...ANTIGONE Antigone is a tragedy by Sophocles written in or before 441 BC. Chronologically, it is the third of the three Theban plays but was written first. The play expands on the Theban legend that predated it and picks up where Aeschylus' Seven Against Thebes ends. This play is based on the life story of Antigone, the daughter of Oeudipe and Jocaste. It is a legend of her sacrifice for her loved ones, her believes and her honour. Antigone’s brother Polynice had betrayed his country and died during the war. Creon, the king of Thebes had refused to give him a burial. Antigone is outraged by this decision and goes as far as sacrificing her life, to give her brother a burial he deserves. Even law of the king does not stop her from doing what she thinks is right. Antigone is the tragic heroine of the play and this play revolves around her struggle against the autocratic laws of the state. Even she manages to give Polynice a rightful burial but, this burial costs Antigone her life. SYNOPSIS In the beginning of the play, two brothers leading opposite sides in Thebes' civil war died fighting each other for the throne. Creon, the new ruler of Thebes, has decided that Eteocles will be honored and Polyneices will be in public shame. The rebel brother's body will not be sanctified by holy rites, and will lie unburied on the battlefield, prey for carrion animals like worms and vultures, the harshest punishment at the time. Antigone and Ismene are the sisters of the dead Polyneices...
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...English- 10 18 November 2013 Antigone Essay: Theme: Wisdom vs. Power There are a lot of themes in the story of Antigone, but the theme, wisdom vs. power portrays the story the best. The writer Sophocles reminds me of Shakespeare, and includes figurative language just like Shakespeare, but of course isn’t as good as him. This story took place in a city called Thebes, where Creon, Antigone, Haemon, Polynieces, and many more live. Creon is the King of Thebes and this theme is basically based off of him and the way he does things. He has to find a way to choose a ruler, and how he/she should govern Thebes. Creon is a tough ruler because of his loyalty to Thebes, but he will not let his family come over his decisions on what to do with the city. His nephew, Polynieces was a big traitor to Thebes, and hated the fact that his uncle was king and used to disagree on everything Creon had to say. Antigone does not like Creon as a ruler, because she thinks he can’t solve issues the town has. Creon does not care what Antigone has to say about him because he sees her as a threat to his power. In the story Antigone says,” If he cannot rule his own house, how can we expect him to rule Thebes?”(Lines 658-662) The son of Creon, Haemon also disagrees to what his father says. Haemon tries to break this disagreement by bringing up general understandings of how his father runs Thebes. Thebes is not like Athens, it is not a democracy, so it needs the support of the people. Haemon also helps...
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... Antigone Antigone returns to her home city-state of Thebes to discover both of her brothers, Polynices and Eteocles, have murdered each other. Creon, her uncle who is now king, has decreed that no man shall bury Polynices because he has been declared a traitor. Whoever dares to defy the law will be put to death in unimaginably harsh manners. Antigone is caught and is sentenced to death. However, by the time Creon has figured out he was wrong, Antigone has already hung herself. Her fiancé Haimon, who is Creon’s son, has also committed suicide. Haimon’s mother, who is Queen Eurydice has followed suit and has committed suicide as well. Antigone’s devotion to her values and beliefs are what make her such a powerful female lead. Throughout the play, she shows the difference between having loyalty in what you believe is true and what the state declares as true. After analyzing this theme, it is clear that having loyalty to yourself and your family is much more important than loyalty to the laws created by the government. The first scene of Antigone portrays the protagonist Antigone and her sister Ismene disagreeing about burying Polynices and defying Creon. Antigone’s loyalty remains with her dead brothers and her own values and beliefs. Antigone divulges to Ismene her incredible plan to sneak away to bury her traitorous brother. Ismene however, wants no part in the project Antigone has decided to take on, because Ismene believes...
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...EURO3301 Reflective Essay (2) Given that Antigone seems to act out of kinship loyalties and in deference to the will of the gods of Hades, to what extent can she be interpreted as an individual in conflict with her society? Do you consider her rebellious or conservative? Jack Tesser (21137219) Within Sophocles’ play Antigone, the major character Antigone is seen to act continuously out of kinship loyalties and deference to the gods of Hades. These actions allow her to be interpreted as an individual in conflict with her society to a certain extent. She can be identified as predominantly rebellious at different times within the play. The gender of Antigone as well as the gender related expectations of the society of Thebes also plays an important part in analysing how Antigone is in conflict with her society. Coupled with exterior factors such as religion, sacrifice, and human law, an audience can make commentary on how Antigone is at conflict with her society, and how she can be seen as primarily rebellious. After Antigone’s brother Polyneices, falls to his death in battle, Antigone feels the need to bury him in honour to her religion and the gods of Hades, as her other brother who is described by Creon as “Eteocles, who fell fighting for his city…will be buried and receive all honours”. Creon additionally describes Polyneices as the one “who…hope[d] of burning his native land…he shall be neither buried nor mourned” In Antigone’s eyes, both her brothers should...
