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Native American Pottery Research Paper

Submitted By
Words 1751
Pages 8
Kaycee Pepper
Kristi Tripp
English IV
27 November 2015 The Wheel of Times
Nearly every society in the studies of different cultures throughout time has had some kind of ceramics/pottery that it created, particularly if the societies’ cultures were at all engaged in cultivation. Native Americans created their own designs of ceramics/pottery; a lot of the Native American ethnic groups made use of pottery (long) before European powers first entered the Americas (Blinman 9). Although some of the ethnic groups that were hunters did not make much use of the distinctive pottery, the tribes that were mainly farmers appeared to have more uses for the ceramics (Kellogg 2). Native American …show more content…
Pueblo Indians, by tradition, mined clay from their own undisclosed ancestral sources (Peterson 13). Nearly all vessels were smoothed to form polished backgrounds for patterns whose painting was done with dyes made from boiled plant or finely crushed metallic rock deposits (Peterson 24). Brushes were cut and formed from (the) chomped twig or yucca branch tips (Peterson 24). Varnish was practically never used for a glassy overlay; similarly, the potter’s wheel was never used for creation (of the vessels). Hardening of the vessels was done in an open-air bonfire at high temperatures (Peterson 25). Settlement of the Whites in North America and the push of the American Indians Westward almost abolished the art of making pottery. Considerable quantities of varnished containers and cookware made of metal became obtainable to the Pueblo peoples as merchants and trains began infiltrating the Southwest (LeBlanc …show more content…
The clay was rolled into lengthy spirals; then, these spirals were pinched and firmed together to form the vessel’s body (LeBlanc 23). The potter had to turn the container around so as to twine the coils along the piece’s top, increasing the height with each full turn. All of the required energy in forming the vessel, in the coiling technique, comes from the artist’s hands (LeBlanc 23-24). This technique had a disadvantage, however: a single container (pot) could take a long time to make. As the society developed and trade began to increase, so did the demand for clay-made pots. The timeworn method of pot-making slowly became inadequate in meeting the demand. As pot demand increased, various techniques were developed to speed up the process of coiling (Hellmold 6). A number of potters utilized a platter that could be effortlessly turned as a plane for pot coiling. It stopped the pot maker from having to move around their piece, saving some

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