...MEDEA Part 1 Analysis The first purpose of this section is to offer background information for the action about to unfold. It's important to note that at the time the play was first produced, most people in the audience would have known the story of Medea and Jason when they came into the theatre. The myth was part of Greece's cultural and societal heritage. The interest in coming to the theatre, for the Greeks, was to see how the playwright illuminated larger questions of human existence by telling the story in his particular way. This particular playwright's viewpoint appears in the conversation between the Tutor and the Nurse, specifically the Tutor's reference to selfishness ("everyone loves himself more than his neighbor"). The two main characters in this play, Medea and Jason, are models of selfishness. Both of them are concerned with meeting their own needs, acting on their own desires and doing what they think is right without any consideration for anyone else. They both take their selfishness to extremes. Jason leaves his wife for a younger, prettier and richer woman just because he wants to, and the excuses he gives for doing so in Part 2 are just that - excuses. Medea sacrifices four innocent lives because she so desperately wants to cause Jason pain. The question of whether she's justified in that desire will be examined later. Note that this is a different question from whether she's justified in killing her children. The Chorus functions in a similar...
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...In the following paper, equality between men and women, in the late 1800 hundreds Denmark, is examined through a literary analysis of the modern play;” Et dukkehjem” by Henrik Ibsen, and through a thorough analysis of historical sources. The paper has its starting point in a walkthrough of the historical sources and their purposed in relation to the analysis of the historical period in Danish history. In the analysis of a schedule for a “normal” late 1800s family in Copenhagen the “old” way of thinking, were a man is in control, it becomes obvious that the fight for women’s liberation has its root at the base of the societal hierarchy. Later, with the analysis of a paragraph from the Women’s Liberation Society it is shown that the “old” way of thinking is slowly being outsourced by the new lifestyle of women who liberate themselves. The analysis of historical sources in the paper are later used as a foundation for the modernistic findings in the play “Et dukkehjem”. The Analysis of “Et dukkehjem” has it’s starting point in various theories of social science in relation to cultural changes and the evolution of equality between men and women. These theories are later used in the literary analysis and in the discussion. The analysis is written as an analytical essay in which the main character, Nora, is portrayed as a women living in a very traditional household with a desire to leave and find happiness on her own. The analysis comes in three parts. The main character’s view of...
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...Value: 5.9 (B+) Feminist Analysis Of Lorca’s “Blood Wedding” REHANA KOUSAR NIDA SARFRAZ Department of English Government College University, Faisalabad Pakistan Abstract: This study explores Feminism in Lorca’s play, ‘Blood Wedding’. Feminism asserts that women are treated as ‘sex objects’, non-significant other and witches. This study analyzes Blood Wedding at four levels; 1. Biological level 2. Linguistic level 3. Socio-cultural level 4. Psychoanalytical level coined by Elaine Showalter. Lorca deals with women in his drama as submissive. He praises their beauty but neither gives women names nor any choice of free will. Women are nameless and without any status. His society also promotes the concepts of submissive women and rejects bossy women. Images which are used for women, women language, their psyche and Spanish Society in Blood Wedding Proves that it is a Feminist play. Key words: “Blood Wedding”, feminism, F. G. Lorca, submissive women Introduction: Feminism asserts that men either consciously or unconsciously have oppressed women, allowing them a little or no voice in the political, social and economic issues of their society. By not giving voice and value to women’s opinion, responses and writings, men have suppressed the female, defined what it means to be feminine and thereby devoiced, devalued and trivialized what it means to be a woman. In fact men have 4404 Rehana Kousar, Nida Sarfraz- Feminist Analysis Of Lorca’s “Blood Wedding” ...
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...ABSTRACT This dissertation explores the use of community participation in TfD for Gender based violence in challenging patriarchy. It discusses the idea of TfD and community participation in relation to patriarchy and gender. It also discusses the idea of community participation in relation to TfD, Patriarchy and participation in gender related projects. The analysis in this dissertation focuses on GEWE project which was carried out by CRECCOM as a form of TfD for gender based violence. I look at field work in research, i conduct the performance analysis of the TfD for gender based violence performance and i conduct the analysis for the whole case study, i provide evidence for gender based violence and patriarchal rule in the community and i analyse the involvement of both men and women in the performance and how this helps in challenging patriarchy. This dissertation claims that TfD for gender based violence can be used to challenge the idea of patriarchy through community participation. This dissertation shows that the performance space in TfD for gender based violence provides a forum on which men and women can discuss and deal with issues of GBV as well as challenging patriarchy. it shows how the participation of...
