...Color Contrast of Social Classes The Great Gatsby, by F. Scott Fitzgerald, is a novel based in the early twenties in Long Island and New York City. In Long Island, there is the “West Egg” full of new money, and the “East Egg” full of old money. Jay Gatsby is a mysterious man who is driven to achieve his main goal in life, to be with his true love, Daisy. However, Daisy is married to Tom, who is having an affair with a woman named Myrtle. Nick Carraway, Gatsby’s neighbor and Daisy’s cousin, gets tangled up in drama of these messy love triangles. When secret affairs and relationships are discovered, tension rises between characters and conflict breaks out in the form of two characters dying. In the midst of confusion, Myrtle’s accidental death...
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...Gold In most cases nowadays, the color of gold or yellow is highly regarded as a “wealthy” or “proper” color. In F. Scott Fitzgerald’s novel The Great Gatsby, the author uses symbolism to show how gold is symbolic of richness and wealth, and in turn, corruption and death, with clothing/setting choice, Myrtle’s house, and Mr. Gatsby’s car. According to John Green, when Gatsby talks about his first meeting with Daisy, it is apparent that Gatsby is more in love with her mansion than Daisy herself. Green also points out the not-so-obvious fact that when Daisy and Gatsby finally meet again, everything is yellow. Gatsby’s suit, Daisy’s buttons, Gatsby’s Windows, and even the flowers outside Gatsby’s mansion. In this situation, the color gold is shown with a positive connotation. Gatsby is happy to have Daisy again, and he finally has plenty of money. However, there are negative connotations involved with this color as well. At the beginning of the novel, the readers are quickly informed that Tom Buchannon is having an affair. And who would want to cheat on Daisy, the “Golden Girl?” (Fitzgerald 120). Later on in the novel we meet Myrtle Wilson, Tom’s mistress. This woman is an obvious sign of corruption. We learn that she and Tom have an apartment together in New York, and that they have been seeing each other for a long time. Fitzgerald reveals a simple and easy-to-miss fact, that the Wilson home was a “small block of yellow brick” (Fitzgerald 28). This associates the color with...
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...The Great Gatsby Critical Lens L.M. Montgomery once said, “We pay a price for all we get or receive in this world." In other words, there are consequences that we receive for all we receive in this society. This quote is true because for, example, something such as winning the lottery is something we get but, we pay a price for this with people feeling entitled to a piece of the winnings, as well as false sense of friendship never knowing if there using you for the materialist purpose. This quote is especially true and best formatted for The Great Gatsby by F. Scott Fitzgerald. The use of literary elements such as setting and symbolism further illustrate the validity of the quote. The author shows this with the use of setting. Fitzgerald’s description of setting incorporates and reflects the crime and corruption of the time, the loose morality of the roaring twenties, and the ever growing social divisions between the haves and the have-nots. This is an illustration of setting because it shows the divide between four major settings in the novel East Egg, West Egg, the Valley of Ashes, and New York City. (Including, fully developing the characters Fitzgerald spent many a pages concerned with detail). These descriptions developed the mood and pace, the tendencies, strengths, and weaknesses of the characters are directly linked to their location. The author shows this when he says the main characters is represented in this city as described in this quote. “The City seen from the...
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... The Great Gatsby From Wikipedia, the free encyclopedia This article is about the novel. For the film, TV and opera adaptations, see The Great Gatsby (disambiguation). The Great Gatsby is a 1925 novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession for the beautiful debutante Daisy Buchanan. Considered to be Fitzgerald's magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age or the Roaring Twenties that has been described as a cautionary tale regarding theAmerican Dream.[1][2] Fitzgerald, inspired by the parties he had attended while visiting Long Island's north shore, began planning the novel in 1923 desiring to produce, in his words, "something new—something extraordinary and beautiful and simple and intricately patterned."[3] Progress was slow with Fitzgerald completing his first draft following a move to the French Riviera in 1924. His editor, Maxwell Perkins, felt the book was too vague and convinced the author to revise over the next winter. Fitzgerald was ambivalent about the book's title, at various times wishing to re-title the novel Trimalchio in West Egg. First published by Scribner's in April 1925, The Great Gatsby received...
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...The Great Gatsby, which people consider as Fitzgerald’s best literary work, portrays the journey of a man in acquiring success and love throughout the Jazz age. The protagonist is Jay Gatsby who attempts to win Daisy Buchanan’s love a high-class woman by using illegal ways to become wealthy. This paper uses themes as a literary device as it relates to The Great Gatsby by Fitzgerald. The most important underlying themes of the novel however are honesty and dishonesty, American dream, class, violence, gender roles, and moral decay. Theme of honesty and dishonesty: As compared to other works, the theme of honesty in Fitzgerald’s novel fails to distinguish compassionate characters from the uncompassionate ones. Honesty and dishonesty is a major...
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...The Great Gatsby: Summary: Nick Carraway, a young man from Minnesota, moves to New York in the summer of 1922 to learn about the bond business. He rents a house in the West Egg, Long Island, a wealthy area populated by the new rich, people who made their fortunes due to the economic upswing of the Roaring Twenties. Nick’s next-door neighbor in West Egg is a mysterious man named Jay Gatsby, who lives in a huge mansion and throws extravagant parties on the weekends. Nick is unlike the other inhabitants of West Egg—he was educated at Yale and has social connections in East Egg, a fashionable area of Long Island and the home of the upper class. Nick drives out to East Egg one evening to have dinner with his cousin, Daisy Buchanan, and her husband, Tom, a former classmate of Nick during his time at Yale. Daisy and Tom introduce Nick to Jordan Baker, a beautiful, cynical young woman with whom Nick begins a romantic relationship. Nick also learns a bit about Daisy and Tom’s marriage: Jordan tells him that Tom has a lover, Myrtle Wilson, who lives in the valley of ashes, a gray industrial dumping ground between West Egg and New York City. Not long after this revelation, Nick travels to New York City with Tom and Myrtle. At a random, vulgar party in the apartment that Tom bought because of his affair, Myrtle begins to taunt Tom about Daisy, and Tom responds by breaking her nose. As the summer progresses, Nick eventually gets an invitation to one of Gatsby’s legendary parties. He encounters...
