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Manet

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During Manet’s earlier career as a painter he was considered to be part of the realism art movement. Realism is the study of representation of a scene that stays as true to life as possible. They abandoned the ideals of romanticism, where the aesthetic was warped to fit their embellished emotionalism of preconceived ideas. Thus the realists focused on depicting scenes with authenticity. Many images of the workhouse arouse due to the Industrial revolution at the time. Realism began in France in the 1850s and flourished when photography was born.
Edouard Manet was a character full of antithesis. On one hand he was a rebellious socialist yet he was also a dignified bourgeois. During his lifetime he became famous for breaking away from the traditional academic way of painting and was once hailed “the first modern painter” (A World History of Art, Hugh Honour & John Fleming pg 677) Yet he was heavily influenced by the masters of the past and their inspiration can clearly be seen “Le Déjeuner sur l’Herbe” (http://www.ibiblio.org/wm/paint/auth/manet/dejeuner/manet.dejeuner-sur-herbe.jpg)
Manet wanted to make a statement with this peice of work, even more so than his controversial painting Olympia. But He was also desperate to be accepted by the Parisian salon because it was uneasy to artistically survive without that sort of status. However his wishes were denied, instead a small scale exhibition for the refused artists was held in an annex, that later became known as the Salon des Refusés. Both the critics and the public were outraged by this peice. Unlike the previous nudes of the romanticism painters, this woman was not a goddess or a nymph but most likely a prostitute. It is not only the females lack of clothes , but the way she is being presented to the viewer. The woman is painted as if apparent from the scene, the two gentlemen are not engaging with her and

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