...Macbeth: Macbeth - A Human To A Killer In Shakespeare's play Macbeth the character Macbeth proves to be somewhat dynamic in his human representation. He starts off as being very human; he is actually a war-hero. However the seed of change is planted right away when he meets the witches and they tell him their prophecy of him becoming king. This makes Macbeth ambitious, and it leads to his demise. Once he kills Duncan the change rapidly begins to accelerate. By the end of the play, and Macbeth's killing spree, his transformation is complete and all of his human thoughts and feelings are gone. Macbeth changes from being a great individual to the focus of everyone's fear and anger, because he loses his human characteristics of conscience and remorse. As the play starts Macbeth is very human; he has feelings and friends and he is a war-hero. As time elapses, he begins to change into a ruthless killer, "a tyrant". Once he meets the witches and learns he will become king he begins to plot and think murderously. When he arrived at a plot to kill Duncan, and told Lady Macbeth, he realized it was the only way. However, in doing this he made a lot of people suspicious. This meant that more people would have to be killed, and this included the king's son who was next in line for the throne. At this point Macbeth experiences the first of a number of breakdowns, and he begins to lose his human characteristics...
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...Macbeth: Macbeth - A Human To A Killer In Shakespeare's play Macbeth the character Macbeth proves to be somewhat dynamic in his human representation. He starts off as being very human; he is actually a war-hero. However the seed of change is planted right away when he meets the witches and they tell him their prophecy of him becoming king. This makes Macbeth ambitious, and it leads to his demise. Once he kills Duncan the change rapidly begins to accelerate. By the end of the play, and Macbeth's killing spree, his transformation is complete and all of his human thoughts and feelings are gone. Macbeth changes from being a great individual to the focus of everyone's fear and anger, because he loses his human characteristics of conscience and remorse. As the play starts Macbeth is very human; he has feelings and friends and he is a war-hero. As time elapses, he begins to change into a ruthless killer, "a tyrant". Once he meets the witches and learns he will become king he begins to plot and think murderously. When he arrived at a plot to kill Duncan, and told Lady Macbeth, he realized it was the only way. However, in doing this he made a lot of people suspicious. This meant that more people would have to be killed, and this included the king's son who was next in line for the throne. At this point Macbeth experiences the first of a number of breakdowns, and he begins to lose his human characteristics...
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...Order in Shakespeare’s Hamlet and Macbeth In order to assimilate into the worlds of William Shakespeare’s most enthralling tragedies, entirely coherent atmospheres must be accommodated. Hamlet and Macbeth each introduce a spectrum of radical physical and metaphysical concepts which allow audiences the opportunity to understand the fabric of the universe as being much more tightly woven than previously conceivable. One of Shakespeare’s great consummations as a writer is explaining supposed and naturally occurring phenomena during a time when people readily accepted the existence of supernatural beings without reasoning or understanding. Each of the plays begins with a paranormal occurrence, delivered in the form of a ghost and a threesome of witches respectively. Shakespeare uses the shocking unrealism of such occurrences to illustrate disturbances to natural order. Specifically, Hamlet and Macbeth showcase the supernatural to convey nature’s innate responsiveness to human immorality. Prior to examining the crude repercussions of immorality, natural law and conscience must be traced in accordance with Hamlet and Macbeth to distinguish evil deeds from justifiable human action. Conscience is an awareness of a natural order which gives life significance and purpose under a natural law. The mind is compelled to seek out rationality and organization provided by such a natural order. Shakespeare’s tragic heroes are extraordinarily human under this human condition of possessing conscience...
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...wrong. But when we ignore our feelings of guilt, it can lead to the destruction of our conscience. In his play Macbeth, Shakespeare incorporates his idea of guilt into images for the audience. Blood and water are two symbols in Macbeth that function as keys to unlock the hidden message of the effects of guilt. Blood is used to remind Macbeth and Lady Macbeth of their violent actions, while water represents a way to cleanse their minds of the remorse they feel. Shakespeare’s use of blood and water are a chilling reminder of the power that guilt may have on people or how a person might overcome guilt, but become emotionally dead. Macbeth and Lady Macbeth are two characters that are responsible for the bloody actions that occur in Macbeth. Blood is a reoccurring image that travels with the characters, not only on their hands, but in their minds. Wherever violence takes place in the play, blood is shown on the characters immediately after the crime. When Macbeth is involved in one of these crimes and kills Duncan, he soon regrets what he has done. But the blood on his hands shows the evidence of the act and that it can’t be undone. Lady Macbeth suggests to get rid of the evidence by putting the blood on the guards so “it must seem their guilt” (2.2.73). The symbol of blood can be seen as “the image of death” (Holloway 108). It represents the violence, since Macbeth says, “blood will have blood” (3.4.153). The characters want to escape their feelings of guilt and forget the murder...