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...Trifles: A Moral Justification for Murder The one act play “Trifles” depicts the views and passions of both men and women during the late-nineteenth century regarding the role of a woman. The characters in the play are the County Attorney, the Sheriff, and Mr. Hale, who are accompanied by Mrs. Hale and Mrs. Peters into the Wright’s home to investigate the murder of Mr. Wright. The men feel that the women are only concerning themselves with little things and make several condescending comments throughout the play displaying their views. While the men search for clues upstairs and in the outside barn yard, it is the women who cleverly piece together several clues leading to Mrs. Wright’s guilt in the murder mystery. But, because of the shocking evidence found by the women, they become sympathetic towards Mrs. Wright and decide to conceal their findings from the authorities. The women feel that the mental and emotional abuse Mrs. Wright received from her husband was justification for the crime in which she committed. Although murder is usually looked upon as an indefensible crime of selfishness, Mrs. Hale and Mrs. Peters actions were morally validated because of Mr. Wright’s own selfish and tyrannical actions; which left Mrs. Wright with no other alternative but to murder him in order to reclaim her liberty. From the beginning of the play, when Mr. Hale explains to the other men that he was visiting the Wright’s home in hopes of convincing John Wright to pitch in on a party line...
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...likes to pick and play with flowers under his favorite cork tree. This is happening while all the other little bulls are fighting and showing off their strength. Even though Ferdinand grows to be bigger and stronger than the other bulls, he still does not want to play with the other bulls and instead wishes to continue smelling the followers and enjoying nature under his favorite cork tree. Throughout the story, archetypes such as the loner or an outcast, the hero and symbolism are observed that connect...
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...An Introduction to Oedipus Rex by Sophocles. Greek and Roman plays, and even Indeed ancient Indian plays (a common Indo-European Tradition), usually had a pivotal character that “held the play together”. Also there would be a Chorus that would come into play when the tragedy would begin unfolding. The Greco-Roman variants were almost always tragedies. Be it Homer’s Iliad or Odessey. The hero after long travails always seemed to return to nothing and would come to grief. Achilles, Priam, Agamemnon, Oedipus, all came to grief. In the Greco-Roman tradition, it seems to be a common practice by the Bards and playwrights, to depict their heroes as strong and upright men who fell prey to either their fates or to the whims and fancies of jealous gods (the plight Medusa & Cassandra). It appears the Greeks and the Romans looked to tragic plays as a sort of vent for their pent up emotions. Not surprisingly, the Indian answers to Homer’s works are also tragedies in keeping with the ancient Indo-European custom. Both the Ramayana and the Mahabharata are tragedies on an epic scale, where great wars are fought over matters of honor and virtue, and great armies decimated and cities sacked, and where great heroes come to naught. Sophocles takes us back to the times when Kings made their decisions based on oracles, and made propitiatory sacrifices. Sometimes even of their near and dear ones, as the sacrifice of a child, made by the Greeks at the outset of the Trojan war, for favorable winds...
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...In the play Romeo and Juliet, William Shakespeare explores the topic of femininity. The tragedy takes place during the fourteenth century in Verona, Italy. Society in Verona has clear beliefs and expectations for both males and females. Women are often regarded as inferior and weak whilst the men focus on violence and sexual domination, always expected to be prodigious and valiant. These stereotypical gender roles relate to main characters Romeo and Juliet, star-crossed lovers who are pressured into acting the way their gender is depicted throughout the play. In this text, Shakespeare asserts that acting feminine is seen as weak. Feminine characteristics are depicted in such a way because the Capulet servants talk about their...
