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Music 80 Notes

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Submitted By snoopy123
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• Big Bands (30’s-40s) o Benny Goodman- Chicago; “King of Jazz”
• “Stompin’ at the Savoy”- 1934
• named after the Savoy Ballroom in New York
• AABA form- American Form
• Short solos
• Smooth- no climax
• Doesn't destroy the mood consistency of the piece
• User friendly→ pop music
• Well- strucutred
• “Sing, Sing, Sing”- 1937
• most famous piece by benny goodmand and porbably the entire swing era
• most recognizable part of the song is Gene Krupa’s drumming, which exists as a motif throughout the song o gene krupa very specific drumming style- jungle style→ pounding sound
• band comes in screaming
• very stylize- accurate- used for movie
• not entirely written- drum and solos improvisation
• drums center of it all o everything else is centered around that
• IMPORTANT NAMES:
• Benny Goodman (clarinet)
• Teddy Wilson (piano)
• Hampton Hawes (vibraphone)
• Gene Krupa (drums)
• Harry James (trumpet) o Duke Ellington- “America’s Greatest Composer”
• IMPORTANT NAMES:
• Duke Ellington (piano)
• Jimmy Blanton (bass)
• Sonny Greer (drums)
• Paul Gonsalves (tenor saxophone)
• Cootie Williams (trumpet)
• Johnny Hodges (alto saxophone)
• “Take the A Train” 1941
• jazz standard by Billy Strayhorn
• “It don’t mean a thing if it aint got that swing- 1932
• “Black, Brown, and Beige Pt. 1- Work Song”- 1943
• slow in the beginning
• bass’ corse tone- suggestive of an unrelieved tension→ this tension in sound and rhythm then produces the image of struggle
• the reason this rhythm provodes image of struggele is due to the manifestly tensional nature of slavery
• more complicated than AABA form→ leaves dance music to art music
• “Back, Brown, and Beige Pt. IV- Come Sunday”
• Mahalia Jackson- vocals
• Lysics invokes the will of God
• She expresses the role of Christianity in black’s individualization
• The Singers- 50’s o Billie Holiday- vocals- “Lady Day”- politically active- smokey voice
• “God Bless the Child”- 1956
• Billie- vocals
• Written by billie and Arthur Herzog
• “Strange Fruit”
• protest song
• she can be the only to sing it
• song exposed American racism particularly the lunching of blacks which occurred in the south o Ella Fitzegerald- best scat singer
• “St. Louis Blues”- 1958
• same lyrics and melody, but puts a spin to it
• double time- fast; ending→ 4 times faster than the original
• scats singing at the ending and doesn't come back to the st. Louis blues lyrics just scatting
• The Pop Big Bands- 40s o Tommy Dorsey
• “ On the Sunny Side of the Street”
• Americas pop music
• “champagne jazz”
• 1940s
• easy-listening smooth tempo
• almost no solos
• The Late Forties: Modern Jazz and Be-bop o IMPORTANT NAMES:
• Dizzy Gillespie (trumpet) (1917-1993)
• Charlie Parker (alto sax) (1920-1955)
• Thelonious Monk (piano) (1917-1983)
• Max Roach (drums) (1924-2007) o Charlie Parker
• “Shaw ‘Nuff-1945
• written by Dizzy Gillespie
• based on “ I got Rhythm” originally by George Gershwin
• “Koko”- 1945
• based on “Cherokee” solo originally by Ray Noble o AABA
• Intro/solo/outro → no more head in or out o Solos come right in after the intro
• “Parker’s Mood”- 1948
• no one played Charlie Parker’s part better than he did
• Dizzy Gillespie- trumpet
• Intro/ 2 chorus twice through AABA for Charlie parker/ outro
• No ending o Thelonious Monk Quintet- predates bebop; not technically bebop; very angular music= hard to play
• “Criss- Cross”- 1951
• no ending
• melody hard to learn
• notes come in places where you don't expect
• “Blue Monk”- 1954
• very simple melody sounds wrong in places
• The Fifties: Hard Bop and Mainstream o Art Blakey and Jazz Messengers- workshop for training young musicians
• “Moanin” 1958
• tempo slowed down
• functional dance music
• trumpet solo o Clifford Brown 1930-1956 and Max Roach 1924-2007
• “Joy Spring” 1955
• Clifford Brown- trumpet
• Max Roach- drums o Horace Silver 1928-
• “Song for My Father” 1965 o Wynton Marsalis 1961-
• “Caravan” o Important Examples
• Art Blakely – drums 1919-1990
• Clifford Brown – trumpet 1930-1956 & Max Roach – drums 19242007
• Horace Silver- piano 1928-
• Wynton Marsalis- trumpet 1961

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