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Neville Brody

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Neville Brody is an internationally renowned designer, typographer, art director, brand strategist and consultant. Brody is also the founder of the Research Studios network and partner in each of their operations, his insight, methodology and appetite for excellence inform every aspect of their work. Today, in addition to lecturing and contributing to a variety of cultural and educational initiatives, Brody works both independently on private commissions and alongside Research Studios on commercial projects for a diverse range of clients.
Brody studied in London at the Hornsey School of Art and then the London College of Printing, before joining Rocking Russian to design record sleeves. In 1980, Brody joined Stiff Records where recognition for his work led to him become art director at the independent label, Fetish Records, where he produced notable projects and iconic work for Cabaret Voltaire and industrial post-punk band 23 Skidoo in particular. Then in 1981 Brody became art director at the groundbreaking street magazine The Face, working there until 1986, when he moved to men’s style and lifestyle bible, Arena Magazine.

In April 1988 the V&A Museum (London) held an exhibition of his work to accompany his first monograph, The Graphic Language of Neville Brody, which became the world’s best selling graphic design book.

Neville Brody Studio was renamed Research Studios in 1994, coinciding with the publication of his second book by Thames and Hudson. Key include BBC, Sony Playstation, D&AD, The Times, Nike, Dom Perignon, Parco (Japan), Bonfire Snowboarding, The Barbican, Asics, The ICA, Apple, Microsoft, MTV Europe, Issey Miyake, Philips, Bentley, Kenzo, Chloe, Martell, Salomon, The Guardian, Deutsche Bank, YSL and Wallpaper*

Selected seminal projects by Research Studios have included branding and packaging for Kenzo perfumes; brand strategy, identity and application work for Issey Miyake, bodies of work for the ICA and Royal Court Theatre; the branding and visual identity for the ONE campaign in American; branding, visual identity and advertising for Bonfire Snowboarding; a complete redesign of The Times newspaper; developing the strategy and designing the identity for Somerset House; brand development, art direction and packaging for Champagne house Dom Perignon and the D&AD annual.

Perhaps some of the most significant projects by Brody to-date have been the experimental languages he has produced for typography publication, Fuse, which has produced three major conferences with more being planned. An exhibition of Fuse was held at Ginza Graphic Gallery (Japan) in 1999. Fuse was published by FontShop, which Brody was a key partner of, for which he has designed many typefaces, including Industria and Blur.
Recent typefaces by the Brody include ‘New Deal’ originally used for the 2009 film by Michael Mann, Public Enemies and Peace
2 developed for Wallpaper* magazines August 2009 edition.
Recent personal projects by Brody include a new book Neville Brody produced by the Ginza Graphic Gallery (Japan) and exhibition at the Rocket Gallery (Tokyo) in January 2009; The Freedom Space installation at the Design

Museum London (2009) for their show Super Contemporary alongside design luminaries such as Paul Smith, Baber Osgerby and Zaha Hadid; Free me From Freedom a limited edition poster for Embedded Art at the Acadmie der Kunste, Berlin (2009); and his ‘Unentitled’ tent for the blank canvas project with the likes of Sarah Lucas, Rachel Whiteread, Tracy Emin, Jake and Dinos Chapman, Sir Peter Blake and Vivienne Westwood. In September 2009 Arena Homme launched their 32nd issue with Brody as Creative Director.

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