...Primavera (Allegory of Spring) Botticelli Circa 1482 Background of Sandro Botticelli (1445-1510) and his artwork Alessandro de Mariano di Vanni Filipepi, also is known as Sandro Botticelli. He was born in 1445, Florence, Italy and he was one of the Italian painters during Early Renaissance. In 1460, he learned painting from the Renaissance painter, namely as Fra Filippo Lippi. Botticelli was a talented painter and he was able to open a workshop at the age of 15. “Birth of Venus” and “Primavera,” both of that were his earliest artwork. The “Birth of Venus,” is the first mythological painting created by Botticelli and it has display as the Goddess Venus that explains her birth. Moreover, the “Primavera” the largest mythological work and it has a humanistic nature and translating the life-renewing cultural to society. The inspiration of the “La Primavera,” is from the influence of Gothic realism by Botticelli's study of the antique. During the World War Two, “Primavera” was moved to Montegufoni Castle. It was returned to the Uffizi Gallery where it remains to the present day. The painting being restored in 1982 and had darkened with time's cruel passage. Who is the target audience? Primavera, known as “Allegory of Spring,” is the greatest works at the Uffizi Museum in Florence, Italy. The origin of the painting is unclear, but we can detect the Primavera’s target audience by knowing the history of painting. The powerful families such as Medici family gave the funding of...
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...this movement changed the society and culture of Europe. The replacement of medieval ideas with the birth of modern principles changed the whole landscape of Europe and even the world as these ideas would gradually spread to other parts of the globe. It was particularly the Italian Renaissance which instigated these changes. It was when handful of humanists sparked off of what would be the one of the most remarkable revolutions. The Catholic Church started to shift away from being the center of the universe and began to be replaced by ideals such as secularism and individualism; a concept unheard of over the last 1000 years. This Renaissance movement were fueled by the people of Florence more so than any other nation. It was Florence which was the center of Renaissance and where it started off. With the discovery of ancient Roman and Greek manuscripts and art, the prosperous city of Florence soon became a mecca of culture and great achievements. It was in early stages of the Renaissance when the son of a goldsmith, Sandro Botticelli created his most famous works; Primavera and The Birth of Venus. After his death, Botticelli’s masterpieces and his artworks’ importance were obscured and underestimated for nearly 400 years before scholars grasped the importance of his work; primarily Primavera and The Birth of Venus and how it played a vital role in the Renaissance movement. Sandro Botticelli in the courts of the Medici created these masterpieces which in the painting itself seem...
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...It lacks all the inctricate designs and symbols in his piece in Madrid, but perhaps this was done on purpose to coincide with the simplistic life of a monk. Another painting that added more detail to the clothing, symbolism and landscape is Botticelli’s Cestello Annunciation. He used bright colors in his portrayal, and painted more movement compared to the calmness in Fra Angelico’s fresco. What makes Fra Angelico’s painting so brilliant is the fact that it is so simplistic, yet still full of lessons. By viewing this painting everytime they walked up the stairs, the monks would constantly reflect on the specific event. Fra Angelico’s painting was a constant teaching and reminder that the monks should continue every day with the same obedience and acceptance as Mary. Marco Benefial’s Massacre of the Innocents The Uffizi Gallery,...
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...or maudlin, can be found in forms of art from all ages. For example, the hit single “Never Gonna Give You Up” by Rick Astley” is a testament to all love that holds steadfast whilst “The Nymph’s Reply to the Shepard” by Sir Walter Raleigh scolds the Shepard false vows of love and as the “The Birth of Venus” by Sandro Botticelli exalts the beauty of the female physical form. These three classic pieces of art contain similar and distinct ideals that our society has imposed on love. Somewhere engrained in everyone’s memory is Rick Astley’s phrase “Never Gonna Give You Up” paired with the popular accompanying rhythm that so gracefully pounces off one’s eardrums. Rick’s lyrics, “A full commitment is what I’m thinking of” attests to the modern attitude towards true love; Rick sees and values a love that can withstand age, as unwavering and unconditional as time....
