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On Love and the Human Condition

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On Love and The Human Condition

Devin Conway
Philosophy In Film
06/11/2015

In mankind’s never-ending search for truth, purpose, and meaning, at the very center of the human experience, lies a universal longing for an unconditional love; bound not by circumstance or subject to change, an exclusive relationship to be molded by acceptance and solidified by an impenetrable barrier of trust and understanding. Our personal relationships, in reality, do not reflect this perversely romanticized notion of true love. Generally speaking, people are emotionally volatile beings with ideas and desires that are constantly evolving to accommodate newly processed information and experiences. When you combine this emotional instability with the continuous adjustments being made to our basic dispositions, you get individuals who rarely compliment one another in any compatible manner, let alone in a functional intimate relationship. Given these circumstances, it’s easy to see why so many people cling desperately to the love that they do happen to find in this world, that the search for love serves as fuel for our endlessly burning desires, and how the pain of a love lost can twist an innocent soul, driving many towards radical and even reckless behavior, often in the direction of a maddening state of emotional oblivion.

Since the earliest developments in man’s creative pursuits, the concept of love has played an essential role in the communication of aesthetic ideals and the acknowledgement of the human condition. As our instruments for artistic expression have evolved from canvasses and paintbrushes, to typewriters, and eventually to the filming equipment and computer generated imaging we have today, our subjects, for the most part, have remained the same. Humanity, after all, is faced with different variations of the

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