How does the writer use language to get across the theme of the poem?

Old Age Gets Up

Stirs its ashes and embers, its burnt sticks

An eye powdered over, half melted and solid again
Ponders
Ideas that collapse
At the first touch of attention

The light at the window, so square and so same
So full-strong as ever, the window frame
A scaffold in space, for eyes to lean on

Supporting the body, shaped to its old work
Making small movements in gray air
Numbed from the blurred accident
Of having lived, the fatal, real injury
Under the amnesia

Something tries to save itself-searches
For defenses-but words evade
Like flies with their own notions

Old age slowly gets dressed
Heavily dosed with death's night
Sits on the bed's edge

Pulls its pieces together
Loosely tucks in its shirt

Essay
The topic of the poem is ‘Old Age’ as we can see from the title. The first half is sensory impressions and metaphors which get across how it must feel to be old, and the second half follows the title: old age ‘Gets Up’, as if it’s getting up from its chair. This is the personification of Old Age, though, not a specific old person. It is the generalization of an important aspect of human experience.

Structure (how structure builds the theme)

* | * | * | | * Nettoyer | * | * disque | * | * dur | * Mac | * | * | * | | * macpaw.com | * / | * CleanMyMac | * | * | * | * Nettoyez | * le | * disque | * | * dur | * de | * votre | * Mac | * Téléchargez | * | * CleanMyMac | * | * gratuitement | * | * |

Hughes uses a noticeably irregular structure: many lines are long, but others are only one word long, pushing into a position of emphasis words like ‘ponders’, which is ironic as it’s not naturally an important or meaningful idea - it’s just thinking. In fact, a lot of the poem is about this kind of vague, blurry insubstantiality. There are no full stops: this is thought without end and is full of fragments, which creates a sense of jagged, unstructured thought which rarely condenses into meaning. Interestingly, though this is about old age, most of it is in the present tense. We’d expect the past tense. Hughes challenges our expectation, putting us straight into a moment few would want to inhabit, but which most of us, at some point, will. The present tense zooms in on sense impressions and feels blurry and hard to follow, recreating the experience of old age.

Imagery and Writer's Use of Language (how it builds the theme)
Hughes starts with the images of dead fire, ‘ashes’ and ‘embers’ to evoke the words of the funeral service ‘ashes to ashes, dust to dust’ and also suggests cremation. This is a bleak start to the topic of old age. [a judgement which i have made] The next image is one of flux: of things changing state: from ‘powdered’ to ‘half melted’ and ‘solid again’. This begins to build a feeling of things shifting, vague and ‘blurred’. [Why is he doing this?]
This creates the sensation of old age, as if the reader is trapped inside the feeling of old age. The present tense adds to the confused but vivid sensations. Hughes describes ideas that ‘collapse’ at the first ‘touch’ of attention. It’s like a foggy idea at the back of your mind that collapses as soon as you try to concentrate on it. Old age is wispy, like ‘amnesia’. Its colour is ‘gray’ - evoking grey hair but also a monochrome, faded effect.

The sensory language gives brief flashes of reality in the poem: the window seems ‘full strong’ and ‘so square’ and ‘so same’, emphasizing its vivid presence. In contrast ‘old age’ seems frail and insubstantial. It’s described unspecifically as ‘something’ and ‘words evade’. Old age seems to be a kind of fading out: it’s fractured, in pieces and is struggling ‘pulls its pieces together loosely’. Hughes seems to take a bleak view of life itself describing it as a ‘fatal’ ‘injury’ and ‘accident’. As if life is what causes the damage of old age.

Old is such a stage of life when you have satisfaction of having lived a full life but at the same time prospect of growing old is frightening. This is because of the state of loneliness associated with old age and the unconcerned look in the eyes of others towards the old people. Ogden Nash in his poem 'Old Men' writes:

People expect old men to die,
They do not really mourn old men.
Old men are different. People look
At them with eyes that wonder when…
People watch with unshocked eyes;
But the old men know when an old man dies.

In the present poem of Ted Hughes, which we are to discuss, the poet begins by an image of starting again, of starting afresh, of getting up: "stirs its ashes and embers". He talks of the forgetfulness(amnesia) associated with old age. But still something, that is, life, the urge to live tries to save itself; and finally it "pulls its pieces together". Here the word 'pieces' is significant because we are talking of the old age when a person has only tidbits to gather from his experiences of life. A vivid memory evades him. Even, as Hughes writes, words don't come to your defence. "The window frame/ A scaffold in space, for eyes to lean on/ Supporting the body..." probably hints at the restricted and shrunken world in which an old man lives. He has only a window to lean on, the only outlet to the outer world. 'The light at the window' finally inspires him to get up and get dressed, ready to face the world again.

The interpretation of poetry is such a field that I supppose the meaning will vary from person to person. The above interpretation is purely what came to my mind after reading it. Let all of us strive to find more meanings.

Through "Old Age Gets Up," Ted Hughes reaches out to his older audience. Many people are frightened at the thought of getting old because it means they are closer to death; it is a known fact that no one lives forever. Even though the poem does not exhibit many positives about the aging process, the ending reveals the inspiration. Hughes encourages his audience not to fear old age. Instead, he wants them to enjoy their life while they still can.