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Nan's Kitchen

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Submitted By gator44
Words 826
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With light shining bright continuously on the Bing cherries contained blue deep dish with the tea in its copper colored kettle which sits on top on a burner, waiting to be started with a lit match sit upon the ornamental tablecloth. Also if you look to the right out of the window, one with see the stone landscape, tree branches, and green leafy plants. Cool-colored glassware is on the table alongside with a yellow see-through vase that contains water and full bloomed bright flowers. For this is the subject matter painted on oil covered canvas is called Nan’s Kitchen by Janet Fish. This painting contains many visual elements. Throughout the whole picture, we are drawn to the glassware like the yellow vase containing the flowers. Other points of interest are the pink glass that next to the vase. The vertical lines that converge to show the window is open in the picture. Plus the diagonal lines which are made up from the sides of the table tells one that the table is either a rectangle or square shape. The lines made up of from the branches on the tree show that the tree is larger and don’t take the attention away from the glassware. There is an implied contour line going counterclockwise starting at the copper colored tea pot and curving back and ending at the yellow vase containing the well bloomed bright flowers. The ground is the tablecloth which makes the glassware the figure. Some of the positive shapes are the pink drinking glass, the Bing cherries in the deep blue dish, and the unique glass dishes which all these are the ground in the picture. On the other hand some negative shapes are the copper colored kettle with burner along with the branches outside of the window and the chair to the left of the kettle.
The colors used in this oil painting not only monochromatic but were also complementary. The flowers in the vase are a perfect example of monochromatic harmonies. The unique green, blue, purple, and teal dishes display the concept of complementary colors. The colors throughout the picture create emotional effects. When looking about the picture for texture, in the far left corner of the tablecloth near and the picture hanging behind the kettle are rough. However as I run my eyes over the painting I can see rough patches created by the closely spaced forms and small brush strokes. I think this art is conceptually united, while our eyes are to the heaviness within the painting.
A floral pattern is seen throughout composition of Nan’s Kitchen such as in the flowers and the ornate tablecloth. Fish’s work is not considered a kinetic piece of work nor does it show anything motion, though, I think that the proportion is mainly focus on the vase. The art work has a balance of unity and variety. Thanks to the Bing cherries and branches it gives the picture of a kitchen variety. Fish made her axis the yellow vase, which also is the center focus. One is drawn there because of it location, its bigger size and its bright. The right side is balanced by the opening of the window making the trees and landscaping visible, which balance out the left side’s kettle, painting, and the unique dishes.
Since Nan’s Kitchen is a close up of a kitchen and is painted in smaller proportions. The pink drinking glass is in smaller scale than a regular glass. The vase is in perfect proportions to the flowers which it contains. Not only are the vase and flower proportions, but also the cherries are proportions and not odd shaped. The tree and its branches are draw to scale and with the lines making the tree seem farther away. In Nan’s Kitchen, there is no hierarchical scale that exists. The unique dishes continue a up to scale and portrait a rhythm of glassware throughout the picture. The rhythm of floral is maintained throughout the work. Throughout this painting we see that the proportion is used to create harmony with the masses and spatial volumes. Plus, one can see that alla prima and impasto is used; however, in the landscape outside the window and other places Fish uses broken color.
In conclusion, Nan’s Kitchen is a symmetrically balanced picture. Fish draws your main attention to the center on the picture with her yellow vase. The colors are balanced and coordinated to create a neutral happy emotion. The main rhythm which is kept throughout the picture is the glassware and floral theme. Nan’s Kitchen is a very ornate oil canvas. Though, this is much more than a kitchen, this is art that is balanced, well thought out, and maintains the same theme throughout. I found this phrase in the book and I thought it fit this picture so according to the book, “The painting suggest a life that is bit chaotic, but also a lot of fun.”

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