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...plays, despite its appalling ending. Authors have made it a point to sell tragedy in order to make money. However, my perspective on that opinion has been changed. I read The Great Gatsby during my sophomore year in high school as a part of an American literature class. By the end of the book, I realized that no matter what happens in life, it will still keep going and I should only have to look at the optimistic part of it. For some reason, I felt sympathy for Gatsby,...
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...Jason Lepeska Lippincott English III GT/AP-4 17 January 2013 Research Paper The Great Gatsby was a novel written by F. Scott Fitzgerald in 1925, and has motifs of class separation, the hollowness of the upper class, and the decline of the visions of America. The setting is New York City in the summer of 1922. Nick Carraway moves to New York in hopes of finding a job there. Nick has connections in this town, like his cousin daisy, and her husband, Tom. He moves into a home next to a wealthy Jay Gatsby, an extravagant man who loves throwing ridiculous parties. As the summer progresses, Nick finally gets invited to one of these parties, where he learns Gatsby is in love with Daisy. Nick helps set up Daisy and Gatsby, and they start spending time together. Tom gets angry and ends up driving Gatsby to his unfortunate demise. While a Feminist reading provides insight into the novel, Fitzgerald’s emphasis on the separated classes system and the materialistic beliefs of the upper class demonstrates that a Marxist approach to the novel is of more use. Feminism criticizes the patriarchal language used in novels, and how that reflects the masculinity in the novel (“Feminist Criticism”). Feminism also analyzes how status and positions in the novel relate to the contrasting man and woman. It recognizes more traditional writing, like mailman. Men tend to work towards solutions, while women work towards connecting and feelings (“Feminist Criticism”). It is exemplified in the book...
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...Assessment Secondary Methods June 27, 2011 Rachel Wurmlinger, Facilitator Instructional Unit Plan 1. Overview of Unit A. Title – 20th Century Socialite: The Great Gatsby B. Focus – English/Language Arts; 11th grade (Honors): The focus of this unit is to introduce students to the characteristics and elements of contemporary American literature and to allow students to relate the themes of the novel, The Great Gatsby, in a meaningful way to increase understanding. C. Length – 1.25 instructional weeks (six 50-minute sessions) D. Goals – Students will understand that American literature contains unique and specific elements by reading F. Scott Fitzgerald’s The Great Gatsby. Also, students will recognize themes in Fitzgerald’s work by examining modern pop cultural products (multimedia samples, newspaper articles, music videos, etc.). 2. Lesson Plans 1-5 Lesson Plan #1 Title: The American Novel Time: 50-minute session Standards: Georgia Performance Standards: ELA11LSV1 (indicators a-h)—Actively participates in whole group verbal interactions. ELA11LSV2 (b)—Analyzes techniques used in media messages for a particular audience and evaluates effectiveness. Objectives: 1. After watching an introductory presentation of F. Scott Fitzgerald’s The Great Gatsby (TGG), students will be able to identify the characteristics of the American novel with 100% accuracy. 2. After viewing You Tube video and working in small groups to...
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...Analysis of “Materialistic Perception” in F. Scot Fitzgerald Using Marxist Literary Criticism Chapter I 1.1 Introduction The Great Gatsby is a 1925 novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion for the beautiful Daisy Buchanan. Considered to be Fitzgerald's magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age that has been described as a cautionary tale regarding the American Dream. 1.2 State of Problem The Great Gatsby provides a critical social history of America during the Roaring Twenties within its narrative. That era, known for unprecedented economic prosperity, the evolution of jazz music, flapper culture, and bootlegging and other economy struggle that was the result of the materialism and capitalism damaging on social behavior, led to the widespread social distress. 1.3 Theoretical Framework Using literary criticism to interpret what is the ideal life of America in 19th century and what is the dream of American people after World War I. as a Marxist interpretation of the novel makes especially clear, reveals its dark underbelly instead. Through its unflattering characterization of those at the top of the...
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...Elizabeth I and ironically, both Rosalind and Celia would have been played by men * Appealing nature to both lower and higher classes * Used as a model of social critique | * Set in Houston, Texas during the 1990s * Occurred during the Gulf War * Follows the sexual awakening of Jasira (an American-Lebanese girl) | * Set in Australia | Identity One’s sense of belonging is built upon their exploration of self and the confidence they establish through their own identity. | Identity is explored most obviously with Rosalind’s disguise as Ganymede. This concealment of her true identity allows Rosalind to discover whether Orlando truly loves her. It also allows Rosalind to gain a deeper understanding of herself. This is seen through the use of dramatic irony, this enhances the audience’s connection with the characters and adds to the humour of the play. “Nay, you must call me Rosalind”. Ultimately, it is when her actual identity is exposed that she is capable of loving and being loved by Orlando. | Jasira is essentially undergoing an identity crisis. Her parents are divorced and Jasira struggles to understand the changes that occurring in her body. Jasira struggles to comprehend what is wrong and what is right, and what her role as a daughter and as a woman is. Throughout the film, she is...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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