...being "Christ-haunted." In fact, I feel that the Misfit, whom at first appeared to me to be a ruthless, sadistic murderer, actually ended up being even more of a 'good person' than any of the members of Bailey's family. I will analyze certain statements made in the story to make my point feasible. “The trees were full of silver-white sunlight and the meanest of them sparkled.” First off, it is pretty obvious to me that the "silver-white sunlight" is supposed to be imagery the reader associates with Heaven. Beyond that, I feel there are two possible meanings to it as a whole, depending on how you interpret the meaning of the word "meanest": either they are being portrayed as cruel, or they are being portrayed as average. In the first case, the trees could almost be approximated with the Misfit in the role of Jesus. In the second case, the trees could be representative of Bailey's family. “They passed a large cotton field with five or six graves fenced in the middle of it, like a small island.” It just so happens that the Bailey family has six members: Bailey, his wife, his mother, and his three children. I feel this is an allusion to the fact that they're going to die later on. The bit about the island may also be significant. In the end, they seemed to be stranded, trapped, and surrounded on all sides by the Misfit and his men, just like an island is surrounded by water. “The grandmother said she would have done well to marry Mr. Teagarden because he was a gentleman and ......
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...figures appear in Flannery O’Connor’s stories: “A Good Man is Hard to Find”, “The Lame Shall Enter First”, “The Life You Save May Be Your Own”, and “Good Country People”. “A Good Man is Hard to Find” begins with a family trip to Florida. The family gets in a car crash on a lonely dirt road after the grandmother causes the family to take a wrong turn. When a passing car stops to help three men get out, the grandmother recognizes one of the men as “The Misfit”. The Misfit then kills the whole family (O’connor) The misfit is the main villain in “A Good Man is Hard to Find”. He is an antichrist figure because of his manipulative attitude and deception to the family. “Jesus thrown everything off balance. It was the same case with him as with me except He hadn’t committed any crime”(O’Connor). This shows that The Misfit is an antichrist figure because he compares himself to Jesus and admits to committing a crime. The Misfit goes on to kill everyone and in the end the grandmother is praying and he shoots her. All of this shows that The Misfit was portrayed as an antichrist figure. “The Lame Shall Enter First” features Norton, his father Sheppard, and a little boy named Rufus. Norton’s dad neglects him and Norton is sad since his mother’s death. Sheppard...
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...Compared to other Southern Gothic writers, namely O’Connor, Faulkner effectively uses the points of view of his stories to give the reader as much information about his thoughts on the story. Throughout O’Connor’s “A Good Man is Hard to Find”, O’Connor uses only one point of view, third person, to tell the story and she does not give the reader her thoughts on the story, except with the change in the story’s tone. The story ends with a dramatic scene between the grandmother and the Misfit in a bland tone.(Renner 115)” Comparing O’Connor’s use of point of view to Faulkner’s use of point of view, Faulkner, in this case, comes into the realm of...
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...such as contrast, soliloquys, dramatic irony, syntax rhythm to achieve this. As a foreigner, Othello is an individual who is discriminated by the society he lives in which is dominated by white Venetians. Though he is a respectable general, he is still regarded as an outsider. In the beginning of the play, Iago presents Othello as a misfit in Venetian society because of different race and skin tone. This is seen through the snide remarks about Othello. “…an old black ram Is tupping your white ewe…” (1.1.88-89) This dramatic incongruity between Othello as the “old black ram” and Desdemona as the “white ewe” emphasises the Othello’s otherness. Through the antithesis-the contrasting light and dark imagery-we see the racial conflict between Othello (individual) and the Venetian society. The conflict between Othello and Brabantio is a microcosm of the conflict between the individual and society. The marriage of Othello and Desdemona is a union of different races and colours that is frowned upon by Venetian society. After Brabantio notifies Iago about Desdemona’s elopement with Othello, Brabantio exclaims in horror: "She is abus'd, stolen from me, and corrupted By spells, and medicines, bought of mountebanks; For nature, so preposterously...