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...obligations of the “law”, whether it is commitments to your city, family or divinity, it may not be what is righteous in regards to your own moral values. This theme of obligations vs. moral justice can be expressed in Sophocles’ Antigone, which can be seen through the main characters Antigone and Kreon, who have opposing views, but actions depict that if the law contradicts one’s moral duties, then one is justified to act in a manner of disobedience. The tragic Greek playwright Antigone is set in a more traditional era of time, where the city of Thebes is organized completely around religion and there are strict gender roles and expectations the citizens must abide by. Men are socially obliged to take care of the city, whilst women are to be taking care of the household, and more importantly are not to be seen wandering out in public. This distinction is important, as in all Greek plays, nothing is coincidence and the polarities between the gender roles plays a huge role in how the characters justify their actions. The play begins with Antigone and her sister Ismene sitting outside the palace the morning after the attack of the city of Thebes. The day prior, their brother Polyneices attacked their other brother Etyokles, and both committed acts of fratricide in pursuit of the title of King in the city of Thebes. Antigone is in distress as she has just heard news from the new King Kreon that he has made a proclamation that no one in the city of Thebes will mourn over the death...
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...State control A well established theme in Antigone is the right of the individual to reject society's infringement on her freedom to perform a personal obligation,[14] obvious in Antigone's refusal to let Creon dictate what she is allowed to do with her family members. She says to Ismene about Creon's edict, "He has no right to keep me from my own."[15] Related to this theme is the question whether Antigone's will to bury her brother is based on rational thought or instinct, a debate whose contributors include greats like Goethe.[14] [edit] Natural law and contemporary legal institutions In Antigone, Sophocles asks the question, which law is greater: the gods' or man's. Sophocles votes for the law of the gods. He does this in order to save Athens from the moral destruction which seems imminent. Sophocles wants to warn his countrymen about hubris, or arrogance, because he knows this will be their downfall. In Antigone, the hubris of Creon is revealed. [edit] Civil disobedience The contrasting views of Creon and Antigone with regard to laws higher than those of state inform their different conclusions about civil disobedience. Creon demands obedience to the law above all else, right or wrong. He says that "there is nothing worse than disobedience to authority" (An. 671). Antigone responds with the idea that state law is not absolute, and that it can be broken in civil disobedience in extreme cases, such as honoring the gods, whose rule and authority outweigh Creon's. [edit]...
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...Surname 3 Student's Name Professor's Name Course Date Antigone vs. Macbeth In attempting to discern the legitimate and analytical issues in the two plays, Antigone and Macbeth, it is important to take into account the two key characters that all actions revolve around (Antigone and Lady Macbeth). In both plays, the characters appear to have comparative destiny and fate intertwined deeply within their societies. (Powell et al. 12). Antigone stands harshly rebuked by the state whose rule she contradicts. Antigone's fierce deviance is fully displayed when she declares that she'll bury Polyneices in total disregard of Creon's law. It is this rebellious act and Antigone's innate loyalty to the memory of her brother that forms the spine of the play. On the other hand, Lady Macbeth stands denounced by the laws of God and man having so eagerly disregarded them for the purpose of affection and enthusiasm towards her husband. The inclination that destiny appears to have in setting up these sorts of plays is portrayed undeniably by Sophocles in his piece of work, as well as Shakespeare in his Macbeth. The authorial intent ( a tragedy in contemporary society) as developed by both plays is similar in context. This is mainly detectable while considering the way both playwrights depict the condition that has befallen a nation. Aristotle, an outstanding scholar, and craftsman described tragedy as a mimic of a movement that is morally right. He further came up with guidelines towards...
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...Antigone vs Otheelo: women In the plays “Antigone” by Sophocles and the Shakespearean tragedy “Othello” written by William Shakespeare, the themes that’s being portrayed are honour and gender, through the play the audience if captivated by the characters choices and motives through the play. With the characters choices they help to make the play more understandable as the audience can recognise the tragic hero in both the plays. The relationships between men and women in Othello are remarked as lesser then men. Iago often refers to his wife as a prostitute - "A house wife that by selling her desires, Buys herself bread and clothes (iv.i.95)” showing what type of relationship women and men had during the late 16th century. Women were generally considered obedient, respectful, kind and warm. They were never outspoken nor were they meant to, for it could be seen as a lack of loyalty. When Othello accused Desdemona of cheating on him, he found himself in a position that he didn't want to face with. Othello was emasculated with the thought of a woman disobeying him. Men were easily manipulated into thinking the worst of woman because they were certain it would never happen. However, when the slightest things start to be pointed out the characters start to over analyse. Woman were not on the same level as men; men talked down to woman, they didn’t see them as equals nor think that they should be treated like one. This relates to Othello and Desdemona’s relationship – she “betrayed”...