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...Sandro Botticelli was one of the major Italian artists of the early Renaissance period in the 1400’s. Born in Florence, he was initially trained as a goldsmith before undertaking an apprenticeship under Italian artist, Fra Filippo Lippi. It is clear that Botticelli was influenced by Lippi for the rest of his life as ‘Filippesque characteristics are still found in his work of 1500’ (L.D. & Ettlinger 1976). By 1470 Botticelli had his own workshop and his pieces were already beginning to be characterised. His impression of fully formed figures would form the basis for his popular works as a Renaissance artist. Between 1478 and 1490 Botticelli created his most iconic mythological works, The Birth of Venus and Primavera. In the last years of his...
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...Sandro Botticelli full name Alessandro di Mariano di Vanni Filipepi was one of the greatest, most influential and respected Italian painter of the Early Renaissance art. He was born in 1445 and died on 17th of May 1510. His reputation suffered for a brief moment until the late 19th century. Now his work it represents the linear grace of the Early Renaissance. Botticelli was trained first by Maso Finguerra (goldsmith) and then by artist Fra Filippo Lippi. Lippi’s painting style influenced Botticelli’s artistic style. He was also influenced by Pollaiolo. Botticelli mostly liked to paint in fresco or distemper and tempera. His career first began by painting frescoes for Florentine churches and cathedrals and ended up spending his almost entire...
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...individuals were becoming very wealthy and power of some individuals reached to political circles. The Italian Renaissance focused on religion as well. Popes were very wealthy and almost like kings in another societies. Oftentimes, paintings reflected themes of the Classical times, and some artists nearly copied the forms of ancient Greek statues and artwork. Based on that Greek Roman influence was very important in Italian Renaissance. It showed a lot of religion and mythology. Over all probably the most beautiful art came out from that period. Leonardo da Vinci, The Last Supper, fresco oil tempera, 1495- 1497 Michelangelo, The Creation of Adam, fresco oil tempera, 1511 7. How does Sandro Botticelli’s Birth of Venus reflect the then-popular Neoplatonist philosophy? The Birth of Venus by...
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...This paper will be focussing on the comparison between two paintings from the Renaissance period. The two paintings that will be discussed are The Birth of Venus by Sandro Boticelli and The Feast of the Gods by Giovanni Bellini. The comparison will be mainly based on the form of work that includes elements such as materials used, technique and colors, and also on the interpretations of the artwork. We will first look at Boticelli’s The Birth of Venus. It is probably considered to be Boticelli’s most famous piece of artwork. The painting is believed to have been produced between the periods of 1485-1486 (wikipaintings.org, 2013), making it from the Middle Ages Renaissance. He started the painting after being commissioned by the Medici family of Florence, Lorenzo di Pierfrencesco de Medici to be specific (Italian-renaissance-art.com, 2013). The painting portrays the birth of the goddess Venus, emerging from the sea as a fully grown women and being afloat on a seashell. The painting also shows a couple symbolizing the wing blowing her towards the shore. Venus is also seen to be greeted by a woman who seems to represent the spring. The painting is now displayed in Uffizi Gallery in Florence, Italy. The Feast of the Gods by Giovanni Bellini was Bellini’s last great painting (Kren & Marx, 2013). It is among the very few paintings that he worked on canvas. The Feast of the Gods was completed in 1514 (National Gallery of Art, 2013) after being commissioned by the Duke of Ferrara...