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...Aguilar, Alexa Nicole A. SOCSCI 150, Prof. Nymia Simbulan BA Behavioral Sciences, 2nd Year 04 September 2013 Integration Paper on: “Deep play: Notes on the Balinese Cockfight” CLIFFORD GEERTZ Clifford Geertz in his article entitled “Deep play: Notes on the Balinese Cockfight”, uses interpretative analysis in the context of cultures as symbolic systems or a set of texts consisting of practices which create shared cultural meaning that is to be read by the anthropologist. Using direct observation of cockfighting and its significance within Balinese society, Geertz makes assertions of its symbolic meaning and relation to Balinese culture, concentrating largely on its social implications and masculine symbolism. To the outsider, one may mistakenly see Balinese cockfighting as simply placing a bet on an animal fight like many other sports concerning animal matches, but there is more to the cockfighting tradition than just that. Cockfighting was firstly shown more than a sport and somewhat of a rite of passage into the Balinese social group/life when an incident concerning Geertz, along with the community, runs away during a police raid of an illegal cockfight instead of simply pulling out their papers and asserting their...
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...Case Study – Introduction The topic of our case study centers on the stage of emerging adulthood, a stage our classmates are currently experiencing. The focus of the study is centered on college students and the relationships they may develop in relations to alcohol consumption. Our participant is a 23 year old woman (KH) . She has attended three colleges in her academic college career, which includes one year at the University of Wisconsin Milwaukee, one year at the University of Wisconsin Madison and two years and current attendance at Edgewood College. She currently resides in Madison, Wisconsin and is pursuing a career in nursing. KH grew up in New Berlin, Wisconsin in a middle class family. We decided in further researching this topic because it’s something that we are currently experiencing and feel it is important to illustrate to younger generations that aging is a natural and unavoidable part of our journey through life that we need to accept and embrace with grace and respect. It is true that many undesirable changes take place as we get older, especially in late adulthood, but as I will share through my study, it can also be the most satisfying and content stage of a person’s life. The way the world perceives aging adults varies from society to society. In many parts of the world the older a person becomes the more important their role becomes in their family as well as in society. In the United States we seem to associate old age with negative feelings...
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...should tell Hamlet, the dead King's son. Hamlet is also the nephew of the present King, Claudius, who not only assumed his dead brother's crown but also married his widow, Gertrude. Claudius seems an able King, easily handling the threat of the Norwegian Prince Fortinbras. But Hamlet is furious about Gertrude's marriage to Claudius. Hamlet meets the ghost, which claims to be the spirit of his father, murdered by Claudius. Hamlet quickly accepts the ghost's command to seek revenge. Yet Hamlet is uncertain if what the ghost said is true. He delays his revenge and begins to act half-mad, contemplate suicide, and becomes furious at all women. The Lord Chamberlain, Polonius, concludes that Hamlet's behavior comes from lovesickness for Ophelia, Polonius's daughter. Claudius and Gertrude summon two of Hamlet's old friends, Rosencrantz and Guildenstern, to find out what's wrong with him. As Polonius develops a plot to spy on a meeting between Hamlet and Ophelia, Hamlet develops a plot of his own: to have a recently arrived troupe of actors put on a play that resembles Claudius's alleged murder of Old Hamlet, and watch Claudius's reaction. Polonius and Claudius spy on the meeting between Ophelia and Hamlet, during which Hamlet flies into a rage against women and marriage. Claudius concludes Hamlet neither loves Ophelia nor is mad. Seeing Hamlet as a threat, he decides to send him away. At the play that night, Claudius runs from the room during the scene of the murder, proving his guilt. Hamlet...
