little girl. Her first public musical appearance was at an Amateur Night in a show called its ShowTime at the Apollo she sung her version of a Smokey Robinson song called “who loves you” and was booed for her performance. As a 13 year old freshman...
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...Reflecting on American Music, Politics and Culture (5-7 pages) Identify and analyze a genre or subgenre of music (ex. hip hop, gansta rap), or musical phenomenon (ex. feminist music, anti-war music) that we’ve encountered in class and make a case for its contribution to American political culture. Has it had an identifiable social impact? If so, what has been the impact? Why is it significant? Discuss the music/phenomenon in terms of production quality, aesthetic values and strategies, relationship of sound and lyric content, access to the mass media, social functions, and political orientation. (Note: reference must be made to actual pieces of music and/or performances.) Identify the key individuals and organizations that support or oppose the development of this music/phenomenon. Describe the reactions of various constituencies (young/old, women/men, black/white, upper class/lower class, etc.) to this art. Who is the audience for this music? How do they use it (ex. listening, relaxing, dancing, entertaining, educating, making a statement, protesting)? What does it mean to its audience in terms of culture, community, and political expression? What is your reaction to this art/phenomenon? What have been the social, political, economic and cultural successes/failures of this art? Things to remember: A. You will need to consult class materials (readings, movies, lectures, etc.) along with your own research and incorporate them into your paper. B. Make...
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