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...ASSIGNMENT NO: 01 | Title: Evolution of Old Masters Painting & Modern Art | Spring 2012History of World and ArchitectureSubject Code: GED 302Semester: 6thSection: 01Submitted To: Selima Quader ChowdhrySubmission Date: April 4, 2012 | Submitted By NAME: SHAIKH KHADIJA NO ID: 102011058 | “Evolution of Old Masters Painting & Modern Art” Index: Subject | Page No | I. Introduction | 03 | II. Italian Renaissance | 04 | III. Comparison between the paintings of the Italian Renaissance artists | 05 | IV. Modern Art | 08 | V. Comparison Between The Old Masters Painting And Modern Art | 09 | VI. Conclusion | 11 | VII. Reference | 12 | Introduction I am a student of “history of World Art and Architecture”. In this subject I am learning about analyze and evaluate the major movement, and trends in the visual arts of “Western Civilization”. For this reason, In 29 February, 2012 my classmate and I went to Bangladesh National Museum with our course teacher. It was a magnificent experience in my life. The 3rd Floor decorated with Pictures of International politicians, artists, scientists, famous pictures and three international galleries- Korean, Iranian and Swiss. We had a class on the Western arts gallery. The “Western Arts” gallery is enhancing with many famous artists painting. They all are reproduction of original work. (http://www.quiltindex.org/~quilti/wiki/index.php/Bangladesh_National_Museum) In the museum I saw many works of...
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...Name: Course: Professor: Date: A Historical Survey of Art and its Influence on Contemporary Art Linear perspective involves representation of real objects in two-dimensional form through converging surface edges on multiple points that resonate well with the viewer. Contrapposto is an image of skewed human figure displacing the actual weight dispersion for an artistic effect. Foreshortening allows an artist to make an object seem closer than it is. Illusionism comprises of the ability to interpret artistic depictions as a real object. Classicism includes artwork based on ancient Greek or Roman artistic and cultural principles. Cennino Cennini, through Il Libro del l’Arte, argues a novice artist requires the best works of their precursors to enrich their artistic skill. Imitation fortifies skills through repeated reproduction of the chosen work. However, a trainee artist should focus on one piece of art to thoroughly gain the desired skill sets. Imitation eventually begets emulation through a natural inculcation of the expert's skills. Emulating the work of an accomplished artist provides a young artist with a base to develop individual skills. Masaccio (Tommaso Guidi) introduced linear perspective through The Holy Trinity on Tempera as a primary medium. Donatello sculpted Mary Magdalene on stone providing a reference that exemplified intricate detailing in art. Andrea Mantegna inspired the importance of detail to paintings through the altarpiece...
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...important part of the Humanism of the Renaissance” (para. 3). Although beautiful and true to the style of the time, before the Early Renaissance period artist did not paint in three dimensional however, some artist did try to create illusions of space and depth to show the world realistically during the late 1300s unsuccessfully (Op-Art.co.uk, 2012). A list of Renaissance artists took full command of creating three-dimensional illusions on canvases and in their victory we see the world in a new and innovative way. [pic] Fig. 1 1486 Birth of Venus Botticelli Galleria degli Uffizi Sandro Botticelli (1445- 1510) was an Italian painter who studied under the direction Filippo Lippi who was a master painter during the Florentine Renaissance. Lippi taught Botticelli linear perspective along with a linear sense of form for color which is displayed in Botticelli’s “Birth of Venus”. The painting depicts Venus coming from the sea, arriving at the sea-shore awesomely praised as a goddess by angels and a woman. Humanism is major influence at this time which Botticelli acknowledges by placing Venous nude in the center of the painting. Botticelli painted the goddess Venous to symbolize his version of pagan...
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...Oils and Tempera: Two Mediums in Art Oil and Tempera paint are some of the oldest mediums known to artists. Though both are used to create beautiful pieces of art, they have many differences. It is an artist's preference as to what medium they want to use. It also depends on what the artwork will consist of. Is the artwork going to need a lot of detail, which Tempera paint can provide, or are they going to create something that will be more versatile and easier to work with, such as Oil paint can provide? Both have pros and cons. Here are some of the differences and likenesses between Tempera and Oil paint. Tempera can prove very hard to accomplish but after some practice it can be one of the easier mediums to use. It also can give better liveliness to paintings when compared to Oil paint. Tempera paint was used by the Egyptians, Greeks, and Romans. It was developed during the Middle Ages, when it was used for small paintings made on wood panels. The egg Tempera paint comprises high-quality finely ground pigments, egg yolk, and water. It is good for an artist wanting to create a piece with thin lines and details. It is very heavy in consistency and requires a more solid support like wood or mural works on or in buildings. Although egg tempera paintings are extremely durable in terms of longevity, the surface can be scratched, may absorb moisture, and is difficult to clean. Tempera has a shelf life of 3 years. When examining different works in Tempera you can see how luminous...