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...Shakespeare in Film Individual Assignment Macbeth is well known to be one of Shakespeare’s shortest yet darkest tragedies. The rich, psychological turmoil experienced by the main characters and the incorporation of elements such as the supernatural culminates in a tragedy that is one of Shakespeare’s most intense and grim. I will be examining the 1971 Roman Polanski film due to the unique life story of the director and the gruesome murders that occurred prior to the film. The film employs the use of gratuitous violence, nudity and graphic imagery that far exceeds that of the text, which Roman Polanski masterfully uses to highlight the inherent madness and evil that drives Macbeth and in doing so, successfully creates an psychologically disturbing film with an atmosphere of perpetual dread. Firstly, one distinct feature about the film that differs from the text is the inclusion of nudity seen in several scenes. Macbeth itself draws largely upon the theme of the occult and madness as the main driving forces, with the inclusion of the prophetic apparitions, visions of ghosts and mental breakdowns. The scene showing Macbeth seeks out the witches for the 2nd time exemplifies the occult brilliantly as it opens to a huge coven of naked witches huddled around the cauldron whilst chanting “Double, double, toil and trouble; Fire burn, cauldron bubble”. In the book, there was no mention of other witches apart from the three and by including the scene, the huge gathering...
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...‘Shakespeare is interested in the essentials of human nature, holding a mirror up to our humanity’ Shakespeare understood humanity in a way that no other playwright before him had ever explored. Harold Bloom, a prominent Shakespeare authority and literary critic, contends that Shakespeare invented personality and human nature as we know it today. Up until Shakespeare, there was a “villain”, a “hero”, a “fool” and an “innocent” and the audience knew right away which was which. Shakespeare didn’t write “heroes” and “villains.” He wrote real people with real flaws, who were all equally capable of committing good and evil. One of the most important themes in Macbeth involves the witches' statement in Act 1, Scene1 that "fair is foul and foul is fair." (Act 1, Scene 1, Line 10) This phrase aptly describes the macabre status quo within the character Macbeth and without. When Macbeth and Banquo first see the weird sisters, Banquo is horrified by their hideous appearances. Conversely, Macbeth immediately began to converse with these universally known evil creatures. After hearing their prophecies, one can say that Macbeth considered the witches to be "fair" when in reality their intentions were quite "foul." Macbeth's possession of the titles of Thane of Glamis, Thane of Cawdor and King of Scotland came by foul means. Macbeth became the Thane of Glamis by his father Sinel's death; he became Thane of Cawdor when the former namesake was executed for treason; and he was ordained...
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...One of the most important themes in Macbeth involves the witches' statement in Act 1, Scene1 that "fair is foul and foul is fair." (Act 1, Scene 1, Line 10) This phrase aptly describes the macabre status quo within the character Macbeth and without. When Macbeth and Banquo first see the weird sisters, Banquo is horrified by their hideous appearances. Conversely, Macbeth immediately began to converse with these universally known evil creatures. After hearing their prophecies, one can say that Macbeth considered the witches to be "fair" when in reality their intentions were quite "foul." Macbeth's possession of the titles of Thane of Glamis, Thane of Cawdor and King of Scotland came by foul means. Macbeth became the Thane of Glamis by his father Sinel's death; he became Thane of Cawdor when the former namesake was executed for treason; and he was ordained King of Scotland after murdering the venerable Duncan. Thus, Macbeth has a rather ghastly way of advancing in life. This theme is further verified by King Duncan's statement "There's no art/ To find the mind's construction in the face." (Act 1, Scene 4, Lines 11-12) Although Macbeth has the semblance of the amicable and dutiful host, ("fair") he is secretly plotting Duncan's death ("foul"). Furthermore, Lady Macbeth's orchestration of the murder exemplifies the twisted atmosphere in Inverness. Both a woman and a host, she should be the model of grace and femininity. She is described, however, as a "fiendlike queen" (Act...
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...In the play of Macbeth, it displays multiple forms of symbolism, one most used symbol is blood. In Macbeth, blood symbolizes mainly murder and guilt but it is used in different ways and interpret different meanings. The blood characterizes Macbeth and Lady Macbeth. During the play, Macbeth murdered a number of people. Macdonwald was the Thane of Cawdor and Macbeth decided to kill him because he wanted to be awarded the title of being the Thane of Cawdor. Macbeth had a hunger for being superior to everyone, it was something he strived for. King Duncan made his son Malcolm successor which boiled up Macbeth’s anger and resulted to him killing Duncan. The three witches told him that he would most likely become king for doing so but he believed...
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...with his horrific stories. Charles Dickens criticized society and human nature to expose the reality of human actions. These techniques provide people with a new perspective on their own lives as well as the life of others around the world. They emphasize emotions and reveal what is accepted as important in a society. These literary techniques are not reserved for books but also include plays, movies, and other mediums. William Shakespeare uses his play, “Macbeth,” to demonstrate the importance of universal human concepts,...
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...quotes that Lady Macbeth says, this is said before they kill King Duncan, Macbeth is having second thoughts about murder and Lady Macbeth tell him that it will make him a better person, stronger, and more manly. Lady Macbeth may look like a pretty, sweet, innocent woman, but in truth, she is strong willed and ambitious. Throughout the play her mental state changes and can relive that she does indeed have a heart. Lady Macbeth changes throughout the play from willing to kill and then to having a guilt that overcomes her. Lady Macbeth at first is the one very eager to kill Duncan. She is the one to push and persuade Macbeth to kill Duncan. When Lady Macbeth first hears...
