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Oh Wonder Concert Review

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On October 16 I went to visit an old friend of mine in San Diego, with whom I use to work with a couple of years ago. On that same day my friend invited me to go to a concert at a music venue called the Casbah, that was able to occupy around 200 people. The band performing at this music venue was the english duo, Oh Wonder with Josephine Vander Gucht and Anthony West. At first I was a bit hesitant because at the time I did not know who they were and thought they were just some new duo trying to make it big, that would never actually make it, but after attending I was proven wrong.
After attending Oh wonder’s concert I was immediately hooked. In the first song they performed called, “Livewire,” I instantly noticed how well Josephine's and Anthony’s voices merged together. The songs had this mystical quality to them and “Livewire” showed that. Anthony’s high voice and Josephine’s low voice merged perfectly together. Another thing I noticed throughout the concert was that most of their songs had very little instrumentation. Some examples of this were the songs “Heart Hope” and “All We Do,” which used only piano chords and some percussion used occasionally. Although I am a person who does like to hear instruments, Oh Wonder’s minimal instrumentation had no effect on my my enjoyment I had throughout the whole concert. Instead of relying on instrumentation to carry their songs, Oh Wonder relied on meaningful lyrics that depicted the songs meanings. This I thought really showed their true potential when it came to authentic songwriting. Even though I did enjoy the concert as a whole there were some things that I thought could've been approved upon. One of these things was the flow from song to song. The thing that really hurt the transition between songs was the order in which the songs were played. For example, in their third song “Technicolor Beat” that was an

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