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...Perceptions of Third Year Fine Arts Students In Far Eastern University on the Use Of Nude Models in Art In Partial Fulfillment of The Subject Requirements In English 8 (Technical Writing) Submitted to: Mr. Rogelio Ramos Guce English Department Institute of Arts and Sciences by Alimorong, Aislin Nika Alterado, Charles Caga-anan, Mark Nathaniel Elpedes, Jhune-Marx Nuñez, Domnilourd Pangilinan, Shem Salvador, Mikaela Valdez, Judah Yatco, Ma. Barbara FT0933 First Semester S.Y. 2011 - 2012 CHAPTER I THE PROBLEM AND ITS BACKGROUND Introduction In the early days, great masters like da Vinci, Michaelangelo and Botticelli had been using nude models as references in their artworks for religious purposes. Up until now, this idea is still being implemented by artists but it is now more about aesthetics. Nude art generally refers to the artists’ depiction of artistic elements of nudity instead of actually showing the naked form of humans. Different cultures react differently on the use of nude models in art. It is through the aesthetic view of nude art that most countries accept this kind of art (Changing Depictions of Art Nudes, 2011). Art schools including Far Eastern University also accept the use of nude models in art such as paintings, sculpture, photography, and the like. In the curriculum of the Fine Arts Department, there are subjects like Anatomy, Life Drawing and Life Painting wherein nude models are used as references in...
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...The Ambiguity of Weeping. Baroque and Mannerist Discourses in Haynes’ Far from Heaven and Sirk’s All That Heaven Allows. Jack Post Abstract Although Douglas Sirk’ All That Heaven Allows (1954) and Todd Haynes’ Far from Heaven (2002) are both characterized as melodramas, they address their spectators differently. The divergent (emotional) reactions towards both films are the effect of different rhetorical strategies: the first can be seen a typical example of baroque discourse and the latter as a specimen of mannerist discourse. The reference to the terms melodrama, mannerism and baroque does not imply that these films are just formal repetitions of historical periods or that they thematically and structurally refer to historical styles, but that they are characterized by opposing discursive strategies which came to the foreground in a specific historical time and constellation. Because these discursive strategies return in other historical periods and socialpolitical circumstances in different guises and with different aims, they can be compared to what Aby Warburg calls Pathosformeln (pathos formula). The expressive forms, gestures and discursive modes of melodrama, baroque and mannerism can thus be understood as transhistorical (gestural) languages of pathos that recur in history. Résumé Bien que All that heaven allows (1954) par Douglas Sirk et Far from heaven (2002) par Todd Haynes se caractérisent nettement comme un mélodrame, les deux films adressent...
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...Prologue Florence, 1283 The poet stood next to the bridge and watched as the young woman approached. The world ground to a near standstill as he remarked her wide, dark eyes and elegantly curled brown hair. At first he didn’t recognize her. She was breathtakingly beautiful, her movements sure and graceful. Yet there was something about her face and figure that reminded him of the girl he’d fallen in love with long ago. They’d gone their separate ways, and he had always mourned her, his angel, his muse, his beloved Beatrice. Without her, his life had been lonely and small. Now his blessedness appeared. As she approached him with her companions, he bowed his head and body in a chivalrous salute. He had no expectation that his presence would be acknowledged. She was both perfect and untouchable, a browneyed angel dressed in resplendent white, while he was older, world-weary and wanting. She had almost passed him when his downcast eyes caught sight of one of her slippers — a slipper that hesitated just in front of him. His heart beat a furious tattoo as he waited, breathless. A soft and gentle voice broke into his remembrances as she spoke to him kindly. His startled eyes flew to hers. For years and years he’d longed for this moment, dreamed of it even, but never had he imagined encountering her in such a serendipitous fashion. And never had he dared hope he would be greeted so sweetly. Caught off balance, he mumbled his pleasantries and allowed himself the indulgence of a smile...
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