...of Learning Style and List of preferred Learning Strategies Using the VARK questionnaire, each letter represents a type of learning style. V stands for visual and includes preferences for learning such as charts, diagrams graphs, maps and plans. A stands for aural and examples of this preference include discussions, stories, guest speakers, and chat. R stands for read/write and examples of this preference include lists, notes, and text in all formats whether in print or online. K stands for kinesthetic and examples of this preference include senses, practical exercises, examples, cases, and trial and error. Most participants of the VARK are multi-modal, meaning there is more than one preference of learning involved and one should keep in mind that the results of this questionnaire indicate preferences, not necessarily strengths (Fleming, 2011). An individual with Kinesthetic and Aural learning preferences would prefer to learn with senses, practical exercises, examples, cases, trial and error, discussions, stories, guest...
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...affective and physiological factors that clearly define how a learner copes in a given environment. In other words, they are composite features that gauge whether a learner perceives, responds and work well in a given learning environment. Learning styles can also be defined as educational conditions that favor learning. Auditory Learning Style Auditory learning style entails using hearing senses to learn. It involves a teacher talking to learners. In other words, the learner requires information to be read aloud. Visual Learning Style This learning style requires a learner to use visuals to learn. These visuals include diagrams, charts, pictures and films. In other words, visual learners make use of their eyes to learn. Tactile/Kinesthetic Kinesthetic learners learn best by touching, feeling and experiencing things and material at hand. Conclusion Learning styles are important in that they allow people to know and gauge forms of mental representations. However, the styles should be perceived as preferences by the learners and not a way of dividing the learners according to their learning capabilities. Learning Introduction According to Keefe (1979), learning styles are cognitive, affective and physiological factors that clearly define how a learner copes in a given environment. In other words, they are composite features that gauge whether a learner perceives, responds and work well in a given learning environment. Learning styles can also be defined as educational conditions...
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... Abstract - Learning style refers to the ability of learners to learn and retain information in learning situations. One of the most important uses of learning styles is that it makes it easier for teachers to incorporate teaching approaches suited to each learning styles. There are different learning styles. Three of the most popular ones are visual, auditory, and kinesthetic in which students acquire information. This study is an analysis of learning styles prevalent among elementary school pupils in terms of gender and grade level. It was conducted on three learning styles-visual, auditory and tactile/kinesthetic. It aims to determine differences between gender and learning styles. It also tries to find out correlation between different learning styles and academic achievements of pupils. A sample of 120 pupils of class 4th, 5th and 6th of Balabag Elementary School was selected for the study. Findings of the study reveal that, visual learning style was found to be more prevalent than visual and auditory learning styles among 4th graders while auditory learning style is more prevalent than visual and kinesthetic learning styles among 5th and 6th graders elementary school pupils. Male learners tend to be visual learners whereas females were auditory learners. Though the mean scores of male pupils are greater than the female pupils in all learning modalities still no significant differences had been found. Moreover, there exists no significant correlation between learning styles...
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...Learning with Technology Evidence that technology can, and does, support learning. A white paper prepared for Cable in the Classroom James M. Marshall, Ph.D. San Diego State University May 2002 Executive Summary “We’ve wired the schools — now what?” This question resonates with educators, and troubles them at the same time. After countless local and national efforts have boosted the infrastructure of our schools, the significant issues now arise. Should we continue to pump money into educational technology for our schools? Do computers really help students learn? How can students and teachers best learn from the World Wide Web and its content? These questions are not new, nor unique to the dawn of Internet-connected schools. Earlier technologies, from textbook and illustration to film, television, and multimedia computer, have prompted similar ponderings. If technology is to have a significant role in schools, we need assurance that it works. More emphatically, we need confidence that use of educational technology results in learning. Research, both historical and contemporary, suggests that technology-based instruction can and does result in learning. Witness these examples of television, multimedia, and computer technologies delivering content to support learning: • Watching the television program Blue’s Clues has strong effects on developing preschool viewers’ flexible thinking, problem solving, and prosocial behaviors (Bryant, Mullikin, McCollum...
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...Licensed to Gustavo Simues A Guide to the Business Analysis Body of Knowledge® (BABOK® Guide) Version 2.0 www.theiiba.org Order ID: IIBA-200911231134-455082 Licensed to Gustavo Simues International Institute of Business Analysis, Toronto, Ontario, Canada. ©2005, 2006, 2008, 2009, International Institute of Business Analysis. All rights reserved. Portions of Appendix A: Glossary are from The Software Requirements Memory Jogger, by Ellen Gottesdiener, ©2005 GOAL/QPC and are used with permission. Cover Image ©2006 iStockphoto.com/Damkier Media Group. Version 1.0 and 1.4 published 2005. Version 1.6 Draft published 2006. Version 1.6 Final published 2008. Version 2.0 published 2009. Second Printing. ISBN-13: 978-0-9811292-1-1 (print) ISBN-13: 978-0-9811292-2-8 (PDF and EBook) Permisson is granted to reproduce this document for your own personal, professional, or educational use. If you have purchased a license to use this document from IIBA®, you may transfer ownership to a third party. IIBA® Members may not transfer ownership of their complimentary copy. This document is provided to the business analysis community for educational purposes. IIBA® does not warrant that it is suitable for any other purpose and makes no expressed or implied warranty of any kind and assumes no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information contained herein. IIBA®, the...
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...DJ Monkeyboy (http://www.djmonkeyboy.com). "The Randall Knife": Words and Music by Guy Clark © 1983 EMI APRIL MUSIC INC. and GSC MUSIC. All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved. International Copyright Secured. Used by Permission. In order to protect the identity of some women and members of the community, the names and identifying characteristics of a small number of incidental characters in this book have been changed, and three minor characters are composites. THE GAME COPYRIGHT © 200 5 BY N E I L STRAUSS. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. HarperCollins books may be purchased for educational, business, or sales promotional use. For information please write: Special Markets Department, HarperCollins Publishers Inc., 10 East 53rd Street, New York, NY 10022. FIRST EDITION Art direction and design by Michelle Ishay / Richard Ljoenes Cover design by Richard Ljoenes Interior design by Kris Tobiassen / Richard Ljoenes Interior...
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