To begin with this article is concerned with Nasca iconography on ceramics and art. The main argument is that the Nasca artists based their imagery on things they may have seen and experienced in the world around them. It argues that the ceramics are responsible to represent selected features of their environment. The article mentions that the Nasca art describes a time, place and culture. Furthermore, the article indicates that Nasca art is strongly concerned with the imagery of war, thus, indicating that there might have been a lot of violent conflict in this culture. It also mentions that the war for the Nasca people was internal as in the art there was no foreign prisoners, nor scenes of homage or tribute-paying rites. In addition, the