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...accustomed to as the son of a nobleman. (By the way, this lifestyle looks like a sixteenth-century version of MTV's Teen Cribs.) Oliver, however, treats his little bro like a servant – he refuses to pay for Orlando's education and never gives the kid any spending money. Also, he tells the local court wrestler it would be a good idea to snap Orlando's neck, but Orlando doesn't know about this. Naturally, Orlando is ticked off that Oliver treats him so badly and he's ready to "mutiny" against his older bro. Instead, he channels all of his pent up anger into a wrestling match, where he beats the court wrestler to a bloody pulp. Orlando's wrestling skillz catch the eye of a local girl named Rosalind, who has her own family drama to worry about. (Ros is the daughter of Duke Senior, who used to rule over the French court but was overthrown by his snaky, backstabbing brother, Duke Frederick. Because Rosalind's dad is living in exile in the Forest of Arden, Rosalind has been crashing at the palace with her BFF/cousin, Celia. Did we mention that Celia is the daughter of snaky, backstabbing Duke Frederick? And you thought your family had issues…) Rosalind thinks Orlando is the dreamiest boy she's ever laid eyes on and Orlando feels the same way about her. The two fall in love faster than you can make Ramen noodles. Rosalind gives Orlando her necklace, which means the two are officially an item. Things go downhill from there. Orlando finds out that his big brother Oliver is planning...
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...Through the exploration of a pair of texts composed in different contexts one can observe the significance of the ability of texts with varied form and context to still present and reflect similar values. A Room of One’s Own (hereafter AROO), a polemic, by Virginia Woolf and the play Who’s Afraid of Virginia Woolf (hereafter WAVW) by Edward Albee both address gender inequality and truth and illusion even though their contexts and form starkly contrast. An analysis of similar themes will provide a greater understanding of meanings and perceptions of the texts. AROO, written in the post-war period of the late 1920s, was composed in a time of great social change due to the destruction and turmoil of the War. Modernist writing highlights the absence of, and search for, meaning and features experiments with new forms. Loss and absence lie at the heart of Woolf’s art, resulting from the experience of loss as an adolescent – her half sister, father, brother and mother. Her refusal to give one single view of anything, offering instead multiple, often conflicting views which the reader has to balance and bring together is another modernist trait. In contrast, WAVW was written in a far more conservative context, and although Albee does challenge societal roles, he does it in a more blatant way. Written during a time of Cold War tension, where fear and instability was disguised beneath the facade of the Great American Dream, Albee is still able to paint a dystopian image of the stereotyped...
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...Language Subconsciously, we are all aware that males and females communicate differently. Some of us may not know why, however, we notice that males and females communicate in certain ways. When men communicate with others, they are considered to be confident and straightforward. In contrast, women are more timid and sensitive. Males and females communicate that way because they were taught to do so when they were younger. In school, boys and girls create their own way to communicate socially with their classmates. Boys would try to make everything similar to a competition and females are more about giving everyone a chance. In a workplace, males are projected as being more dominant and females are displayed as being fair. When males and females communicate, males are more likely to play a dominant role in a conversation because males subconsciously expose their masculinity. Deborah Tannen was one of the reliable sources that thoroughly elaborates the communication between male and female. Tannen is currently university professor and professor of linguistics at Georgetown University. She received a Ph.D. in Linguistics from the University of California in 1979 and has done a numerous amount research on a broad range of topics. She wrote 22 books that created connections with analysis of conversational discourse, spoken and written language, orality and literacy, doctor-patient communication, cross-cultural communication, modern Greek discourse, the relationship between conversational...
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...An Analysis of Gender Roles in Disney Princess Films Jasmit Singh 213749361 Traditional and Popular Culture – 1900 9.0 Susan Niazi – Tutorial 6 Whether it’s the colours they wear, the activities they engage in or how they behave, men and women are known to play different roles in society. These established gender roles “are not innate or natural but a product of society”. Children, adolescents and adults all learn gender roles through the environment they’re surrendered by. One of the many huge influencers that help shape gender roles is media. Although “there has been a lot of change over the years in terms of what is considered appropriate societal roles for men and women, this change is not reflected in contemporary film”. The ideology of mainstream media continues to focus on the males being the heads of society, which in result, shows an unequal representation of the females. From an early age, media puts an image into young minds, informing them how males and females should think, act, behave and appear. In many television shows and films, one can easily see the distinct difference between the role of a male and a female. Often films are enforcing stereotypical gender roles where the male is seen to holds more importance in society than the female. Amongst many film producing companies, Walt Disney Pictures for decades have been enforcing stereotypical gender roles in their princess films. Though it may not be outright obvious, Disney productions play a huge role...
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