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...Chapter 1: Loser Me! In this book I am expressly only dwelling upon only those emotions that are needed to inspire you, my reader. Let me state here I was never the brightest, the most intelligent or the most beautiful in any phase of my life. I have always been cherubic plump since childhood giving other kids a lot of opportunity for creative name calling. I have never topped or scored above average. My upbringing was conservative middleclass with all its cultural limitations of a girl child growing up in India in the 90s. My curfew was 6 pm. I was always home by 4pm. I had many friends in school but after school had no social life. In those days girls rarely ventured out anyway. And I was a home body. Happily involved in one or other of my creative pursuits. My father had bought me a small desk and chair. He always said if you want to do something important you need a place to think. It really made me feel important and grounded to have my own desk. As I spent my entire day after school at my desk drawing, writing gibberish poems and letters. At the age of five my father taught me how to write letters. It literally changed my life. Writing letters to my uncle in navy, attempting newspaper quizzes, letters to the editors about...
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...Marilyn Monroe was more than a 1950’s sex goddess, her apparent vulnerability and innocence in combination with her sexuality has endeared her to make it to number 91 on the top most influential women ever. Unlike any other woman she had her insecurities about her physical appearance, which unfortunately led to her death. Whether she knew it or not Marilyn Monroe was a very influential actress, fashionista during her life and even more today almost 48 years after her death. “There was my name up in lights. I said, 'God, somebody's made a mistake.' But there it was, in lights. And I sat there and said, 'Remember, you're not a star.' Yet there it was up in lights." –Marilyn Monroe Marilyn Monroe was born Norma Jean Mortensen on June 1, 1926 to Gladys Baker. “Norma” was separated from her mom because of her psychological condition and spent most of her childhood in foster homes and orphanages. In 1937 she moved in with a family friend who took custody of her, unfortunately in 1942 she was forced to make the decision to be married at 16 or go back into the orphanage because of the family friends’ financial situation. She made the decision to get married to Jimmy Dougherty whom she remained married to for 4 years but then divorced him because she wanted to pursue her lifelong dream of becoming an actor. Also in 1946 she dyed her hair that unforgettable platinum blonde and changed her name legally to Marilyn Monroe. "I'm going to be a great movie star someday”, is a quote that she...
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...birth and briefly elaborate along the way on each of the points in my young life that I feel are most impactful on my current life situation. Next , I will take you on a rollercoaster ride through my teen years and into my young adulthood, high’s and low’s. I will close by taking you on a journey, as I find out that I am having my first child and making a big move that will impact the rest of my life, as I know it. Let’s begin with the year I was born. I was born in 1981 on December 23rd. My Mother Kris, and my Father Randy were only 18 years young. I was born at Whuestoff Hospital in Rockledge, FL. Rockledge is a proud little city that is about 20 minutes inland from Cocoa Beach. My mom has always had the warm memory of bringing me home from the hospital on Christmas Eve dressed in a red one piece and wrapped in a Christmas stocking. I don’t know what it is about that story but I love to hear my mom talk about it. I guess that’s part of the reason why I have always loved Christmas and the Holiday Season. We will now jump forward to my 6th Christmas when I received my first ever bicycle from Santa Clause. Yes it was the first one ever. It was everything I ever wanted and now it was mine. I can remember it clearly, it was red and blue and had the Smurf’s all over it. I...
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...Social Psychology’s Effects on Attraction Joshua Newton PSY 326 Dr. Cindi-Marie Willoughby How and what attracts us to others is interpersonal attraction. As a military student, I am continuously judging individuals when I initially meet them because I am constantly evaluating my placement in society. What initiated my interest to research social attraction was my weakness for the opposite sex. I was and still am inquisitive as to what draws me to all women and towards certain type of the opposite sex. Originally, I thought I was attracted only to women from a physical appeal in an initial meeting, but I found there is more to the question. Even though physicality is a considerable amount of interpersonal attraction, studies have proved there are numerous factors determining roles in attraction on initial engagements. Among the most reflective opinions I found, essentially the first interactions are proximity, similarity, and physicality. It is our acceptable appetite as humans to determine whom we are drawn to, even as infants. After further study from psychologists, I collected data elucidating what dictates interpersonal attraction for an assortment of people and its connotation in everyday life. We are continuously meeting new people, seeing new faces, and deciding whether we experience attractions to individuals deliberately or not. As a result, the first acquaintance of others is most significance in the likelihood of developing a...