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...are written? Maybe it’s his take on inner conflict, or is it how he never portrays a hero as perfect, or a villain as all evil? There is a certain universal truth about the human condition in every story. Whether it is the tragic outcome of unchecked greed and ambition, an unrelenting desire for revenge, or the pursuit of love, his representation of human nature is just as real and as relevant today, as it has been through the centuries. Most of Shakespeare’s characters are complex personalities led into tragedy by their shortcomings (Johnson). Even Shakespeare’s heroes are never just heroes; Shakespeare tends to build his stories through “false heroes” such as Othello, Anthony and Brutus, and “good villains” or “villains with a conscious” like Macbeth (Johnson). It is this type of inner conflict that makes Shakespeare’s stories so insightful and relatable. People love to identify with the hero. They like to think of themselves as heroes in their own lives and the success of a hero in a story makes them feel better about their chances of success in their own lives. While a hero may be the object of any story, a hero is only as great as the obstacle he can overcome (Pattison). The obstacle can be almost anything, it could be a tornado ripping through a city or a killer great white shark, but it is the human villain that develops and changes as the story unfolds, that is the most relatable, and therefore the most interesting obstacle to overcome. Maybe this is because, unlike other...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...Macbeth: A Tragic Hero? William Shakespeare's tragedy, Macbeth, attains a protagonist that evidently portrays himself as a tragic hero. A tragic hero is a character that is not completely good or evil and has a tragic flaw that eventually leads to his downfall. Macbeth is the epitome of a tragic hero because he starts off as a noble man until his own actions, also influenced by others, bring him to his own death. The events that help take Macbeth to his end are the prophecies told to him by the three witches, Lady Macbeth's pressure that drives him into committing horrible actions, and his own ambition that takes over him and leaves him as nothing but a power and money hungry character. Macbeth starts off with Macbeth and Banquo being praised after battling bravely in a war against the Irish Invaders. “At the beginning of the play, he seems the epitome of a loyal subject, valiantly fighting the rebel forces to protect the king and preserve his power.” (Elaine Pilkington 1) King Duncan believed that Macbeth was tremendously heroic in the battle and decided to name him the new thane of Cawdor after executing the old one because of his betrayal. However, before hearing from the King, Macbeth and Banquo were on their way to the King's court when they were suddenly accompanied by three witches.The witches greet Macbeth as the thane of Glamis, which was his original and only title, and as the thane of Cawdor, which Macbeth was not yet informed of. The witches also tell Macbeth...
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...has created an ordered system for both nature and human kind, every creature/person has a place and the order should not be disrupted. Including the porter scene in the play would of reinforced this belief, as the King was seen to be at the top of this ordered system, meaning once he was murdered this order had been disrupted. This scene showed some the effects of the link between man and God being severed through Pathetic Fallacy. Another way in which Shakespeare would have tried to impress his audience, mainly the monarch at the time (King James 1st) was through the character Banquo. King James believed himself to be a descendent of Banquo, therefore he was written to be a noble, wise and regal man whose good qualities tended to make some of the other characters, particularly Macbeth, envy him. King James 1 considered himself to be an expert on witchcraft, he wrote a book which stated that witches made a pact with the devil, so including the evil ways of the witches and showing them to be dark creatures that turn good loyal men into murderers would have pleased the King as that is how he viewed them himself. If you continue to look into Macbeth’s character, he starts to spiral out of control very quickly. He starts to fear betrayal, which is extremely ironic considering the amount he has already betrayed his king and his country. “But to be safely thus. Our fears in Banquo, stick deep; and in his royalty of nature.” Macbeth is worrying whether he can trust Banquo because of...
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...Blind Leading the Blind In MacBeth, Shakespeare writes about a greedy, power-hungry man who murders the king to fulfill his selfish desires. MacBeth was one of King’s Duncan’s noblemen and honorable general. However, after he is claimed as the Thane of Cawdor and Glamis, he believes a prophecy by three witches that he will become King and, along with his wife, decides to murder King Duncan in an attempt to gain more power. Although MacBeth grew uncertain about going through with the assassination, his wife, Lady MacBeth, manipulates and deceives him to follow through. As a king, he becomes a tyrant and starts to kill anyone who he felt threatened his position on the throne, including one of his good friends, Banquo and the family of MacDuff. Throughout his reign, the MacBeth’s guilty consciences take a toll on them and eventually lead to both of their downfall. Furthermore, MacBeth’s reign does not last long when MacDuff gets revenge against the tormentor by killing him in the end. As a result, King Duncan’s son, Malcolm, becomes king. Through the use of symbolism and characterization, William Shakespeare, in MacBeth, depicts how one’s desire to gain power causes others to change gender roles to create deception within an environment. In MacBeth, MacBeth’s horrific murders proved how strongly he desired to gain power. Desire means to have a strong feeling of wanting to have something or wishing for something to happen. When a person desires something, he or she becomes...
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