...RESEARCH PAPER FFD 122: History of Art and Design 2, Spring 2010 GUIDELINES 1. PURPOSE OF THE RESEARCH PAPER: One of the aims of History of Art and Design is to develop a historical and critical sensibility about artistic and cultural production. To test this ability, you will prepare a research paper about an object of art or design of your choice, based on the “Five Contexts of Art and Design” topics of this semester: MAKING, STYLE, IDEOLOGY, USE and MEANING. 2. CONTENT OF THE RESEARCH PAPER: Your chosen artwork/design CAN NOT be from an artist or an example that has been discussed in class. Check the course syllabus for a list of all works that are in the lectures. You are advised to choose a well-known work of a famous artist/designer so that you can easily find sources related to that work. You are discussing your chosen object, NOT its photograph. Do not talk about your object’s image but its ACTUAL three-dimensional reality, as much as you can understand it. Keep in mind the sub-themes for each of the themes of the semester because you will write about ONE sub-theme from each theme. | | | | |MATERIALS: How the choice of materials made by the artist or designer influences the form of the end | | |product. ...
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...the Manifesto. Discuss this statement in relation to The Great Masturbator (1929), The Persistence of Memory (1931), and Destino (2003). I will start explore this statement from author of the Manifesto of Surrealism. Andre Breton was a French psychiatrist who was using Freud theory to heel his patient during the First World War. When war was coming to end he come up with an idea that science was not a solution to give peace to the world. He discovers that the answer could exist in our subconscious mind. He founded a group of artists focused on exploration of the world of dream and subconscious mind. On the beginning of the movement Breton defines principles of Surrealism in Manifesto of Surrealism. “Surrealism is based on the belief in the superior reality of certain forms of previously neglected associations, in the omnipotence of dream, in the disinterested play of thought. It tends to ruin once and for all other psychic mechanisms and to substitute itself for them in solving all the principal problems of life.” (Breton, 1969) Dali painting The Great Masturbator done in 1929, same time when he join Surrealists group and meet his future wife Gala. Painting is considered the first surrealist work, Dali symbolize his sexual fascinations, at the same time, highlights the mystical and sensual change that Hi had just gone through as a result of Gala’s presence in his life. (Leal, n.d.) For Dali masturbation and erotic fantasies were the only sexual experiences he accepted.” I masturbated...
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...through creative ways. This concept of employee engagement are related to the four elements of the MARS model of individual behaviour and results – Motivation (M), ability (A), role perception (R) and situational factors (S). These factors directly influence an employee’s voluntary behaviour and overall performance; if any of these factors weakens, employee performance decreases. Therefore, by ensuring that these factors are fulfilled, an employee’s performance will improve, leading to an enhancement in employee engagement. The first factor, motivation, refers to the forces within a person that influence the direction along which he or she engages their effort, the amount of effort invested in achieving the goal and persistence of voluntary behaviour. To motivate employees, employers must have a good relationship with employees and uncover the driving force that pushes them on. To realise this, Maslow’s Hierarchy of Needs differentiates the 5 levels of needs that an individual must meet in order to achieve the next level. The first level refers to an employee’s needs of having a good salary and working conditions. This can be achieved...
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...C h a p t e r 1 Prewriting GETTING STARTED (OR SOUP-CAN LABELS CAN BE FASCINATING) For many writers, getting started is the hardest part. You may have noticed that when it is time to begin a writing assignment, you suddenly develop an enormous desire to straighten your books, water your plants, or sharpen your pencils for the fifth time. If this situation sounds familiar, you may find it reassuring to know that many professionals undergo these same strange compulsions before they begin writing. Jean Kerr, author of Please Don’t Eat the Daisies, admits that she often finds herself in the kitchen reading soup-can labels—or anything—in order to prolong the moments before taking pen in hand. John C. Calhoun, vice president under Andrew Jackson, insisted he had to plow his fields before he could write, and Joseph Conrad, author of Lord Jim and other novels, is said to have cried on occasion from the sheer dread of sitting down to compose his stories. To spare you as much hand-wringing as possible, this chapter presents some practical suggestions on how to begin writing your short essay. Although all writers must find the methods that work best for them, you may find some of the following ideas helpful. But no matter how you actually begin putting words on paper, it is absolutely essential to maintain two basic ideas concerning your writing task. Before you write a single sentence, you should always remind yourself that 1. You have some valuable ideas to tell your reader,...
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