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...Charlie Chaplin composed his own music for City Lights (1931), Modern Times (1936) and Limelight (1952). That was the exception, and few film-makers would imitate him. He wasn't clear at all whose job was to score the soundtracks. German cabaret pianist Friedrich Hollaender scored Josef von Sternberg's Der Blaue Engel/ The Blue Angel (1930), which included Marlene Dietrich's signature tune Ich bin von Kopf bis Fuss auf Liebe Eingestellt/ Falling In Love Again. Von Sternberg kept changing musicians: Karl Hajos scored Morocco (1930) and Franke Harling Shangai Express (1932) and The Scarlet Empress (1934). In the 1930s, after a few years of experimentation, scoring film soundtracks became an art in earnest thanks to a small group of foreign-born musicians, first and foremost two Austrian-born and classically-trained composers. Erich-Wolfgang Korngold's coined a lush, overwhelming, operatic style with Michael Curtiz's Captain Blood (1935) and especially The Adventures of Robin Hood (1938) and The Sea Hawk (1940), as well as Charles Gerhardt's Anthony Adverse (1936) and Sam Wood's Kings Row (1942). Max Steiner explored many different moods, sensational in Ernest Schoedsack's King Kong (1933), one of the first soundtracks to rely heavily on sound effects, pathetic in Victor Fleming's Gone With The Wind (1939), including Tara and countless references to traditional songs, exotic in Michael Curtiz's Casablanca (1942), melodramatic in Irving Rapper's Now Voyager (1942), gloomy...
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...Charlie Chaplin composed his own music for City Lights (1931), Modern Times (1936) and Limelight (1952). That was the exception, and few film-makers would imitate him. He wasn't clear at all whose job was to score the soundtracks. German cabaret pianist Friedrich Hollaender scored Josef von Sternberg's Der Blaue Engel/ The Blue Angel (1930), which included Marlene Dietrich's signature tune Ich bin von Kopf bis Fuss auf Liebe Eingestellt/ Falling In Love Again. Von Sternberg kept changing musicians: Karl Hajos scored Morocco (1930) and Franke Harling Shangai Express (1932) and The Scarlet Empress (1934). In the 1930s, after a few years of experimentation, scoring film soundtracks became an art in earnest thanks to a small group of foreign-born musicians, first and foremost two Austrian-born and classically-trained composers. Erich-Wolfgang Korngold's coined a lush, overwhelming, operatic style with Michael Curtiz's Captain Blood (1935) and especially The Adventures of Robin Hood (1938) and The Sea Hawk (1940), as well as Charles Gerhardt's Anthony Adverse (1936) and Sam Wood's Kings Row (1942). Max Steiner explored many different moods, sensational in Ernest Schoedsack's King Kong (1933), one of the first soundtracks to rely heavily on sound effects, pathetic in Victor Fleming's Gone With The Wind (1939), including Tara and countless references to traditional songs, exotic in Michael Curtiz's Casablanca (1942), melodramatic in Irving Rapper's Now Voyager (1942), gloomy...
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...mental problems (including anxiety attacks and overeating) have left him unable to form close bonds with other people. Max decides to write back to Mary, and the two become friends. Over time, Mary's increasingly sensitive questions about the adult world give Max progressively worse anxiety attacks, and he is ultimately institutionalized. During his time there, Max is diagnosed with depression and Asperger syndrome. Now aware of why he has difficulty relating to other people, Max finds a new lease on life and resumes his correspondence with Mary. The two remain friends for the next two decades, keeping one another updated on various events in their lives. Mary (Toni Colette), inspired by her friendship with Max, becomes a psychologist and marries her childhood crush, an effeminate young Greek Australian man named Damien Popodopoulos (Eric Bana) who enjoys sewing but fears Mary's sexual advances. Max wins the New York lottery, using his winnings to buy a (literal) life-time supply of chocolate and then giving the rest away to his elderly neighbor, who wastes...
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...Pygmalion Shaw, George Bernard Published: 1913 Categorie(s): Fiction, Drama Source: http://www.gutenberg.org/etext/3825 1 About Shaw: George Bernard Shaw (26 July 1856 – 2 November 1950) was an Irish playwright. Although Shaw's first profitable writing was music and literary criticism, his talent was for drama, and he authored more than 60 plays. Nearly all of his writings deal sternly with prevailing social problems, but have a vein of comedy to make their stark themes more palatable. Shaw examined education, marriage, religion, government, health care, and class privilege and found them all defective. He was most angered by the exploitation of the working class, and most of his writings censure that abuse. An ardent socialist, Shaw wrote many brochures and speeches for the Fabian Society. He became an accomplished orator in the furtherance of its causes, which included gaining equal political rights for men and women, alleviating abuses of the working class, rescinding private ownership of productive land, and promoting healthful lifestyles. Shaw married Charlotte Payne-Townshend, a fellow Fabian, whom he survived. They settled in Ayot St. Lawrence in a house now called Shaw's Corner. Shaw died there, aged 94, from chronic problems exacerbated by injuries he incurred by falling. He is the only person to have been awarded both the Nobel Prize for Literature (1925) and an Oscar (1938). These were for his contributions to literature and for his...