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...Paper on Antigone In “Antigone,” one can be able to come up with different interpretations of the meaning surrounding the Greek tragedy. From upon reading this play, my view about it was mainly on staying loyal and respecting your family no matter what the consequences. As I began to read the different scholarly interpretations, my view on “Antigone” had changed. The aspect of ‘hanging virgins’ all throughout the play and the Greek culture poses an interpretive problem. The lives of virgins and women in the play can be looked upon as hanging on to their superior male counterparts. The males dominated the society where their decision in religious, ritual and marriage was final. In this paper I will explain the choices Antigone was facing, family values and social status to further support my understanding. In Sarah Johnston’s, “Antigone’s Other Choice”, it is clear that male sexism was at the core of the Greek society. One clear example of this is when Creon responds to Haemon, confronting him with the reality of his bad deeds and mistreatment towards Antigone. “If you are a women; it is for you, in fact that I show familial concern” (Rehm 192-193). This interpretation of Antigone is centered on the conflict that existed between female autonomy and male authority. The excerpt revolves is about Antigone’s choice to hang her and the options she made. Antigone chose to die out of hanging other than starvation. The excerpt by Sarah Johnson, tries to explore the entire theme of female...
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...2012 Creon’s Tragic Fall: A Look at Sophocles’ Antigone A tragic hero is defined by Aristotle’s Poetics as the protagonist in the story to whom something happens that elicits pity from the audience. For the most part, a tragic hero is a “virtuous” person whose life changes from being prosperous to being a life full of misfortune (Aristotle, Poetics). In other words, the tragic hero is someone of great social standing who begins the story at a very high point, but suffers their downfall because of a tragic flaw. In Sophocles’ Antigone the central theme of this play is the struggle between Antigone and her uncle Creon. The issue of burying Antigone’s brother Polynices is based on the ancient Greek philosophy of death, where any unburied body condemns its soul to torment. Basically, it was the duty of the family to bury their dead. Yet, this issue extended beyond family loyalty to a decree of piety by the gods. However, in the play, Creon goes against this celestial decree because he sees Polynices as a traitor for warring against him as a member of another army. As a means to set an example about the repercussions of disloyalty, Creon issues an edict to leave him unburied. As a man who starts the drama in as the respected king of Thebes, he gradually loses his family, his objectivity, and his power to his stubbornness and hubris that ultimately results in his downfall. Hence, Creon is a tragic hero in the Sophocles’ Antigone because his unbending pride results in tragic downfall...
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...throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his identity, among them Tiresias, the shepherd, and even Jocasta. Even after Oedipus thinks he has received a reprieve from the fate he fears when he hears that Polybus is dead, he does not have the sense to keep still. "So! Jocasta, why, why look to the Prophet’s hearth . . . all those prophesies I feared . . . they’re nothing, worthless," he says. (ll.1053-1054, 1062, 1064) To the shepherd,...
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...Section A is open book. INFORMATION FOR CANDIDATES The total mark for this paper is 120. All questions carry equal marks, ie 60 marks for each question. Quality of written communication will be assessed in all questions. 3 Section A: The Study of Poetry Written after 1800 Answer one question on your chosen pairing of poets. Heaney: Opened Ground Montague: New Selected Poems 1 John Montague and Seamus Heaney both write about the Irish past. Compare and contrast the two poets’ treatment of the Irish past in two poems you have studied. Hopkins: Selected Poems Dickinson: A Choice of Emily Dickinson’s Verse 2 Gerard Manley Hopkins and Emily Dickinson both express intense anguish in their poetry. Compare and contrast how both poets express intense anguish in two poems you have studied. Duffy: Selected Poems Lochhead: The Colour of Black and White 3...
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...as major writers and contributors to the realist tradition are Hans Morgenthau, Edward Carr and Kenneth Waltz (Freyberg-Inan, 8). What are then the basic tenets or common features of a realist thinker? Machiavelli would acknowledge that to be a realist one has to look at history as "a sequence of cause and effect whose course can be analysed and understood by intellectual effort, but not directed by imagination" (Carr, 64). Hobbes would persist in the same train of thought and insist that to be a realist thinker one must look at things as they are and not as they should be (Warner, 37). Thus, both of these thinkers direct us to the idea that the creation of the realist paradigm and theories are in fact an inductive process whereby "theory does not create practice, but practice theory" (Carr, 64). Suggestive and provocative declarations such as those of Machiavelli and Hobbes not only make the...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...POLITICS, THEOLOGY AND HISTORY RAYMOND PLANT CAMBRIDGE UNIVERSITY PRESS Politics, Theology and History is a major new book by a prominent academic and an active politician. It ranges widely across the disciplines of theology, political theory and philosophy and poses acute questions about the basic moral foundations of liberal societies. Lord Plant focuses on the role that religious belief can and ought to play in argument about public policy in a pluralistic society. He examines the potential political implications of Christian belief and the ways in which it may be deployed in political debate. The book is a contribution to the modern debate about the moral pluralism of western liberal societies, discussing the place of religious belief in the formation of policy and asking what sorts of issues in modern society might be the legitimate objects of a Christian social and political concern. Raymond Plant has written an important study of the relationship between religion and politics which will be of value to students, academics, politicians, church professionals, policy makers and all concerned with the moral fabric of contemporary life. r ay m on d pl an t is Professor of European Political Thought at the University of Southampton and a Member of the House of Lords. He was a Home affairs spokesperson for the Labour Party from 1992 to 1996, and Master of St Catherine's College, Oxford, from 1994 to 2000. Lord Plant's main publications are Social and Moral Theory in Casework...
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