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How Did The Sistine Chapel Painted By Michelangelo?

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During the sixteenth century Pope Julius II commissioned many works of art, from various artists, such as Leonardo da Vinci, Michelangelo, and Raphael (pg., 633). The Sistine chapel painted by Michelangelo between the years of 1508 to 1512 was part of the popes plan to aggrandize the papal community dominance within the artistic community. This painting was an elaborate work of art painted on the roof of the Sistine Chapel. This marvelously painted work of art, had Michelangelo had his way, would not have been created. This is because during that time in his life Michelangelo considered himself not as an artist but of a sculptor (pg., 647). His felling was so strong he stated to “a friend this miserable job has given me a goiter...the …show more content…
The Sistine Chapel consisted of nine divided compartments which documented some of the stories in the book of Genesis. It covered stories from the creation all the way to the great flood (pg., 647). This work was consistent with Michelangelo depiction played close attention to symmetry of space as well as the human form. It was because of the beauty of the ceiling of the Sistine Chapel, that the preceding pope, Leo X became commissioned Raphael to create ten cartoons that were to be produced on tapestries (pg., 648). These works were amazing in detail and execution. At the time the cartoons would have demanded a cost that was “Five times" what was paid to Michelangelo, to paint the ceiling of the Sistine Chapel. The tapestries were executed in various stages. The first stage was the drawing done by Raphael, where he depicted the point when Jesus addressed his disciples with peter kneeling at his feet. The text goes on to say that the symbolism between the kneeling of peter could have been the point when peter was given the authority of Jesus, at which point he may have become the first pope. The first drawings were done on paper, with, charcoal and consisted of 160-170 individual sheets that were …show more content…
Mannerism major characteristics is its "anti-classical" style in which “grace and elegance took priority over balance and lifelike reference (pg., 661). Whereas the High Renaissance focused on more naturalistic views, spatial recognition, and forms that exhibited real life aspects. Capponi Chapel painted by Fillippo Brunelleschi showcased many of the aspects of the Mannerism style, such as the elongated bodies as well as the individuals placed in unnatural positions. Also the colors in which the Brunelleschi used such as "baby blue and pink with olive-green, yellow and scarlet" accents further epitomized this maintaining as one of the mannerism format(pg.,661). The Small Cowper Madonna was a painting by Raphael that was produced in 1505, during the High Renaissance era, this is shown in the textiles throughout the painting. The recognition of the natural distance, between the figures in the forefront and of the chapel in the background, is a direct indication, that this painting was constructed during the High Renaissance era (pg., 640 ) The fact that the human figures bear realistic proportions, also exemplifies the High Renaissance era. The artist attention to detail was the major aspect that characterized this error of art in

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...humility on the masses, while they seemed to live the lives of nobility. This did not go unnoticed by the laity, who were growing weary of the corruption and hypocrisy. Disenchanted Catholics, jaded by the Church’s excesses and abuses of power began finding satisfaction in the Protestant movement which had spawned in 1517, and promised a return to the true values of spirituality. As the Catholic Church realized their membership was hemorrhaging, the leadership convened the Council of Trent in 1545 to address the corruption and abuses staining their reputation and driving their followers away. The Council of Trent was a major step taken in the Catholic Church’s attempt to “clean house”, and improve their damaged reputation. As a result, there were numerous reforms and actions undertaken by the Church to put an end to the apparent secularism which had begun to creep into and spread through their organization. This shift from spirituality, and acceptance thereof, could merely be a reflection of the changing culture as humanism and individualism had begun to pervade society. This growing secularist sentiment within the Church leadership, and the resultant departure from strict adherence to scripture, can be seen today in some of the art commissioned by Catholic Church leadership immediately preceding the Counter Reformation. A notable example is Michelangelo’s Last Judgment (1537-1541) in the Sistine Chapel. In the lower right corner, we can see Charon ferrying the damned across the...

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