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...for routinely making the two hour trip from my college was to convince a particular one of these women that she was to be my wife, it became clear that a unique dynamic was on the horizon. Many of the educated Black women I encountered had confidence in their academic and professional journey, but lacked clarity on whether enough educated Black men with at least an ounce of swagger shared their dream of creating a formidable family. It was a fair question then, and remains a growing dilemma affecting educated Black women today. Since that time I have consistently spoken with Brothers, Sisters, family members, friends, and others about the challenges facing Black relationships. Those conversations have inspired me to share my humble thoughts for anyone willing to indulge me. As you read beyond the passion of my words, hopefully sincerity and love will be visible, along with a creative spirit that you find interesting enough to continue the exposé. Expect to see the tremendous influences of film & television, hip-hop, fiction, nonfiction, humor, politics, scholarship, and of course God as significant portions of my writings. All of these play a vital role in how Black relationships have taken shape. I will italicize significant titles within these genres at times to emphasize them as materials worthy of consideration for your repertoire....
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...A group of a few women born in the second decade of the century might together illustrate the diversity of the twentieth-century novelist's interests. Elizabeth Taylor (1912-1975), the author the novels The Soul of Kindness and Blaming, is a refined stylist whose swift flashes of dialogue and reflection and deft sketches of the wider background give vitality to her portrayals of well-to-do family life in commuter land. Some of her later novels are In a Summer Season (1961), and The Wedding Group (1968.) Elizabeth Taylor has humour and compassion as well as disciplined artistry, and has logically been compared with Jane Austen. So has Barbara Pym (1913-1980) who tasted fame, sadly enough, only at the end of her life (her real name was Mary Crampton). Another restrained and perceptive artist, she is a master of J f ingenuous and candid dialogue and reflection which are resonant with comic overtones. Critics I called her "modern Jane Austin. Excellent Women (1952) and A Glass of Blessings (1958) were reprinted in the late 1970s when Philip Larkin and David Cecil drew attention to the quality of her neglected work. Later novels, The Sweet Dove Died (1978) and Quartet in Autumn (1978), are no less engaging in their blend of pathos and comedy. One might well put beside these two English writers the Irish writer Mary Lavin (1912-1996), whose short stories focus on the ups and downs of family life with quiet pathos and humour. Her novels, The House in Clewes Street (1945)...
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...Alex Flinn A Kiss in Time For Joyce Sweeney. Thanks for everything! Contents Part I Talia ix Chapter 1 If I hear one more syllable about spindles, I shall… 1 Chapter 2 Tomorrow is my sixteenth birthday. I do not suppose it… 7 Chapter 3 Free of the encumbrance that is Lady Brooke, I fairly… 17 Part II Jack 25 Chapter 1 What they don’t tell you about Europe is how completely… 27 Chapter 2 “Good thing we got food first,” Travis says on the… 33 Chapter 3 When I was a kid, back when my family was… 39 Chapter 4 It’s a castle. Not a modern-looking one like Buckingham Palace,… 45 Chapter 5 I stare at her. I’ve never seen a human being… 49 Chapter 6 She’s awake! It really is like Snow White! Holy crap!… 55 Chapter 7 Things get a little crazy then. There’s Travis at the… 63 Part III Jack and Talia 71 Chapter 1: Talia 73 Chapter 2: Jack 84 Chapter 3: Jack 94 Chapter 4: Talia 101 Chapter 5: Jack 105 Chapter 6: Talia 111 Chapter 7: Jack 131 Chapter 8: Talia 147 Chapter 9: Jack 151 Chapter 10: Talia 156 Chapter 11: Jack 169 Chapter 12: Talia 176 Chapter 13: Jack 183 Chapter 14: Talia 188 Chapter 15: Jack 194 Chapter 16: Talia 200 Chapter 17: Jack 208 Chapter 18: Talia 213 Chapter 19: Jack 220 Chapter 20: Talia 225 Chapter 21: Jack 235 Chapter 22: Talia 241 Chapter 23: Jack 251 Chapter 24: Talia 258 Chapter 25: Jack 266 Chapter 26: Talia 271 Chapter 27: Jack 273 Chapter 28: Talia 278 Chapter 29: Jack ...
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