Luis Buñuel has once again created a surrealist piece to quickly grab the viewer's attention. The Phantom of Liberty is like a continuous triathlon without a finish line, but does not leave the audience exhausted after a number of events. Each story is effortlessly tied to the next like a different course in a triathlon, and is logical because as said by Roger Ebert, “[Buñuel’s] editing makes everything seem to follow with inevitable logic,” (Ebert). Buñuel was attempting to make the viewer believe the stories interlaced with each other by prompting other characters to appear on screen and connect the character’s lives together. The preconditioned idea humans created to believe in a resolution at the end of film is disregarded after an abundance