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Logo Grabbed Center Stage

In:

Submitted By Tazo86
Words 496
Pages 2
How the Logo grabbed Center Stage - NoLogo Side 157

Claims (Påstande):
- Logo Terror
- Brand awareness specially at babies
- The metaphorical Alligator has swallowed the literal shirt.

Grounds (Belæg)

Type of text: - A chapter in the book No Logo
- Topic is branding and logos

Speaking:
- Naomi Klein is a Canadian journalist, author and activist. She is best known for her book “No Logo” published in 2000. Naomi was brought up in a Jewish family with a history of peace activism. Her mother is Film maker and her father a psycian. Kleins´s husband, Avi Lewis is a Tv Journalist and film maker. Klein spent much of her teenage years in shopping malls, obsessed with designer labels.

Reader: Those who are interested in branding and logos.

Characteristic of the text: - Past tense, adult, technical terms
- References to logos and RP, Lacoste
- No questions, a informing text - The material there is used is historian facts, Naomi´s own experinces and facts.
- No illustrations
Language: By the mid-eighties, Lacoste and Ralph Lauren were joined by Calvin Klein, Esprit and, in Canada, Roots; gradually, the logo was transformed from an ostentatious affectation to an active fashion accessory. Tommy Hilfinger transformed a clothing style into walking, talking, life-sized Tommy-dolls, mummified in fully branded Tommy worlds.

Actually said:

Study Question Side 157 * How does Naomi Klein describe the “Reign of logo Terror” in Grade 4?
She wanted to see the label behind the logo. It begun to be very popular going in clothes with logos.

* What did Klein experience while working at an Esprit store? Branding had become far more ubiquitous and intrusive. Labels like Baby Gap and Gap Newborn turned babies into mini billboards. People would only wear clothes with logos on.

Which role did logos play until the seventies? What happened then?
How did that affect the size of the logos? Until early seventies, logos on clothes were generally hidden from view, placed on the inside of the collar. Small designer emblems did appear on the outside of shirte in the first half of the century, but that was mostly on golf courses and tennis courts of the rich. In the late seventies, the fashion world rebelled. Logos like Ralph Lauren´s Polo horseman and Lacoste´s alligator got onto the outside of the shirt in the streets and not only in the sport world. People paid for the logo not the shirt. in the mid-eighties, Calvin Klein, Espirit and in Canada Roots, joined RL and Lacoste. the logo was transformed from an ostentatious affectation to an active fashion accessory.

What social function do the logos play, according to the text? Everyone knew precisely what premium the wearer was willing to pay for style.

What does Klein mean with “The Metaphorical alligator.. has risen up and swallowed the literal shirt”?
That the logo has grown so dominant, that they have essentially transformed the clothing on which they appear into empty carriers for the brands they represent.

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