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The Shining Streets of London - Poem Critique

‘The Shining Streets of London’ by Alfred Noyes is an emotional and extremely visual poem from the view point of the author, about an evening in the city. With the authors specific use of sibilance, semantic fields, figurative language and imagery the poem tells a story of beauty within such a dark and flooded scene.

The use of imagery is powerful, Noyes sets the scene from the first line, ‘Now, in the twilight, after rain’, this instantly portrays an image of an evening time where there has been a downpour. The use of sibilance adds to the effect of the weather, both in the title and the content, ‘Shining Streets’, ‘skies’, ‘sooty’ and ‘solid’. When reading the poem the sound of rain can be heard through these words. In addition to this, onomatopoeia also adds to the effect with the word ‘splash’ in the seventh stanza.

There are different types of language used within the poem, the rhyme scheme used is easy to follow and uses an ‘a, a, b, b, c, c, d, d’ couplet sequence. Further to this, each of the lines consist of eight syllables and each of the stanzas consist of four lines. This style is kept consistent throughout, making the reading of it easy to follow. Continuing with style of language, Noyes uses archaic language, which suggests this has not been written in the recent years, ‘portly pride’, ‘O love’. It could be established that Noyes has kept the style consistent to mirror the descriptions and to keep the poem flowing. Subjective language is used, especially in the last stanza where an opinion is portrayed, ‘And who would sail for Greece or Rome, When such a highway leads him home?’. The reader could be persuaded to look at their own home towns and see the magnificent imagery, rather than the thinking of a dark and damp scene. There is also use of enjambment, this could symbolise the flow of the

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